Ancient Comedy and Reception : : Essays in Honor of Jeffrey Henderson / / ed. by S. Douglas Olson.
This wide-ranging collection, consisting of 50 essays by leading international scholars in a variety of fields, provides an overview of the reception history of a major literary genre from Greco-Roman antiquity to the present day. Section I considers how the 5th- and 4th-century Athenian comic poets...
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Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2013] ©2014 |
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Ancient Comedy and Reception : Essays in Honor of Jeffrey Henderson / ed. by S. Douglas Olson. Berlin ; Boston : De Gruyter, [2013] ©2014 1 online resource (1086 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Foreword -- Contents -- Ancient Comedy and Receptions -- Exchanging Metaphors in Cratinus and Aristophanes -- Comic Parrhêsia and the Paradoxes of Repression -- Slipping One In: The Introduction of Obscene Lexical Items in Aristophanes -- Ancient Comedy and Historiography: Aristophanes Meets Herodotus -- Epiphany of a Serious Dionysus in a Comedy? -- Toponimi e immaginario sessuale nella Lisistrata di Aristofane -- Dionysus’ Choice in Frogs and Aristophanes’ Paraenetic Pedigree -- Two Phaedras: Euripides and Aristophanes? -- Plato’s Aristophanes -- Menander’s Samia and the Phaedra Theme -- Dynamics of Appropriation in Roman Comedy: Menander’s Kolax in Three Roman Receptions -- Libera lingua loquemur ludis Liberalibus: Gnaeus Naevius as a Latin Aristophanes? -- Plautus und die Techniken des Improvisationstheaters -- Lege dura vivont mulieres: Syra’s Complaint about the Sexual Double Standard -- “Letting It All Hang Out”: Lucian, Old Comedy and the Origins of Roman Satire -- Old Comedy at Rome: Rhetorical Model and Satirical Problem -- Inventing Everything: Comic and Performative Sources of Graeco-Roman Fiction -- From Drama to Narrative: The Reception of Comedy in the Ancient Novel -- Greek Culture as Images: Menander’s Comedies and Their Patrons in the Roman West and the Greek East -- The Evidence of the Zeugma Synaristosai Mosaic for Imperial Performance of Menander -- Medieval, Renaissance and Early Modern Receptions -- Medieval Vernacular Versions of Ancient Comedy: Geoffrey Chaucer, Eustache Deschamps, Vitalis of Blois and Plautus’ Amphitryon -- Aristofane mascherato: Un secolo (1415–1504) di fortuna e ‘sfortuna’ -- L’influence de Plaute sur la définition du comique chez Giovanni Pontano -- Strepsiades’ Latin Voice: Two Renaissance Translations of Aristophanes’ Clouds -- The Trickster Onstage: The Cunning Slave from Plautus to Commedia dell’Arte -- Aristophanes in England, 1500–1660 -- Exaggerating Terence’s Andria: Steele’s The Conscious Lovers, Bellamy’s The Perjur’d Devotee and Terentian Criticism -- Roman Comedy and Renaissance Revenge Drama: Titus Andronicus as Exemplary Text -- Molière and the Roman Comic Tradition -- Jacob Masen’s Rusticus imperans (1657) and Ancient Theater -- La recepción de Plauto y Terencio en la literatura española -- Reform: A Farce Modernised from Aristophanes (1792) -- Modern Receptions -- Polos und Polis: Aristophanes’ Vögel und deren Bearbeitung durch Goethe, Karl Kraus und Peter Hacks -- Translations of Aristophanes in Italy in the 19th century -- Close Encounters of the Comic Kind: Aristophanes’ Frogs and Lysistrata in Athenian Mythological Burlesque of the 1880s -- Rodgers and Hart’s The Boys from Syracuse: Shakespeare Made Plautine -- She (Don’t) Gotta Have It: African-American Reception of Lysistrata -- „Es ist, um aus der Rüstung zu fahren!