The Hand at Work : : The Poetics of Poiesis in the Russian Avant-Garde / / Susanne Strätling.

Art = New Vision. This formula shaped the avant-garde. With moving images abruptly expanding the boundaries of the visible world, new printing techniques triggering a pictorial turn in graphic art, and literature becoming almost inseparable from visual media, we still regard the avant-garde as heyda...

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Superior document:Title is part of eBook package: De Gruyter Academic Studies Press Complete eBook-Package 2021
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Place / Publishing House:Boston, MA : : Academic Studies Press, , [2021]
©2021
Year of Publication:2021
Language:English
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Physical Description:1 online resource (348 p.)
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100 1 |a Strätling, Susanne,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 4 |a The Hand at Work :  |b The Poetics of Poiesis in the Russian Avant-Garde /  |c Susanne Strätling. 
264 1 |a Boston, MA :   |b Academic Studies Press,   |c [2021] 
264 4 |c ©2021 
300 |a 1 online resource (348 p.) 
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505 0 0 |t Frontmatter --   |t Contents --   |t Introduction --   |t I. Speaking. From Hand to Mouth --   |t II. Writing. Letters at Play --   |t III. Pointing. Theater between Performance and Perception --   |t IV. Working. The Word as a Tool --   |t V. Acting. Poetics of Operativity --   |t VI. Giving. Poetics of Life --   |t VII. Touching. Tactile Text Experiments --   |t VIII. Toward a Philology of the Hand --   |t Bibliography --   |t Captions --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Art = New Vision. This formula shaped the avant-garde. With moving images abruptly expanding the boundaries of the visible world, new printing techniques triggering a pictorial turn in graphic art, and literature becoming almost inseparable from visual media, we still regard the avant-garde as heyday for modernism’s obsession with the eye. But what are the blind spots of this optocentrism? Focusing on the gestures of giving, touching, showing, and handcrafting, this study examines key scenes of tactile interaction between subject and artifact. Hand movements, manual maneuvers and manipulations challenge optics and expose the crises of a visually dominated perspective on the arts. The readings of this book call for a revision of an optically obscured aesthetics and poetics to include haptic experience as an often overlooked but pivotal part of the making, as well as the perception, of literature and the arts. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) 
650 7 |a LITERARY CRITICISM / Russian & Former Soviet Union.  |2 bisacsh 
653 |a Chekhov. 
653 |a Freud. 
653 |a Heidegger. 
653 |a Kharms. 
653 |a Mandelstam. 
653 |a Nabokov. 
653 |a Russian Avant-garde. 
653 |a Tolstoy. 
653 |a Vertov. 
653 |a art. 
653 |a cultural history. 
653 |a hands. 
653 |a haptics. 
653 |a iconography. 
653 |a literary theory. 
653 |a metaphor. 
653 |a poetics. 
653 |a propaganda. 
653 |a rhetorics. 
653 |a symbolism. 
653 |a touch. 
653 |a visual media. 
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