The Fu Genre of Imperial China : : Studies in the Rhapsodic Imagination / / ed. by Nicholas Morrow Williams.

This is the first book in English to examine the fu, one of China's oldest and culturally central literary forms, from its origins up to the late imperial era. Fu poems are highly revealing sources for understanding the culture, society, and politics of their periods. Though no English term eve...

Full description

Saved in:
Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2019
MitwirkendeR:
HerausgeberIn:
Place / Publishing House:Leeds : : ARC Humanities Press, , [2019]
©2019
Year of Publication:2019
Language:English
Series:East Meets West: East Asia and Its Periphery from 200 BCE to 1600 CE
Online Access:
Physical Description:1 online resource (256 p.)
Tags: Add Tag
No Tags, Be the first to tag this record!
Table of Contents:
  • Frontmatter
  • CONTENTS
  • Preface
  • 1. Introduction: The Rhapsodic Imagination
  • Part One. RECITATION AND DISPLAY
  • 2. The Origins of the Term "Fu" as a Literary Genre of Recitation
  • 3. Into the New Realm of Belles Lettres: Intersections of Sevens and Song Verses in Jian'an Poetry
  • Part Two. LYRICISM AND FORM
  • 4. The Assimilation and Dissimilation of Fu and Shi Poetry up to the Tang Dynasty
  • 5. Xu Wei's Early Modern Rhapsodies: Catalogue and Critique, Lyricism and Logic
  • Part Three. PHILOSOPHY AND DIALOGUE
  • 6. The Metaphysical Rhapsody of the Six Dynasties
  • 7. Argumentation and Generic Change in the Mid- Tang Fu: Li Guan's (766- 794) "Fu on Suffering the Pitiless Rains" and the Role of the Shelun Genre
  • Part Four. CRITIQUE AND PROTEST
  • 8. The Hidden Message of Zhang Heng's "Contemplating the Mystery"
  • 9. A New Discourse on "Lament for the South" in the Fu of the Ming- Qing Transition
  • Bibliography
  • Index