Fascism and Theatre : : Comparative Studies on the Aesthetics and Politics of Performance in Europe, 1925-1945 / / ed. by Günter Berghaus.

• Superior document: Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013
• MitwirkendeR: Added, Serge,; Berghaus, Günter,; Cavallo, Pietro,; Gentile, Emilio,; Griffin, Roger,; Kühnl, Reinhard,; Levi, Erik,; Linares, Francisco,; London, John,; Panse, Barbara,; Schültke, Bettina,; Thamer, Hans-Ulrich,; Thompson, Doug,; Verdone, Mario,; Wahnón, Sultana,
• HerausgeberIn: Berghaus, Günter,
• Place / Publishing House: New York; , Oxford : : Berghahn Books, , [1996]; ©1996
• Year of Publication: 1996
• Language: English
• Physical Description: 1 online resource (304 p.)
• Other title: Frontmatter --; CONTENTS --; Introduction --; 1. Staging the Nation’s Rebirth --; 2. The Cultural Politics of Fascist Governments --; 3. The Ritual Core of Fascist Theatre --; 4. The Theatre of Politics in Fascist Italy --; 5. The Organisation, Fascistisation and Management of Theatre in Italy, 1925-1943 --; 6. Theatre Politics of the Mussolini Régime and Their Influence on Fascist Drama --; 7. Mussolini’s ‘Theatre of the Masses’ --; 8. Censorship in Nazi Germany --; 9. The Municipal Theatre in Frankfurt-on-the-Main --; 10. The Orchestration of the National Community --; 11. The Theatre Aesthetics of the Falange --; 12. Theatre and Falangism at the Beginning of the Franco Régime --; 13. Competing Together in Fascist Europe --; 14. Jacques Copeau and ‘Popular Theatre’ in Vichy France --; 15. Towards an Aesthetic of Fascist Opera --; Bibliography --; Illustrations --; Notes on Contributors --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781785330476; 9783110998283
• DOI: 10.1515/9781785330476
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Günter Berghaus.

Since the 1920s, an endless flow of studies has analyzed the political systems of fascism, theseizure of power, the nature of the regimes, the atrocities committed, and, finally, the wars waged against other countries. However, much less attention has been paid to the strategies of persuasion employed by the regimes to win over the masses for their cause. Among these, fascist propaganda has traditionally been seen as the key means of influencing public opinion. Only recently has the "fascination with Fascism" become a topic of enquiry that has also formed the guiding interest of this volume: it offers, for the first time, a comparative analysis of the forms and functions of theater in countries governed by fascist or para-fascist regimes. By examining a wide spectrum of theatrical manifestations in a number of States with a varying degree of fascistization, these studies establish some of the similarities and differences between the theatrical cultures of several cultures in the interwar period.