German Television : : Historical and Theoretical Perspectives / / ed. by Larson Powell, Robert Shandley.
Long overlooked by scholars and critics, the history and aesthetics of German television have only recently begun to attract serious, sustained attention, and then largely within Germany. This ambitious volume, the first in English on the subject, provides a much-needed corrective in the form of pen...
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Place / Publishing House: | New York; , Oxford : : Berghahn Books, , [2016] ©2016 |
Year of Publication: | 2016 |
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German Television : Historical and Theoretical Perspectives / ed. by Larson Powell, Robert Shandley. New York; Oxford : Berghahn Books, [2016] ©2016 1 online resource (242 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Film Europa ; 19 Frontmatter -- CONTENTS -- List of Figures and Tables -- Introduction. German Television: Culture, Technology, or Cultural Technology? -- Part I. Technical Prehistory and Theoretical Approaches -- 1. The Third Image: Contingencies and Ruptures in the Technological History of Television -- 2. Boredom, War, and Paradox: German Theories of Television -- Part II. GDR Television -- 3. “Just Like in the West, Except Diff erent”: Television and Its Relationship to Film in the Context of 1950s GDR Development -- 4. Adventures in Stagnation: Gott fried Kolditz’s Unfi lmed Project Zimtpiraten -- Part III. Television in the Federal Republic: Auteurist TV -- 5. “A Challenge, Maybe the Greatest for a Filmmaker”: Televisual Perspectives on Rainer Werner Fassbinder’s Martha (1974) -- 6. Nah am Fern: Kluge TV -- Part IV. Present and Future Perspectives -- 7. Television History in Germany: Media-Political and Media-Ethical Aspects -- 8. Germany as TV Show Import Market -- 9. Heritage, Heimat, and German Historical “Event Television”: Nico Hofmann’s teamWorx -- 10. Once Upon a Crime: Tatort, Germany’s Longest Running Police Procedural -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Long overlooked by scholars and critics, the history and aesthetics of German television have only recently begun to attract serious, sustained attention, and then largely within Germany. This ambitious volume, the first in English on the subject, provides a much-needed corrective in the form of penetrating essays on the distinctive theories, practices, and social-historical contexts that have defined television in Germany. Encompassing developments from the dawn of the medium through the Cold War and post-reunification, this is an essential introduction to a rich and varied media tradition. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) PERFORMING ARTS / Television / History & Criticism. bisacsh Beutelschmidt, Thomas, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Cooke, Paul, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Göbel-Stolz, Bärbel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hagen, Wolfgang, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Harris, Stefanie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mikos, Lothar, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Powell, Larson, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Powell, Larson, editor. edt http://id.loc.gov/vocabulary/relators/edt Prager, Brad, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Shandley, Robert, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Shandley, Robert, editor. edt http://id.loc.gov/vocabulary/relators/edt Steinmetz, Rüdiger, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Torner, Evan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2016 9783110998221 https://doi.org/10.1515/9781785331138?locatt=mode:legacy https://www.degruyter.com/isbn/9781785331138 Cover https://www.degruyter.com/document/cover/isbn/9781785331138/original |
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English |
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Beutelschmidt, Thomas, Beutelschmidt, Thomas, Cooke, Paul, Cooke, Paul, Göbel-Stolz, Bärbel, Göbel-Stolz, Bärbel, Hagen, Wolfgang, Hagen, Wolfgang, Harris, Stefanie, Harris, Stefanie, Mikos, Lothar, Mikos, Lothar, Powell, Larson, Powell, Larson, Powell, Larson, Powell, Larson, Prager, Brad, Prager, Brad, Shandley, Robert, Shandley, Robert, Shandley, Robert, Shandley, Robert, Steinmetz, Rüdiger, Steinmetz, Rüdiger, Torner, Evan, Torner, Evan, |
author_facet |
Beutelschmidt, Thomas, Beutelschmidt, Thomas, Cooke, Paul, Cooke, Paul, Göbel-Stolz, Bärbel, Göbel-Stolz, Bärbel, Hagen, Wolfgang, Hagen, Wolfgang, Harris, Stefanie, Harris, Stefanie, Mikos, Lothar, Mikos, Lothar, Powell, Larson, Powell, Larson, Powell, Larson, Powell, Larson, Prager, Brad, Prager, Brad, Shandley, Robert, Shandley, Robert, Shandley, Robert, Shandley, Robert, Steinmetz, Rüdiger, Steinmetz, Rüdiger, Torner, Evan, Torner, Evan, |
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author_sort |
Beutelschmidt, Thomas, |
title |
German Television : Historical and Theoretical Perspectives / |
