Sounds of Modern History : : Auditory Cultures in 19th- and 20th-Century Europe / / ed. by Daniel Morat.
Long ignored by scholars in the humanities, sound has just begun to take its place as an important object of study in the last few years. Since the late 19th century, there has been a paradigmatic shift in auditory cultures and practices in European societies. This change was brought about by modern...
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Sounds of Modern History : Auditory Cultures in 19th- and 20th-Century Europe / ed. by Daniel Morat. New York; Oxford : Berghahn Books, [2014] ©2014 1 online resource (352 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- List of Figures -- Introduction -- Part I: Sound History in Perspective -- Chapter 1 Futures of Hearing Pasts -- Part II: Literature, Science, and Sound Technologies in the Nineteenth Century -- Chapter 2 English Beat: The Stethoscopic Era’s Sonic Traces -- Chapter 3 The Human Telephone: Physiology, Neurology, and Sound Technologies -- Part III: Sound Objects as Artifacts of Attraction -- Chapter 4 Listening to the Horn: On the Cultural History of the Phonograph and the Gramophone -- Chapter 5 Phones, Horns, and “Audio Hoods” as Media of Attraction: Early Sound Histories in Vienna between 1883 and 1933 -- Part IV : Music Listening in the Laboratory and in the Concert Hall -- Chapter 6 From the Piano Pestilence to the Phonograph Solo: Four Case Studies of Musical Expertise in the Laboratory and on the City Street -- Chapter 7 The Invention of Silence: Audience Behavior in Berlin and London in the Nineteenth Century -- Part V: The Sounds of World War I -- Chapter 8 Cheers, Songs, and Marching Sounds: Acoustic Mobilization and Collective Affects at the Beginning of World War I -- Chapter 9 Listening on the Home Front: Music and the Production of Social Meaning in German Concert Halls during World War I -- Part VI: Auditory Cultures in the Interwar Period -- Chapter 10 In Storms of Steel: The Soundscape of World War I and its Impact on Auditory Media Culture during the Weimar Period -- Chapter 11 Sound Aesthetics and the Global Imagination in German Media Culture around 1930 -- Chapter 12 Neurasthenia, Civilization, and the Sounds of Modern Life: Narratives of Nervous Illness in the Interwar Campaign against Noise -- Part VII: The Sounds of World War II -- Chapter 13 The Silence of Amsterdam before and during World War II: Ecology, Semiotics, and Politics of Urban Sound -- Notes on Contributors -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Long ignored by scholars in the humanities, sound has just begun to take its place as an important object of study in the last few years. Since the late 19th century, there has been a paradigmatic shift in auditory cultures and practices in European societies. This change was brought about by modern phenomena such as urbanization, industrialization and mechanization, the rise of modern sciences, and of course the emergence of new sound recording and transmission media. This book contributes to our understanding of modern European history through the lens of sound by examining diverse subjects such as performed and recorded music, auditory technologies like the telephone and stethoscope, and the ambient noise of the city. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) Hearing Social aspects Europe History. Noise Social aspects Europe History. Social change Europe History. Sound Recording and reproducing Europe History. Sound Social aspects Europe History. HISTORY / Social History. bisacsh Birdsall, Carolyn, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ehardt, Christine, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Enns, Anthony, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gauß, Stefan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hui, Alexandra E., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Jacobs, Annelies, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mansell, James G., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Morat, Daniel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Morat, Daniel, editor. edt http://id.loc.gov/vocabulary/relators/edt Müller, Sven Oliver, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Picker, John M., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Smith, Mark M., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Volmar, Axel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ziemer, Hansjakob, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2014-2015 9783110998238 https://doi.org/10.1515/9781782384229 https://www.degruyter.com/isbn/9781782384229 Cover https://www.degruyter.com/document/cover/isbn/9781782384229/original |
