Mystical Vertigo : : Contemporary Kabbalistic Hebrew Poetry Dancing Over the Divide / / Aubrey Glazer.
Mystical Vertigo immerses readers in the experience of the contemporary kabbalistic Hebrew poet, serving as a gateway into the poet’s quest for mystical union known as devekut. This journey oscillates across subtle degrees of devekut—causing an entranced experience for the Hebrew poet, who is reachi...
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Place / Publishing House: | Boston, MA : : Academic Studies Press, , [2013] ©2013 |
Year of Publication: | 2013 |
Language: | English |
Series: | New Perspectives in Post-Rabbinic Judaism
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Glazer, Aubrey, author. aut http://id.loc.gov/vocabulary/relators/aut Mystical Vertigo : Contemporary Kabbalistic Hebrew Poetry Dancing Over the Divide / Aubrey Glazer. Boston, MA : Academic Studies Press, [2013] ©2013 1 online resource (320 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda New Perspectives in Post-Rabbinic Judaism Frontmatter -- Contents -- Preface -- Acknowledgements -- Permissions -- System of Transciption -- Chapter 1. Touching God: Vertigo, Exactitude and Degrees of Devekut -- Chapter 2. Why Contemporary Jewish Mysticism Needs Poetry: From Kosman’s “Our God” to ben Yitzhak’s IntegrEL Divinity “of All Worlds” -- Chapter 3. Dissemination of Devekut: How Culture Can Connect Deeper. Agi Mishol’s “Woman Martyr” and “Transistor Muezzin” -- Chapter 4. Contrition as a Returning to Devekut: Binyamin Shevili’s Cycle “Contrition” -- Chapter 5. Opening Secrecy: Is There Duplicity in Devekut? Schulamith Hava HaLevy’s “Strange Fire” and “Impregnation” -- Chapter 6. Caught in the Infinity Catchers: Devekut as A Web of Discourse. Shai Tubaly “Come Here,” “I Came to God,” and “Infinity Catchers” -- Chapter 7. Auto-Erotic Cosmogeny as Devekut: Rebirthing God as Self in Haya Esther’s My Flesh Speaks G!d -- Chapter 8. (Hit)Devekut as Durée of the Godlover: Disentangling Intuitive Time in Binyamin Shevili’s “HomosexuELity” -- Chapter 9. Parables and Prayers of Love and Rape: Devekut as Depth and Flow of Self in Tamar Elad-Appelbaum’s “Psalms for Jerusalem” -- Chapter 10. Scent of Darkness: A Synesthetic Dissolution into Devekut. Yonadav Kaploun’s cycles “Scent of Darkness” and “A Window of Opportunity” -- Chapter 11. I Almost Vowed to Touch You: Breaking through Doubt to Daily Devekut. Zelda Schneerson Mishkovsky’s “On that Night” -- Chapter 12. Rebirthing Devekut from Darkness to Light: Haviva Pedaya’s “Gently Please,” “The Golden Molten Stream,” “Sun-space,” “Crack the Sun,” and “Majesty Manacled” -- Chapter 13. CODA: Gross, Subtle and Secret Moments of Devekut -- Afterword -- Bibliography -- Index -- Short Bio restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Mystical Vertigo immerses readers in the experience of the contemporary kabbalistic Hebrew poet, serving as a gateway into the poet’s quest for mystical union known as devekut. This journey oscillates across subtle degrees of devekut—causing an entranced experience for the Hebrew poet, who is reaching but not reaching, hovering but not hovering, touching but not touching in a state of mystical vertigo. What makes this journey so remarkable is how deeply nestled it is within the hybrid cultural networks of Israel, crossing over boundaries of haredi, secular, national-religious, and agnostic beliefs among others. This volume makes a unique contribution to understanding and experiencing the mystical renaissance in Israel, through its multi-disciplinary focus on Hebrew poetry and its philosophical hermeneutics. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) LITERARY CRITICISM / Poetry. bisacsh Magid, Shaul, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wolfson, Elliot R., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Academic Studies Press Backlist eBook-Package 2008-2013 9783111024080 Title is part of eBook package: De Gruyter Academic Studies Press Backlist eBook-Package 2008-2015 9783110688146 print 9781618111661 https://doi.org/10.1515/9781618111883?locatt=mode:legacy https://www.degruyter.com/isbn/9781618111883 Cover https://www.degruyter.com/document/cover/isbn/9781618111883/original |
