1650-1850 : : Ideas, Aesthetics, and Inquiries in the Early Modern Era (Volume 26) / / ed. by Kevin L. Cope, Samara Anne Cahill.

• Superior document: Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 English
• MitwirkendeR: Bar-On Santor, Gefen,; Bender, Ashley,; Burke, John J.,; Burke, John,; Cahill, Samara Anne,; Clingham, Greg,; Col, Norbert,; Connell, Andrew,; Corse, Taylor,; Davis, Matthew M.,; Davis, Matthew,; DeGategno, Paul J.,; Edson, Michael,; Eive, Gloria,; Hammerschmidt, Sören,; Jack, Malcolm,; Johnson, Christopher D.,; Johnson, Christopher,; Jost, Jacob Sider,; Mills, R. J. W.,; Mills, Robin,; New, Melvyn,; Pedreira, Mark A.,; Reesman, Linda L.,; Rounce, Adam,; Runia, Robin,; Santor, Gefen Bar-On,; Sitter, John,; deGategno, Paul,
• HerausgeberIn: Cahill, Samara Anne,; Cope, Kevin L.,
• Place / Publishing House: Lewisburg, PA : : Bucknell University Press, , [2021]; ©2021
• Year of Publication: 2021
• Language: English
• Series: 1650-1850 ; 26
• Physical Description: 1 online resource (296 p.) :; 2 b-w images
• Other title: Frontmatter --; CONTENTS --; ESSAYS --; PROSTITUTES OR PROSELYTES: EIGHTEENTH-CENTURY FEMALE ENTHUSIASTS --; EDMUND BURKE ON MONARCHY: KEYSTONE AND TRIALS OF STRENGTH --; “THESE KINGS OF ME” THE PROVENANCE AND SIGNIFICANCE OF AN ALLUSION IN JOHNSON’S TAXATION NO TYRANNY --; LOCALIZING WOMEN? MARY WOLLSTONECRAFT, BURKA AVENGER, AND THE ADAPTABLE HEROINE --; THE WOMAN, THE POLITICIAN, AND THE WILL: CHARLOTTE SMITH’S LITERARY ASSAULTS ON JOHN ROBINSON, “THE LOWEST RANK OF HUMAN DEGRADATION” --; IN QUOTES: ANNOTATING MARIA EDGEWORTH’S BELINDA --; SPECIAL FEATURE: METAPHOR IN THE POETRY AND CRITICISM OF THE LONG EIGHTEENTH CENTURY --; INTRODUCTION TO THE SPECIAL FEATURE: METAPHOR IN THE POETRY AND CRITICISM OF THE LONG EIGHTEENTH CENTURY --; ORGANIZING POETRY IN THE EIGHTEENTH CENTURY: ANTHOLOGIES AND METAPHOR --; CURVILINEAR THINKING IN THE LONG EIGHTEENTH CENTURY --; FEELING ALLEGORY: AFFECT, METAPHOR, AND MILTON’S EIGHTEENTH-CENTURY RECEPTION --; THE WORLDLINESS OF EDWARD YOUNG AND THE METAPHORICS OF GEORGIAN PATRONAGE --; COLERIDGE AND METAPHOR: CROSSING THRESHOLDS --; BOOK REVIEWS --; Janet Aikins Yount, ed. Clarissa: The Twentieth-Century Response, 1900–1950, 2 vols. Brighton: Edward Everett Root, 2019. Vol. 1: pp. xx + 184. Vol. 2: pp. xv + 526 --; O. M. Brack Jr. and Robert De Maria Jr., eds. The Yale Edition of the Works of Samuel Johnson. Volume 20. Johnson on Demand: Reviews, Prefaces, and Ghost-Writings. New Haven, CT: Yale University Press, 2018. Pp. xl + 632 --; Anthony W. Lee, ed., Community and Solitude: New Essays on Johnson’s Circle. Lewisburg, PA: Bucknell University Press, 2019 --; Anthony W. Lee, ed., New Essays on Samuel Johnson: Revaluation. Newark: University of Delaware Press, 2018. Pp. xx + 261 --; Anthony W. Lee, ed., Samuel Johnson among the Modernists. Clemson, SC: Clemson University Press, 2019. Pp. xi + 290 --; Leo Damrosch, The Club: Johnson, Boswell, and the Friends who Shaped an Age. New Haven: Yale University Press, 2019. Pp. vi + 473 --; Samara Anne Cahill, Intelligent Souls? Feminist Orientalism in Eighteenth-Century English Literature. Lewisburg, PA: Bucknell University Press, 2019. Pp. 232 --; Teresa Barnard, ed., British Women and the Intellectual World in the Long Eighteenth Century. London: Routledge, 2015. Pp. 214 --; Trevor Ross, Writing in Public: Literature and the Press in Eighteenth-Century Britain. Baltimore: Johns Hopkins University