German Television : : Historical and Theoretical Perspectives / / ed. by Larson Powell, Robert Shandley.

Long overlooked by scholars and critics, the history and aesthetics of German television have only recently begun to attract serious, sustained attention, and then largely within Germany. This ambitious volume, the first in English on the subject, provides a much-needed corrective in the form of pen...

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Place / Publishing House:New York; , Oxford : : Berghahn Books, , [2016]
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Year of Publication:2016
Language:English
Series:Film Europa ; 19
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spelling German Television : Historical and Theoretical Perspectives / ed. by Larson Powell, Robert Shandley.
New York; Oxford : Berghahn Books, [2016]
©2016
1 online resource (242 p.)
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Film Europa ; 19
Frontmatter -- CONTENTS -- List of Figures and Tables -- Introduction. German Television: Culture, Technology, or Cultural Technology? -- Part I. Technical Prehistory and Theoretical Approaches -- 1. The Third Image: Contingencies and Ruptures in the Technological History of Television -- 2. Boredom, War, and Paradox: German Theories of Television -- Part II. GDR Television -- 3. “Just Like in the West, Except Diff erent”: Television and Its Relationship to Film in the Context of 1950s GDR Development -- 4. Adventures in Stagnation: Gott fried Kolditz’s Unfi lmed Project Zimtpiraten -- Part III. Television in the Federal Republic: Auteurist TV -- 5. “A Challenge, Maybe the Greatest for a Filmmaker”: Televisual Perspectives on Rainer Werner Fassbinder’s Martha (1974) -- 6. Nah am Fern: Kluge TV -- Part IV. Present and Future Perspectives -- 7. Television History in Germany: Media-Political and Media-Ethical Aspects -- 8. Germany as TV Show Import Market -- 9. Heritage, Heimat, and German Historical “Event Television”: Nico Hofmann’s teamWorx -- 10. Once Upon a Crime: Tatort, Germany’s Longest Running Police Procedural -- Bibliography -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Long overlooked by scholars and critics, the history and aesthetics of German television have only recently begun to attract serious, sustained attention, and then largely within Germany. This ambitious volume, the first in English on the subject, provides a much-needed corrective in the form of penetrating essays on the distinctive theories, practices, and social-historical contexts that have defined television in Germany. Encompassing developments from the dawn of the medium through the Cold War and post-reunification, this is an essential introduction to a rich and varied media tradition.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022)
PERFORMING ARTS / Television / History & Criticism. bisacsh
Beutelschmidt, Thomas, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Cooke, Paul, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Göbel-Stolz, Bärbel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Hagen, Wolfgang, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Harris, Stefanie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Mikos, Lothar, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Powell, Larson, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Powell, Larson, editor. edt http://id.loc.gov/vocabulary/relators/edt
Prager, Brad, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Shandley, Robert, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Shandley, Robert, editor. edt http://id.loc.gov/vocabulary/relators/edt
Steinmetz, Rüdiger, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Torner, Evan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2016 9783110998221
https://doi.org/10.1515/9781785331138?locatt=mode:legacy
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author2 Beutelschmidt, Thomas,
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Harris, Stefanie,
Harris, Stefanie,
Mikos, Lothar,
Mikos, Lothar,
Powell, Larson,
Powell, Larson,
Powell, Larson,
Powell, Larson,
Prager, Brad,
Prager, Brad,
Shandley, Robert,
Shandley, Robert,
Shandley, Robert,
Shandley, Robert,
Steinmetz, Rüdiger,
Steinmetz, Rüdiger,
Torner, Evan,
Torner, Evan,
author_facet Beutelschmidt, Thomas,
Beutelschmidt, Thomas,
Cooke, Paul,
Cooke, Paul,
Göbel-Stolz, Bärbel,
Göbel-Stolz, Bärbel,
Hagen, Wolfgang,
Hagen, Wolfgang,
Harris, Stefanie,
Harris, Stefanie,
Mikos, Lothar,
Mikos, Lothar,
Powell, Larson,
Powell, Larson,
Powell, Larson,
Powell, Larson,
Prager, Brad,
Prager, Brad,
Shandley, Robert,
Shandley, Robert,
Shandley, Robert,
Shandley, Robert,
Steinmetz, Rüdiger,
Steinmetz, Rüdiger,
Torner, Evan,
Torner, Evan,
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author_sort Beutelschmidt, Thomas,
title German Television : Historical and Theoretical Perspectives /
spellingShingle German Television : Historical and Theoretical Perspectives /
Film Europa ;
Frontmatter --
CONTENTS --
List of Figures and Tables --
Introduction. German Television: Culture, Technology, or Cultural Technology? --
Part I. Technical Prehistory and Theoretical Approaches --
1. The Third Image: Contingencies and Ruptures in the Technological History of Television --
2. Boredom, War, and Paradox: German Theories of Television --
Part II. GDR Television --
3. “Just Like in the West, Except Diff erent”: Television and Its Relationship to Film in the Context of 1950s GDR Development --
4. Adventures in Stagnation: Gott fried Kolditz’s Unfi lmed Project Zimtpiraten --
Part III. Television in the Federal Republic: Auteurist TV --
5. “A Challenge, Maybe the Greatest for a Filmmaker”: Televisual Perspectives on Rainer Werner Fassbinder’s Martha (1974) --
6. Nah am Fern: Kluge TV --
Part IV. Present and Future Perspectives --
7. Television History in Germany: Media-Political and Media-Ethical Aspects --
8. Germany as TV Show Import Market --
9. Heritage, Heimat, and German Historical “Event Television”: Nico Hofmann’s teamWorx --
10. Once Upon a Crime: Tatort, Germany’s Longest Running Police Procedural --
Bibliography --
Index
title_sub Historical and Theoretical Perspectives /
title_full German Television : Historical and Theoretical Perspectives / ed. by Larson Powell, Robert Shandley.