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English |
format |
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author |
Glazer, Aubrey, Glazer, Aubrey, |
spellingShingle |
Glazer, Aubrey, Glazer, Aubrey, Mystical Vertigo : Contemporary Kabbalistic Hebrew Poetry Dancing Over the Divide / New Perspectives in Post-Rabbinic Judaism Frontmatter -- Contents -- Preface -- Acknowledgements -- Permissions -- System of Transciption -- Chapter 1. Touching God: Vertigo, Exactitude and Degrees of Devekut -- Chapter 2. Why Contemporary Jewish Mysticism Needs Poetry: From Kosman’s “Our God” to ben Yitzhak’s IntegrEL Divinity “of All Worlds” -- Chapter 3. Dissemination of Devekut: How Culture Can Connect Deeper. Agi Mishol’s “Woman Martyr” and “Transistor Muezzin” -- Chapter 4. Contrition as a Returning to Devekut: Binyamin Shevili’s Cycle “Contrition” -- Chapter 5. Opening Secrecy: Is There Duplicity in Devekut? Schulamith Hava HaLevy’s “Strange Fire” and “Impregnation” -- Chapter 6. Caught in the Infinity Catchers: Devekut as A Web of Discourse. Shai Tubaly “Come Here,” “I Came to God,” and “Infinity Catchers” -- Chapter 7. Auto-Erotic Cosmogeny as Devekut: Rebirthing God as Self in Haya Esther’s My Flesh Speaks G!d -- Chapter 8. (Hit)Devekut as Durée of the Godlover: Disentangling Intuitive Time in Binyamin Shevili’s “HomosexuELity” -- Chapter 9. Parables and Prayers of Love and Rape: Devekut as Depth and Flow of Self in Tamar Elad-Appelbaum’s “Psalms for Jerusalem” -- Chapter 10. Scent of Darkness: A Synesthetic Dissolution into Devekut. Yonadav Kaploun’s cycles “Scent of Darkness” and “A Window of Opportunity” -- Chapter 11. I Almost Vowed to Touch You: Breaking through Doubt to Daily Devekut. Zelda Schneerson Mishkovsky’s “On that Night” -- Chapter 12. Rebirthing Devekut from Darkness to Light: Haviva Pedaya’s “Gently Please,” “The Golden Molten Stream,” “Sun-space,” “Crack the Sun,” and “Majesty Manacled” -- Chapter 13. CODA: Gross, Subtle and Secret Moments of Devekut -- Afterword -- Bibliography -- Index -- Short Bio |
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Glazer, Aubrey, Glazer, Aubrey, Magid, Shaul, Magid, Shaul, Wolfson, Elliot R., Wolfson, Elliot R., |
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Magid, Shaul, Magid, Shaul, Wolfson, Elliot R., Wolfson, Elliot R., |
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Glazer, Aubrey, |
title |
Mystical Vertigo : Contemporary Kabbalistic Hebrew Poetry Dancing Over the Divide / |
title_sub |
Contemporary Kabbalistic Hebrew Poetry Dancing Over the Divide / |
title_full |
Mystical Vertigo : Contemporary Kabbalistic Hebrew Poetry Dancing Over the Divide / Aubrey Glazer. |
title_fullStr |
Mystical Vertigo : Contemporary Kabbalistic Hebrew Poetry Dancing Over the Divide / Aubrey Glazer. |
title_full_unstemmed |
Mystical Vertigo : Contemporary Kabbalistic Hebrew Poetry Dancing Over the Divide / Aubrey Glazer. |
title_auth |
Mystical Vertigo : Contemporary Kabbalistic Hebrew Poetry Dancing Over the Divide / |
title_alt |
Frontmatter -- Contents -- Preface -- Acknowledgements -- Permissions -- System of Transciption -- Chapter 1. Touching God: Vertigo, Exactitude and Degrees of Devekut -- Chapter 2. Why Contemporary Jewish Mysticism Needs Poetry: From Kosman’s “Our God” to ben Yitzhak’s IntegrEL Divinity “of All Worlds” -- Chapter 3. Dissemination of Devekut: How Culture Can Connect Deeper. Agi Mishol’s “Woman Martyr” and “Transistor Muezzin” -- Chapter 4. Contrition as a Returning to Devekut: Binyamin Shevili’s Cycle “Contrition” -- Chapter 5. Opening Secrecy: Is There Duplicity in Devekut? Schulamith Hava HaLevy’s “Strange Fire” and “Impregnation” -- Chapter 6. Caught in the Infinity Catchers: Devekut as A Web of Discourse. Shai Tubaly “Come Here,” “I Came to God,” and “Infinity Catchers” -- Chapter 7. Auto-Erotic Cosmogeny as Devekut: Rebirthing God as Self in Haya Esther’s My Flesh Speaks G!d -- Chapter 8. (Hit)Devekut as Durée of the Godlover: Disentangling Intuitive Time in Binyamin Shevili’s “HomosexuELity” -- Chapter 9. Parables and Prayers of Love and Rape: Devekut as Depth and Flow of Self in Tamar Elad-Appelbaum’s “Psalms for Jerusalem” -- Chapter 10. Scent of Darkness: A Synesthetic Dissolution into Devekut. Yonadav Kaploun’s cycles “Scent of Darkness” and “A Window of Opportunity” -- Chapter 11. I Almost Vowed to Touch You: Breaking through Doubt to Daily Devekut. Zelda Schneerson Mishkovsky’s “On that Night” -- Chapter 12. Rebirthing Devekut from Darkness to Light: Haviva Pedaya’s “Gently Please,” “The Golden Molten Stream,” “Sun-space,” “Crack the Sun,” and “Majesty Manacled” -- Chapter 13. CODA: Gross, Subtle and Secret Moments of Devekut -- Afterword -- Bibliography -- Index -- Short Bio |
title_new |
Mystical Vertigo : |
title_sort |
mystical vertigo : contemporary kabbalistic hebrew poetry dancing over the divide / |
series |
New Perspectives in Post-Rabbinic Judaism |
series2 |
New Perspectives in Post-Rabbinic Judaism |
publisher |
Academic Studies Press, |
publishDate |
2013 |
physical |
1 online resource (320 p.) |
contents |
Frontmatter -- Contents -- Preface -- Acknowledgements -- Permissions -- System of Transciption -- Chapter 1. Touching God: Vertigo, Exactitude and Degrees of Devekut -- Chapter 2. Why Contemporary Jewish Mysticism Needs Poetry: From Kosman’s “Our God” to ben Yitzhak’s IntegrEL Divinity “of All Worlds” -- Chapter 3. Dissemination of Devekut: How Culture Can Connect Deeper. Agi Mishol’s “Woman Martyr” and “Transistor Muezzin” -- Chapter 4. Contrition as a Returning to Devekut: Binyamin Shevili’s Cycle “Contrition” -- Chapter 5. Opening Secrecy: Is There Duplicity in Devekut? Schulamith Hava HaLevy’s “Strange Fire” and “Impregnation” -- Chapter 6. Caught in the Infinity Catchers: Devekut as A Web of Discourse. Shai Tubaly “Come Here,” “I Came to God,” and “Infinity Catchers” -- Chapter 7. Auto-Erotic Cosmogeny as Devekut: Rebirthing God as Self in Haya Esther’s My Flesh Speaks G!d -- Chapter 8. (Hit)Devekut as Durée of the Godlover: Disentangling Intuitive Time in Binyamin Shevili’s “HomosexuELity” -- Chapter 9. Parables and Prayers of Love and Rape: Devekut as Depth and Flow of Self in Tamar Elad-Appelbaum’s “Psalms for Jerusalem” -- Chapter 10. Scent of Darkness: A Synesthetic Dissolution into Devekut. Yonadav Kaploun’s cycles “Scent of Darkness” and “A Window of Opportunity” -- Chapter 11. I Almost Vowed to Touch You: Breaking through Doubt to Daily Devekut. Zelda Schneerson Mishkovsky’s “On that Night” -- Chapter 12. Rebirthing Devekut from Darkness to Light: Haviva Pedaya’s “Gently Please,” “The Golden Molten Stream,” “Sun-space,” “Crack the Sun,” and “Majesty Manacled” -- Chapter 13. CODA: Gross, Subtle and Secret Moments of Devekut -- Afterword -- Bibliography -- Index -- Short Bio |
isbn |
9781618111883 9783111024080 9783110688146 9781618111661 |
url |
https://doi.org/10.1515/9781618111883?locatt=mode:legacy https://www.degruyter.com/isbn/9781618111883 https://www.degruyter.com/document/cover/isbn/9781618111883/original |
illustrated |
Not Illustrated |
doi_str_mv |
10.1515/9781618111883?locatt=mode:legacy |
oclc_num |
961670539 |
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Title is part of eBook package: De Gruyter Academic Studies Press Backlist eBook-Package 2008-2013 Title is part of eBook package: De Gruyter Academic Studies Press Backlist eBook-Package 2008-2015 |
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Mystical Vertigo : Contemporary Kabbalistic Hebrew Poetry Dancing Over the Divide / |
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