Press, 2018. Pp. vii + 301 --; Rivka Swenson, Essential Scots and the Idea of Unionism in Anglo-Scottish Literature, 1603–1832. Lewisburg, PA: Bucknell University Press, 2016. Pp. xviii + 329 --; Paul Corneilson, ed., Ballet Music from the Mannheim Court. Part V, Christian Cannabich. Les Fêtes du sérail, and Carol G. Marsh, ed., Angélique et Médor, ou Roland furieux. Recent Researches in the Music of the Classical Era, vol. 3, gen. ed. Neil Zaslaw. Middleton, WI: A-R Editions, 2019. Pp. xxxvii + 207. --; Margaret Jacob, The Secular Enlightenment. Princeton, NJ: Princeton University Press, 2019. 360 pp --; Eve Tavor Bannet and Roxann Wheeler, eds., Studies in Eighteenth-Century Culture, Vol. 46. Baltimore: Johns Hopkins University Press, 2017. Pp. xii + 272 --; Eve Tavor Bannet and Roxann Wheeler, eds., Studies in Eighteenth-Century Culture, Vol. 47. Baltimore: Johns Hopkins University Press, 2018. Pp. xii + 293 --; ABOUT THE CONTRIBUTOR
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781684483242; 9783110754001; 9783110753776; 9783110754124; 9783110753899; 9783110739138
• DOI: 10.36019/9781684483242
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Kevin L. Cope, Samara Anne Cahill.

Volume 26 of 1650–1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era travels beyond the usual discussions of power, identity, and cultural production to visit the purlieus and provinces of Britain’s literary empire. Bulging at its bindings are essays investigating out-of-the-way but influential ensembles, whether female religious enthusiasts, annotators of Maria Edgeworth’s underappreciated works, or modern video-based Islamic super-heroines energized by Mary Wollstonecraft’s irreverance. The global impact of the local is celebrated in studies of the personal pronoun in Samuel Johnson’s political writings and of the outsize role of a difficult old codger in catalyzing the literary career of Charlotte Smith. Headlining a volume that peers into minute details in order to see the outer limits of Enlightenment culture is a special feature on metaphor in long-eighteenth-century poetry and criticism. Five interdisciplinary essays investigate the deep Enlightenment origins of a trope usually associated with the rise of Romanticism. Volume 26 culminates in a rich review section containing fourteen responses to current books on Enlightenment religion, science, literature, philosophy, political science, music, history, and art. About the annual journal 1650-1850 1650-1850 publishes essays and reviews from and about a wide range of academic disciplines: literature (both in English and other languages), philosophy, art history, history, religion, and science. Interdisciplinary in scope and approach, 1650-1850 emphasizes aesthetic manifestations and applications of ideas, and encourages studies that move between the arts and the sciences—between the “hard” and the “humane” disciplines. The editors encourage proposals for special features that bring together five to seven essays on focused themes within its historical range, from the Interregnum to the end of the first generation of Romantic writers. While also being open to more specialized or particular studies that match up with the general themes and goals of the journal, 1650-1850 is in the first instance a journal about the artful presentation of ideas that welcomes good writing from its contributors. ISSN 1065-3112. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.