“: Erich Kästners Adaption der Acharner des Aristophanes -- Lysistrata on Broadway -- “Attend, O Muse, Our Holy Dances and Come to Rejoice in Our Songs”: The Reception of Aristophanes in the Modern Musical Theater -- Aristophanes at the BBC, 1940s–1960s -- Cultural Politics and Aesthetic Debate in Two Modern Versions of Aristophanes’ Frogs -- Ionesco’s New and Old Comedy -- Aristophanes in the Cinema; or, The Metamorphoses of Lysistrata -- Who’s Afraid of Aristophanes? The Troubled Life of Ancient Comedy in 20th-Century Italy -- Aristophanes in Israel: Comedy, Theatricality, Politics -- Culture, Education and Politics: Greek and Roman Comedy in Afrikaans -- The Maculate Muse in the 21st Century: Recent Adaptations of Aristophanes’ Peace and Ecclesiazusae -- Eschyle et Euripide entre tragédie et comédie: polyphonie et interprétation dans quelques traductions récentes des Grenouilles d’Aristophane -- Business as Usual: Plautus’ Menaechmi in English Translation -- Index of Names and Subjects restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star This wide-ranging collection, consisting of 50 essays by leading international scholars in a variety of fields, provides an overview of the reception history of a major literary genre from Greco-Roman antiquity to the present day. Section I considers how the 5th- and 4th-century Athenian comic poets defined themselves and their plays, especially in relation to other major literary forms. It then moves on to the Roman world and to the reception of Greek comedy there in art and literature. Section II deals with the European reception of Greek and Roman comedy in the Medieval, Renaissance, and Early Modern periods, and with the European stage tradition of comic theater more generally. Section III treats the handling of Greco-Roman comedy in the modern world, with attention not just to literary translations and stage-productions, but to more modern media such as radio and film. The collection will be of interest to students of ancient comedy as well as to all those concerned with how literary and theatrical traditions are passed on from one time and place to another, and adapted to meet local conditions and concerns. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) Greek drama (Comedy) History and criticism. Latin drama (Comedy) History and criticism. Griechische Komödie. Rezeption. Römische Komödie. Satire. HISTORY / Ancient / General. bisacsh Greek comedy. Roman comedy. reception. satire. Alonge, Mark, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Beta, Simone, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Biles, Zachary P., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Casanova-Robin, Hélène, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Chirico, Maria Luisa, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Dunsch, Boris, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Eissen, Ariane, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Fontaine, Michael, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ford, Philip, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb García-Hernández, Benjamín, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gondicas, Myrto, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb González-Vázquez, Carmen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Goth, Maik, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Green, J.R., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gregoris, Rosario López, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Greiner, Bernhard, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kendrick, Laura, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Konstan, David, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kotzamani, Marina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lefèvre, Eckard, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ley, Graham, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Manuwald, Gesine, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mastromarco, Giuseppe, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Miola, Robert S., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Moore, Timothy J., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Möllendorff, Peter v., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Nassichuk, John, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Nervegna, Sebastiana, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Nesselrath, Heinz-Günther, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Olson, S. Douglas, editor. edt