spellingShingle |
German Television : Historical and Theoretical Perspectives / Film Europa ; Frontmatter -- CONTENTS -- List of Figures and Tables -- Introduction. German Television: Culture, Technology, or Cultural Technology? -- Part I. Technical Prehistory and Theoretical Approaches -- 1. The Third Image: Contingencies and Ruptures in the Technological History of Television -- 2. Boredom, War, and Paradox: German Theories of Television -- Part II. GDR Television -- 3. “Just Like in the West, Except Diff erent”: Television and Its Relationship to Film in the Context of 1950s GDR Development -- 4. Adventures in Stagnation: Gott fried Kolditz’s Unfi lmed Project Zimtpiraten -- Part III. Television in the Federal Republic: Auteurist TV -- 5. “A Challenge, Maybe the Greatest for a Filmmaker”: Televisual Perspectives on Rainer Werner Fassbinder’s Martha (1974) -- 6. Nah am Fern: Kluge TV -- Part IV. Present and Future Perspectives -- 7. Television History in Germany: Media-Political and Media-Ethical Aspects -- 8. Germany as TV Show Import Market -- 9. Heritage, Heimat, and German Historical “Event Television”: Nico Hofmann’s teamWorx -- 10. Once Upon a Crime: Tatort, Germany’s Longest Running Police Procedural -- Bibliography -- Index |
title_sub |
Historical and Theoretical Perspectives / |
title_full |
German Television : Historical and Theoretical Perspectives / ed. by Larson Powell, Robert Shandley. |
title_fullStr |
German Television : Historical and Theoretical Perspectives / ed. by Larson Powell, Robert Shandley. |
title_full_unstemmed |
German Television : Historical and Theoretical Perspectives / ed. by Larson Powell, Robert Shandley. |
title_auth |
German Television : Historical and Theoretical Perspectives / |
title_alt |
Frontmatter -- CONTENTS -- List of Figures and Tables -- Introduction. German Television: Culture, Technology, or Cultural Technology? -- Part I. Technical Prehistory and Theoretical Approaches -- 1. The Third Image: Contingencies and Ruptures in the Technological History of Television -- 2. Boredom, War, and Paradox: German Theories of Television -- Part II. GDR Television -- 3. “Just Like in the West, Except Diff erent”: Television and Its Relationship to Film in the Context of 1950s GDR Development -- 4. Adventures in Stagnation: Gott fried Kolditz’s Unfi lmed Project Zimtpiraten -- Part III. Television in the Federal Republic: Auteurist TV -- 5. “A Challenge, Maybe the Greatest for a Filmmaker”: Televisual Perspectives on Rainer Werner Fassbinder’s Martha (1974) -- 6. Nah am Fern: Kluge TV -- Part IV. Present and Future Perspectives -- 7. Television History in Germany: Media-Political and Media-Ethical Aspects -- 8. Germany as TV Show Import Market -- 9. Heritage, Heimat, and German Historical “Event Television”: Nico Hofmann’s teamWorx -- 10. Once Upon a Crime: Tatort, Germany’s Longest Running Police Procedural -- Bibliography -- Index |
title_new |
German Television : |
title_sort |
german television : historical and theoretical perspectives / |
series |
Film Europa ; |
series2 |
Film Europa ; |
publisher |
Berghahn Books, |
publishDate |
2016 |
physical |
1 online resource (242 p.) |
contents |
Frontmatter -- CONTENTS -- List of Figures and Tables -- Introduction. German Television: Culture, Technology, or Cultural Technology? -- Part I. Technical Prehistory and Theoretical Approaches -- 1. The Third Image: Contingencies and Ruptures in the Technological History of Television -- 2. Boredom, War, and Paradox: German Theories of Television -- Part II. GDR Television -- 3. “Just Like in the West, Except Diff erent”: Television and Its Relationship to Film in the Context of 1950s GDR Development -- 4. Adventures in Stagnation: Gott fried Kolditz’s Unfi lmed Project Zimtpiraten -- Part III. Television in the Federal Republic: Auteurist TV -- 5. “A Challenge, Maybe the Greatest for a Filmmaker”: Televisual Perspectives on Rainer Werner Fassbinder’s Martha (1974) -- 6. Nah am Fern: Kluge TV -- Part IV. Present and Future Perspectives -- 7. Television History in Germany: Media-Political and Media-Ethical Aspects -- 8. Germany as TV Show Import Market -- 9. Heritage, Heimat, and German Historical “Event Television”: Nico Hofmann’s teamWorx -- 10. Once Upon a Crime: Tatort, Germany’s Longest Running Police Procedural -- Bibliography -- Index |
isbn |
9781785331138 9783110998221 |
url |
https://doi.org/10.1515/9781785331138?locatt=mode:legacy https://www.degruyter.com/isbn/9781785331138 https://www.degruyter.com/document/cover/isbn/9781785331138/original |
illustrated |
Not Illustrated |
doi_str_mv |
10.1515/9781785331138?locatt=mode:legacy |
work_keys_str_mv |
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Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2016 |
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German Television : Historical and Theoretical Perspectives / |
container_title |
Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2016 |
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