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Birdsall, Carolyn, Birdsall, Carolyn, Ehardt, Christine, Ehardt, Christine, Enns, Anthony, Enns, Anthony, Gauß, Stefan, Gauß, Stefan, Hui, Alexandra E., Hui, Alexandra E., Jacobs, Annelies, Jacobs, Annelies, Mansell, James G., Mansell, James G., Morat, Daniel, Morat, Daniel, Morat, Daniel, Morat, Daniel, Müller, Sven Oliver, Müller, Sven Oliver, Picker, John M., Picker, John M., Smith, Mark M., Smith, Mark M., Volmar, Axel, Volmar, Axel, Ziemer, Hansjakob, Ziemer, Hansjakob, |
author_facet |
Birdsall, Carolyn, Birdsall, Carolyn, Ehardt, Christine, Ehardt, Christine, Enns, Anthony, Enns, Anthony, Gauß, Stefan, Gauß, Stefan, Hui, Alexandra E., Hui, Alexandra E., Jacobs, Annelies, Jacobs, Annelies, Mansell, James G., Mansell, James G., Morat, Daniel, Morat, Daniel, Morat, Daniel, Morat, Daniel, Müller, Sven Oliver, Müller, Sven Oliver, Picker, John M., Picker, John M., Smith, Mark M., Smith, Mark M., Volmar, Axel, Volmar, Axel, Ziemer, Hansjakob, Ziemer, Hansjakob, |
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Birdsall, Carolyn, |
title |
Sounds of Modern History : Auditory Cultures in 19th- and 20th-Century Europe / |
spellingShingle |
Sounds of Modern History : Auditory Cultures in 19th- and 20th-Century Europe / Frontmatter -- Contents -- List of Figures -- Introduction -- Part I: Sound History in Perspective -- Chapter 1 Futures of Hearing Pasts -- Part II: Literature, Science, and Sound Technologies in the Nineteenth Century -- Chapter 2 English Beat: The Stethoscopic Era’s Sonic Traces -- Chapter 3 The Human Telephone: Physiology, Neurology, and Sound Technologies -- Part III: Sound Objects as Artifacts of Attraction -- Chapter 4 Listening to the Horn: On the Cultural History of the Phonograph and the Gramophone -- Chapter 5 Phones, Horns, and “Audio Hoods” as Media of Attraction: Early Sound Histories in Vienna between 1883 and 1933 -- Part IV : Music Listening in the Laboratory and in the Concert Hall -- Chapter 6 From the Piano Pestilence to the Phonograph Solo: Four Case Studies of Musical Expertise in the Laboratory and on the City Street -- Chapter 7 The Invention of Silence: Audience Behavior in Berlin and London in the Nineteenth Century -- Part V: The Sounds of World War I -- Chapter 8 Cheers, Songs, and Marching Sounds: Acoustic Mobilization and Collective Affects at the Beginning of World War I -- Chapter 9 Listening on the Home Front: Music and the Production of Social Meaning in German Concert Halls during World War I -- Part VI: Auditory Cultures in the Interwar Period -- Chapter 10 In Storms of Steel: The Soundscape of World War I and its Impact on Auditory Media Culture during the Weimar Period -- Chapter 11 Sound Aesthetics and the Global Imagination in German Media Culture around 1930 -- Chapter 12 Neurasthenia, Civilization, and the Sounds of Modern Life: Narratives of Nervous Illness in the Interwar Campaign against Noise -- Part VII: The Sounds of World War II -- Chapter 13 The Silence of Amsterdam before and during World War II: Ecology, Semiotics, and Politics of Urban Sound -- Notes on Contributors -- Index |
title_sub |
Auditory Cultures in 19th- and 20th-Century Europe / |
title_full |
Sounds of Modern History : Auditory Cultures in 19th- and 20th-Century Europe / ed. by Daniel Morat. |
title_fullStr |
Sounds of Modern History : Auditory Cultures in 19th- and 20th-Century Europe / ed. by Daniel Morat. |
title_full_unstemmed |
Sounds of Modern History : Auditory Cultures in 19th- and 20th-Century Europe / ed. by Daniel Morat. |
title_auth |
Sounds of Modern History : Auditory Cultures in 19th- and 20th-Century Europe / |
title_alt |
