Vagabonding Masks : : The Italian Commedia dell'Arte in the Russian Artistic Imagination / / Olga Partan.
The iconic masks of the Italian commedia dell'arte-Harlequin, Pierrot, Colombina, Pulcinella, and others-have been vagabonding the roads of Russian cultural history for more than three centuries. This book explores how these masks, and the artistic principles of the commedia dell'arte that...
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| Place / Publishing House: | Boston, MA : : Academic Studies Press, , [2017] ©2017 |
| Year of Publication: | 2017 |
| Language: | English |
| Series: | Liber Primus
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| Online Access: | |
| Physical Description: | 1 online resource (294 p.) |
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Table of Contents:
- Frontmatter
- Table of Contents
- List of Illustrations
- Acknowledgments
- A Note on Transliteration
- Introduction
- Chapter 1. Early Harlequinized Art
- Chapter 2. Anna Ioannovna's Italian Decade
- Chapter 3. Russifying the Commedia dell'Arte: Vasilii Trediakovsky and Aleksandr Sumarokov
- Chapter 4. Ramifications of the Italian Decade
- Chapter 5. Nikolai Gogol's The Overcoat: The Italian Ancestry of Akakii Bashmachkin
- Chapter 6. The Modernist Revival of the Commedia dell'Arte
- Chapter 7. The Commedia dell'Arte in Evgenii Vakhtangov's Princess Turandot
- Chapter 8 Harlequin and His Lath: Vladimir Nabokov's Last Novel, Look at the Harlequins!
- Chapter 9. From the Empress Anna Ioannovna to the Empress of Popular Culture, Alla Pugacheva
- Epilogue: The Italian Arlecchino on the Post-Soviet Stage
- Bibliography
- Index