Subjective Realist Cinema : : From Expressionism to ‹i›Inception‹/i› / / Matthew Campora.
Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ “subjective realist” narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author...
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| Superior document: | Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2014-2015 |
|---|---|
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| Place / Publishing House: | New York; , Oxford : : Berghahn Books, , [2014] ©2014 |
| Year of Publication: | 2014 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (160 p.) |
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| 001 | 9781782382799 | ||
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| 100 | 1 | |a Campora, Matthew, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Subjective Realist Cinema : |b From Expressionism to ‹i›Inception‹/i› / |c Matthew Campora. |
| 264 | 1 | |a New York; |a Oxford : |b Berghahn Books, |c [2014] | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (160 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t Introduction -- |t Chapter 1. Complex Narratives -- |t Chapter 2. Two Trajectories of the Cinema of Attractions -- |t Chapter 3. Subjective Realism and Multiform Narratives -- |t Chapter 4. Mulholland Drive -- |t Chapter 5. Memento -- |t Chapter 6. Eternal Sunshine of the Spotless Mind -- |t Conclusion -- |t Filmography -- |t Bibliography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ “subjective realist” narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers’ enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contemporary filmmaking. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) | |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 0 | |a Realism in motion pictures. | |
| 650 | 0 | |a Subjectivity in motion pictures. | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Berghahn Books Complete eBook-Package 2014-2015 |z 9783110998238 |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9781782382799 |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9781782382799 |
| 856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9781782382799/original |
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