Early Puerto Rican Cinema and Nation Building : : National Sentiments, Transnational Realities, 1897-1940 / / Naida García-Crespo.

• Superior document: Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2019
• VerfasserIn: García-Crespo, Naida,
• Place / Publishing House: Lewisburg, PA : : Bucknell University Press, , [2019]; ©2019
• Year of Publication: 2019
• Language: English
• Series: Bucknell Studies in Latin American Literature and Theory
• Physical Description: 1 online resource (250 p.)
• Other title: Frontmatter --; Contents --; Introduction --; 1. Contexts for a National Cinema: Cultural, Political, and Economic Movements in Puerto Rico (1860-1952) --; 2. Cinema Comes to Puerto Rico: Historical Uncertainties and Ambiguous Identities (1897-1909) --; 3. Stateless Nationhood, Transnationalism, and the Difficulties of Assigning Nationality: Rafael Colorado in Puerto Rican Historiography (1912-1916) --; 4. In the Company of the Elites: The Discourses and Practices of the Tropical Film Company (1916-1917) --; 5. Perilous Paradise: American Assignment and Appropriation of "Puerto Ricanness" (1917-1925) --; 6. Making the Nation Profitable: Industry-Centered Transnational Approaches to Filmmaking (1923-1940) --; Conclusion: Early Puerto Rican Cinema and Stateless Nation Building --; Acknowledgments --; Notes --; Bibliography --; Index --; About the Author
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781684481217; 9783110605785; 9783110610017; 9783110610765; 9783110664232; 9783110653526
• DOI: 10.36019/9781684481217?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Naida García-Crespo.

Early Puerto Rican Cinema and Nation Building focuses on the processes of Puerto Rican national identity formation as seen through the historical development of cinema on the island between 1897 and 1940. Anchoring her work in archival sources in film technology, economy, and education, Naida García-Crespo argues that Puerto Rico's position as a stateless nation allows for a fresh understanding of national cinema based on perceptions of productive cultural contributions rather than on citizenship or state structures. This book aims to contribute to recently expanding discussions of cultural networks by analyzing how Puerto Rican cinema navigates the problems arising from the connection and/or disjunction between nation and state. The author argues that Puerto Rico's position as a stateless nation puts pressure on traditional conceptions of national cinema, which tend to rely on assumptions of state support or a bounded nation-state. She also contends that the cultural and business practices associated with early cinema reveal that transnationalism is an integral part of national identities and their development. García-Crespo shows throughout this book that the development and circulation of cinema in Puerto Rico illustrate how the "national" is built from transnational connections. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.