Political Fellini : : Journey to the End of Italy / / Andrea Minuz.
Federico Fellini is often considered a disengaged filmmaker, interested in self-referential dreams and grotesquerie rather than contemporary politics. This book challenges that myth by examining the filmmaker’s reception in Italy, and by exploring his films in the context of significant political de...
Saved in:
| Superior document: | Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2014-2015 |
|---|---|
| VerfasserIn: | |
| MitwirkendeR: | |
| Place / Publishing House: | New York ;, Oxford : : Berghahn Books, , [2015] ©2015 |
| Year of Publication: | 2015 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (228 p.) |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- Preface to the English Edition: After The Great Beauty
- Acknowledgments
- Essential Chronology
- Introduction: Political Fellini?
- Chapter 1 Fellini and “Italian Ideology”
- Chapter 2 Mythical Biography of a Nation
- Chapter 3 La Dolce Vita and Its Relevance Today
- Chapter 4 Fellini, Mussolini, and the Complex of Rome
- Chapter 5 Fellini and Feminism
- Chapter 6 A Public Dream: Italy and Prova d’orchestra
- Chapter 7 You Don’t Interrupt an Emotion
- Appendix: The Divo and the Maestro Fellini in the Andreotti Archives
- Selected Bibliography
- Index