The Aesthetic Border : : Colombian Literature in the Face of Globalization / / Brantley Nicholson.

• Superior document: Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English
• VerfasserIn: Nicholson, Brantley,
• Place / Publishing House: Lewisburg, PA : : Bucknell University Press, , [2022]; ©2022
• Year of Publication: 2022
• Language: English
• Series: Bucknell Studies in Latin American Literature and Theory
• Physical Description: 1 online resource (162 p.)
• Other title: Frontmatter --; Contents --; Preface and Acknowledgments --; Introduction --; 1 Gabo against the World: Gabriel García Márquez and the Poetics of Early Globalization --; 2 Literary Shipwrecks: Colombian Aesthetic Citizenship after García Márquez --; 3 Narrating Disruption: From the Novela de la Violencia to the Narco-Novela --; 4 Recasting the Colombian National Story after the Inrush of the World --; Notes --; Bibliography --; Index --; About the Author
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781684483693; 9783110993899; 9783110994810; 9783110993752; 9783110993738; 9783110766479
• DOI: 10.36019/9781684483693?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Brantley Nicholson.

This groundbreaking study examines how modern Colombian literature—from Gabriel García Márquez to Juan Gabriel Vásquez—reflects one of the world’s most tumultuous entrances into globalization. While these literary icons, one canonical, the other emergent, bookend Colombia’s fall and rise on the world stage, the period between the two was inordinately violent, spanning the Colombian urban novel’s evolution into narco-literature. Marking Colombia’s cultural and literary manifestations as threefold, this book explores García Márquez’s retreat to a rural romanticism that paradoxically made him a global literary icon; the country’s violent end to the twentieth century when its largest economic export was narcotics; and the contemporary period in which a new major author has emerged to create a “literature of national reconstitution.” Harkening back to the Regeneration movement and extending through the early twenty-first century, this book analyzes the cultural implications of Colombia’s relationship to the wider world.