Imperial Projections : : Screening the German Colonies / / Wolfgang Fuhrmann.

The beginning of filmmaking in the German colonies coincided with colonialism itself coming to a standstill. Scandals and economic stagnation in the colonies demanded a new and positive image of their value for Germany. By promoting business and establishing a new genre within the fast growing film...

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Superior document:Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2014-2015
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Place / Publishing House:New York; , Oxford : : Berghahn Books, , [2015]
©2015
Year of Publication:2015
Language:English
Series:Film Europa ; 17
Online Access:
Physical Description:1 online resource (322 p.)
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100 1 |a Fuhrmann, Wolfgang,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Imperial Projections :  |b Screening the German Colonies /  |c Wolfgang Fuhrmann. 
264 1 |a New York;   |a Oxford :   |b Berghahn Books,   |c [2015] 
264 4 |c ©2015 
300 |a 1 online resource (322 p.) 
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490 0 |a Film Europa ;  |v 17 
505 0 0 |t Frontmatter --   |t CONTENTS --   |t ILLUSTRATIONS --   |t ACKNOWLEDGEMENTS --   |t ABBREVIATIONS --   |t INTRODUCTION --   |t PART I THE BEGINNING OF COLONIAL FILM CULTURE IN IMPERIAL GERMANY --   |t Chapter 1 FROM THE VARIETY THEATRE TO THE GERMAN COLONIAL SOCIETY --   |t Chapter 2 CARL MÜLLER A Colonial Filmmaker --   |t Chapter 3 THE DKG’S FILM SHOWS The Colonies in Motion --   |t PART II ADDRESSING THE MASSES --   |t Chapter 4 THE ‘HOTTENTOT ELECTION’ OF 1907 --   |t Chapter 5 THE DKG’S KINEMATOGRAPHENKAMPAGNE --   |t Chapter 6 RISE AND FALL OF THE KINEMATOGRAPHENKAMPAGNE --   |t PART III ETHNOGRAPHIC FILMMAKING IN THE COLONIES --   |t Chapter 7 KARL WEULE IN GERMAN EAST AFRICA --   |t Chapter 8 THE EXPEDITION IN CONTEXT Modern German Ethnography --   |t Chapter 9 FILMING IN THE COLONIES Training and Improvisation --   |t PART IV TOURISM, ENTERTAINMENT AND COLONIAL IDEOLOGY --   |t Chapter 10 COLONIAL FILMS IN PUBLIC CINEMA --   |t Chapter 11 THE COLONIAL TRAVELOGUE --   |t Chapter 12 COLONIAL FILMS IN TRANSITION Robert Schumann’s Comeback --   |t PART V COLONIAL FILM PROPAGANDA DURING THE FIRST WORLD WAR --   |t Chapter 13 SETTING UP COLONIAL WAR PROPAGANDA --   |t Chapter 14 THE DEUTSCHE KOLONIAL-FILMGESELLSCHAFT (DEUKO) --   |t CONCLUSION Beyond the Colonial Era --   |t FILMOGRAPHY --   |t BIBLIOGRAPHY --   |t INDEX 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a The beginning of filmmaking in the German colonies coincided with colonialism itself coming to a standstill. Scandals and economic stagnation in the colonies demanded a new and positive image of their value for Germany. By promoting business and establishing a new genre within the fast growing film industry, films of the colonies were welcomed by organizations such as the Deutsche Kolonialgesellschaft (German Colonial Society). The films triggered patriotic feelings but also addressed the audience as travelers, explorers, wildlife protectionists, and participants in unique cultural events. This book is the first in-depth analysis of colonial filmmaking in the Wilhelmine Era. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) 
650 0 |a Documentary films  |z Germany  |x History  |y 20th century. 
650 0 |a Motion pictures in propaganda  |z Germany. 
650 0 |a Motion pictures  |z Germany  |x Colonies. 
650 7 |a PERFORMING ARTS / Film & Video / History & Criticism.  |2 bisacsh 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Berghahn Books Complete eBook-Package 2014-2015  |z 9783110998238 
856 4 0 |u https://doi.org/10.1515/9781782386988?locatt=mode:legacy 
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