title_fullStr German Television : Historical and Theoretical Perspectives / ed. by Larson Powell, Robert Shandley.
title_full_unstemmed German Television : Historical and Theoretical Perspectives / ed. by Larson Powell, Robert Shandley.
title_auth German Television : Historical and Theoretical Perspectives /
title_alt Frontmatter --
CONTENTS --
List of Figures and Tables --
Introduction. German Television: Culture, Technology, or Cultural Technology? --
Part I. Technical Prehistory and Theoretical Approaches --
1. The Third Image: Contingencies and Ruptures in the Technological History of Television --
2. Boredom, War, and Paradox: German Theories of Television --
Part II. GDR Television --
3. “Just Like in the West, Except Diff erent”: Television and Its Relationship to Film in the Context of 1950s GDR Development --
4. Adventures in Stagnation: Gott fried Kolditz’s Unfi lmed Project Zimtpiraten --
Part III. Television in the Federal Republic: Auteurist TV --
5. “A Challenge, Maybe the Greatest for a Filmmaker”: Televisual Perspectives on Rainer Werner Fassbinder’s Martha (1974) --
6. Nah am Fern: Kluge TV --
Part IV. Present and Future Perspectives --
7. Television History in Germany: Media-Political and Media-Ethical Aspects --
8. Germany as TV Show Import Market --
9. Heritage, Heimat, and German Historical “Event Television”: Nico Hofmann’s teamWorx --
10. Once Upon a Crime: Tatort, Germany’s Longest Running Police Procedural --
Bibliography --
Index
title_new German Television :
title_sort german television : historical and theoretical perspectives /
series Film Europa ;
series2 Film Europa ;
publisher Berghahn Books,
publishDate 2016
physical 1 online resource (242 p.)
contents Frontmatter --
CONTENTS --
List of Figures and Tables --
Introduction. German Television: Culture, Technology, or Cultural Technology? --
Part I. Technical Prehistory and Theoretical Approaches --
1. The Third Image: Contingencies and Ruptures in the Technological History of Television --
2. Boredom, War, and Paradox: German Theories of Television --
Part II. GDR Television --
3. “Just Like in the West, Except Diff erent”: Television and Its Relationship to Film in the Context of 1950s GDR Development --
4. Adventures in Stagnation: Gott fried Kolditz’s Unfi lmed Project Zimtpiraten --
Part III. Television in the Federal Republic: Auteurist TV --
5. “A Challenge, Maybe the Greatest for a Filmmaker”: Televisual Perspectives on Rainer Werner Fassbinder’s Martha (1974) --
6. Nah am Fern: Kluge TV --
Part IV. Present and Future Perspectives --
7. Television History in Germany: Media-Political and Media-Ethical Aspects --
8. Germany as TV Show Import Market --
9. Heritage, Heimat, and German Historical “Event Television”: Nico Hofmann’s teamWorx --
10. Once Upon a Crime: Tatort, Germany’s Longest Running Police Procedural --
Bibliography --
Index
isbn 9781785331138
9783110998221
url https://doi.org/10.1515/9781785331138?locatt=mode:legacy
https://www.degruyter.com/isbn/9781785331138
https://www.degruyter.com/document/cover/isbn/9781785331138/original
illustrated Not Illustrated
doi_str_mv 10.1515/9781785331138?locatt=mode:legacy
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AT harrisstefanie germantelevisionhistoricalandtheoreticalperspectives
AT mikoslothar germantelevisionhistoricalandtheoreticalperspectives
AT powelllarson germantelevisionhistoricalandtheoreticalperspectives
AT pragerbrad germantelevisionhistoricalandtheoreticalperspectives
AT shandleyrobert germantelevisionhistoricalandtheoreticalperspectives
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hierarchy_parent_title Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2016
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