Frontmatter -- Contents -- List of Figures -- Introduction -- Part I: Sound History in Perspective -- Chapter 1 Futures of Hearing Pasts -- Part II: Literature, Science, and Sound Technologies in the Nineteenth Century -- Chapter 2 English Beat: The Stethoscopic Era’s Sonic Traces -- Chapter 3 The Human Telephone: Physiology, Neurology, and Sound Technologies -- Part III: Sound Objects as Artifacts of Attraction -- Chapter 4 Listening to the Horn: On the Cultural History of the Phonograph and the Gramophone -- Chapter 5 Phones, Horns, and “Audio Hoods” as Media of Attraction: Early Sound Histories in Vienna between 1883 and 1933 -- Part IV : Music Listening in the Laboratory and in the Concert Hall -- Chapter 6 From the Piano Pestilence to the Phonograph Solo: Four Case Studies of Musical Expertise in the Laboratory and on the City Street -- Chapter 7 The Invention of Silence: Audience Behavior in Berlin and London in the Nineteenth Century -- Part V: The Sounds of World War I -- Chapter 8 Cheers, Songs, and Marching Sounds: Acoustic Mobilization and Collective Affects at the Beginning of World War I -- Chapter 9 Listening on the Home Front: Music and the Production of Social Meaning in German Concert Halls during World War I -- Part VI: Auditory Cultures in the Interwar Period -- Chapter 10 In Storms of Steel: The Soundscape of World War I and its Impact on Auditory Media Culture during the Weimar Period -- Chapter 11 Sound Aesthetics and the Global Imagination in German Media Culture around 1930 -- Chapter 12 Neurasthenia, Civilization, and the Sounds of Modern Life: Narratives of Nervous Illness in the Interwar Campaign against Noise -- Part VII: The Sounds of World War II -- Chapter 13 The Silence of Amsterdam before and during World War II: Ecology, Semiotics, and Politics of Urban Sound -- Notes on Contributors -- Index |
title_new |
Sounds of Modern History : |
title_sort |
sounds of modern history : auditory cultures in 19th- and 20th-century europe / |
publisher |
Berghahn Books, |
publishDate |
2014 |
physical |
1 online resource (352 p.) |
contents |
Frontmatter -- Contents -- List of Figures -- Introduction -- Part I: Sound History in Perspective -- Chapter 1 Futures of Hearing Pasts -- Part II: Literature, Science, and Sound Technologies in the Nineteenth Century -- Chapter 2 English Beat: The Stethoscopic Era’s Sonic Traces -- Chapter 3 The Human Telephone: Physiology, Neurology, and Sound Technologies -- Part III: Sound Objects as Artifacts of Attraction -- Chapter 4 Listening to the Horn: On the Cultural History of the Phonograph and the Gramophone -- Chapter 5 Phones, Horns, and “Audio Hoods” as Media of Attraction: Early Sound Histories in Vienna between 1883 and 1933 -- Part IV : Music Listening in the Laboratory and in the Concert Hall -- Chapter 6 From the Piano Pestilence to the Phonograph Solo: Four Case Studies of Musical Expertise in the Laboratory and on the City Street -- Chapter 7 The Invention of Silence: Audience Behavior in Berlin and London in the Nineteenth Century -- Part V: The Sounds of World War I -- Chapter 8 Cheers, Songs, and Marching Sounds: Acoustic Mobilization and Collective Affects at the Beginning of World War I -- Chapter 9 Listening on the Home Front: Music and the Production of Social Meaning in German Concert Halls during World War I -- Part VI: Auditory Cultures in the Interwar Period -- Chapter 10 In Storms of Steel: The Soundscape of World War I and its Impact on Auditory Media Culture during the Weimar Period -- Chapter 11 Sound Aesthetics and the Global Imagination in German Media Culture around 1930 -- Chapter 12 Neurasthenia, Civilization, and the Sounds of Modern Life: Narratives of Nervous Illness in the Interwar Campaign against Noise -- Part VII: The Sounds of World War II -- Chapter 13 The Silence of Amsterdam before and during World War II: Ecology, Semiotics, and Politics of Urban Sound -- Notes on Contributors -- Index |
isbn |
9781782384229 9783110998238 |
callnumber-first |
C - Historical Sciences |
callnumber-subject |
CB - History of Civilization |
callnumber-label |
CB417 |
callnumber-sort |
CB 3417 S68 42014 |
geographic_facet |
Europe |
url |
https://doi.org/10.1515/9781782384229 https://www.degruyter.com/isbn/9781782384229 https://www.degruyter.com/document/cover/isbn/9781782384229/original |
illustrated |
Not Illustrated |
doi_str_mv |
10.1515/9781782384229 |
work_keys_str_mv |
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ids_txt_mv |
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hierarchy_parent_title |
Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2014-2015 |
is_hierarchy_title |
Sounds of Modern History : Auditory Cultures in 19th- and 20th-Century Europe / |
container_title |
Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2014-2015 |
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