http://id.loc.gov/vocabulary/relators/edt Platter, Charles, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Radif, Ludovica, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Robson, James, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rosen, Ralph M., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ruffell, Ian, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Scafuro, Adele, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Scharffenberger, Elizabeth, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Schironi, Francesca, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sidwell, Keith, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Slater, Niall W., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Smith, Steven D., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sommerstein, Alan H., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Taplin, Oliver, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Tordoff, Robert, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Treu, Martina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Van Steen, Gonda, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Walton, J. Michael, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wetmore, Kevin J., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Winkler, Martin M., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wrigley, Amanda, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Yaari, Nurit, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Zyl Smit, Betine van, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1 9783110238570 Title is part of eBook package: De Gruyter DGBA Classics and Near East Studies 2000 - 2014 9783110636178 ZDB-23-GCN Title is part of eBook package: De Gruyter E-BOOK GESAMTPAKET / COMPLETE PACKAGE 2013 9783110317350 ZDB-23-DGG Title is part of eBook package: De Gruyter E-BOOK PACKAGE CLASSICAL STUDIES 2013 9783110317107 ZDB-23-DGD Title is part of eBook package: De Gruyter E-BOOK PAKET ALTERTUMSWISS. 2013 9783110317091 ZDB-23-DGD print 9781614511663 https://doi.org/10.1515/9781614511250 https://www.degruyter.com/isbn/9781614511250 Cover https://www.degruyter.com/document/cover/isbn/9781614511250/original |
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Alonge, Mark, Alonge, Mark, Beta, Simone, Beta, Simone, Biles, Zachary P., Biles, Zachary P., Casanova-Robin, Hélène, Casanova-Robin, Hélène, Chirico, Maria Luisa, Chirico, Maria Luisa, Dunsch, Boris, Dunsch, Boris, Eissen, Ariane, Eissen, Ariane, Fontaine, Michael, Fontaine, Michael, Ford, Philip, Ford, Philip, García-Hernández, Benjamín, García-Hernández, Benjamín, Gondicas, Myrto, Gondicas, Myrto, González-Vázquez, Carmen, González-Vázquez, Carmen, Goth, Maik, Goth, Maik, Green, J.R., Green, J.R., Gregoris, Rosario López, Gregoris, Rosario López, Greiner, Bernhard, Greiner, Bernhard, Kendrick, Laura, Kendrick, Laura, Konstan, David, Konstan, David, Kotzamani, Marina, Kotzamani, Marina, Lefèvre, Eckard, Lefèvre, Eckard, Ley, Graham, Ley, Graham, Manuwald, Gesine, Manuwald, Gesine, Mastromarco, Giuseppe, Mastromarco, Giuseppe, Miola, Robert S., Miola, Robert S., Moore, Timothy J., Moore, Timothy J., Möllendorff, Peter v., Möllendorff, Peter v., Nassichuk, John, Nassichuk, John, Nervegna, Sebastiana, Nervegna, Sebastiana, Nesselrath, Heinz-Günther, Nesselrath, Heinz-Günther, Olson, S. Douglas, Olson, S. Douglas, Platter, Charles, Platter, Charles, Radif, Ludovica, Radif, Ludovica, Robson, James, Robson, James, Rosen, Ralph M., Rosen, Ralph M., Ruffell, Ian, Ruffell, Ian, Scafuro, Adele, Scafuro, Adele, Scharffenberger, Elizabeth, Scharffenberger, Elizabeth, Schironi, Francesca, Schironi, Francesca, Sidwell, Keith, Sidwell, Keith, Slater, Niall W., Slater, Niall W., Smith, Steven D., Smith, Steven D., Sommerstein, Alan H., Sommerstein, Alan H., Taplin, Oliver, Taplin, Oliver, Tordoff, Robert, Tordoff, Robert, Treu, Martina, Treu, Martina, Van Steen, Gonda, Van Steen, Gonda, Walton, J. Michael, Walton, J. Michael, Wetmore, Kevin J., Wetmore, Kevin J., Winkler, Martin M., Winkler, Martin M., Wrigley, Amanda, Wrigley, Amanda, Yaari, Nurit, Yaari, Nurit, Zyl Smit, Betine van, Zyl Smit, Betine van, |
