Cinema At the Edges : : New Encounters with Julio Medem, Bigas Luna and José Luis Guerín / / Abigail Loxham.
The works of popular Spanish film directors Julio Medem, Juan José Bigas Luna, and José Luis Guerín are newly appraised in relation to their engagement with alternative national and cinematic subjectivities. Their films examine the limitations of the cinematic gaze, as the author shows, highlighting...
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| Superior document: | Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2014-2015 |
|---|---|
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| Place / Publishing House: | New York; , Oxford : : Berghahn Books, , [2014] ©2014 |
| Year of Publication: | 2014 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (202 p.) |
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| 001 | 9781782383055 | ||
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| 100 | 1 | |a Loxham, Abigail, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Cinema At the Edges : |b New Encounters with Julio Medem, Bigas Luna and José Luis Guerín / |c Abigail Loxham. |
| 264 | 1 | |a New York; |a Oxford : |b Berghahn Books, |c [2014] | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (202 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgements -- |t Figures -- |t INTRODUCTION Defining the Edge -- |t CHAPTER ONE (Re-)Defining Spanish Cinema? -- |t CHAPTER TWO Julio Medem: At the Margins of the Self -- |t CHAPTER THREE Bigas Luna: Physical Frontiers -- |t CHAPTER FOUR José Luis Guerín: Between Reality and Fiction -- |t CONCLUSION Looking Forward to the Past -- |t Filmography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a The works of popular Spanish film directors Julio Medem, Juan José Bigas Luna, and José Luis Guerín are newly appraised in relation to their engagement with alternative national and cinematic subjectivities. Their films examine the limitations of the cinematic gaze, as the author shows, highlighting the ways in which these directors make recourse to hybridity, contact, and interface to overcome the binary power dynamic previously thought to be a feature of cinema. This book explores their status as solely “Spanish” filmmakers while focusing on their diverse and immensely creative output, offering new readings that engage with current debates in visual culture surrounding psychoanalytic theory, phenomenology, and theories of documentary practice. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) | |
| 650 | 0 | |a Motion pictures |z Spain |x History and criticism. | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Berghahn Books Complete eBook-Package 2014-2015 |z 9783110998238 |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9781782383055 |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9781782383055 |
| 856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9781782383055/original |
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