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Alonge, Mark, Alonge, Mark, Beta, Simone, Beta, Simone, Biles, Zachary P., Biles, Zachary P., Casanova-Robin, Hélène, Casanova-Robin, Hélène, Chirico, Maria Luisa, Chirico, Maria Luisa, Dunsch, Boris, Dunsch, Boris, Eissen, Ariane, Eissen, Ariane, Fontaine, Michael, Fontaine, Michael, Ford, Philip, Ford, Philip, García-Hernández, Benjamín, García-Hernández, Benjamín, Gondicas, Myrto, Gondicas, Myrto, González-Vázquez, Carmen, González-Vázquez, Carmen, Goth, Maik, Goth, Maik, Green, J.R., Green, J.R., Gregoris, Rosario López, Gregoris, Rosario López, Greiner, Bernhard, Greiner, Bernhard, Kendrick, Laura, Kendrick, Laura, Konstan, David, Konstan, David, Kotzamani, Marina, Kotzamani, Marina, Lefèvre, Eckard, Lefèvre, Eckard, Ley, Graham, Ley, Graham, Manuwald, Gesine, Manuwald, Gesine, Mastromarco, Giuseppe, Mastromarco, Giuseppe, Miola, Robert S., Miola, Robert S., Moore, Timothy J., Moore, Timothy J., Möllendorff, Peter v., Möllendorff, Peter v., Nassichuk, John, Nassichuk, John, Nervegna, Sebastiana, Nervegna, Sebastiana, Nesselrath, Heinz-Günther, Nesselrath, Heinz-Günther, Olson, S. Douglas, Olson, S. Douglas, Platter, Charles, Platter, Charles, Radif, Ludovica, Radif, Ludovica, Robson, James, Robson, James, Rosen, Ralph M., Rosen, Ralph M., Ruffell, Ian, Ruffell, Ian, Scafuro, Adele, Scafuro, Adele, Scharffenberger, Elizabeth, Scharffenberger, Elizabeth, Schironi, Francesca, Schironi, Francesca, Sidwell, Keith, Sidwell, Keith, Slater, Niall W., Slater, Niall W., Smith, Steven D., Smith, Steven D., Sommerstein, Alan H., Sommerstein, Alan H., Taplin, Oliver, Taplin, Oliver, Tordoff, Robert, Tordoff, Robert, Treu, Martina, Treu, Martina, Van Steen, Gonda, Van Steen, Gonda, Walton, J. Michael, Walton, J. Michael, Wetmore, Kevin J., Wetmore, Kevin J., Winkler, Martin M., Winkler, Martin M., Wrigley, Amanda, Wrigley, Amanda, Yaari, Nurit, Yaari, Nurit, Zyl Smit, Betine van, Zyl Smit, Betine van, |
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author_sort |
Alonge, Mark, |
title |
Ancient Comedy and Reception : Essays in Honor of Jeffrey Henderson / |
spellingShingle |
Ancient Comedy and Reception : Essays in Honor of Jeffrey Henderson / Frontmatter -- Foreword -- Contents -- Ancient Comedy and Receptions -- Exchanging Metaphors in Cratinus and Aristophanes -- Comic Parrhêsia and the Paradoxes of Repression -- Slipping One In: The Introduction of Obscene Lexical Items in Aristophanes -- Ancient Comedy and Historiography: Aristophanes Meets Herodotus -- Epiphany of a Serious Dionysus in a Comedy? -- Toponimi e immaginario sessuale nella Lisistrata di Aristofane -- Dionysus’ Choice in Frogs and Aristophanes’ Paraenetic Pedigree -- Two Phaedras: Euripides and Aristophanes? -- Plato’s Aristophanes -- Menander’s Samia and the Phaedra Theme -- Dynamics of Appropriation in Roman Comedy: Menander’s Kolax in Three Roman Receptions -- Libera lingua loquemur ludis Liberalibus: Gnaeus Naevius as a Latin Aristophanes? -- Plautus und die Techniken des Improvisationstheaters -- Lege dura vivont mulieres: Syra’s Complaint about the Sexual Double Standard -- “Letting It All Hang Out”: Lucian, Old Comedy and the Origins of Roman Satire -- Old Comedy at Rome: Rhetorical Model and Satirical Problem -- Inventing Everything: Comic and Performative Sources of Graeco-Roman Fiction -- From Drama to Narrative: The Reception of Comedy in the Ancient Novel -- Greek Culture as Images: Menander’s Comedies and Their Patrons in the Roman West and the Greek East -- The Evidence of the Zeugma Synaristosai Mosaic for Imperial Performance of Menander -- Medieval, Renaissance and Early Modern Receptions -- Medieval Vernacular Versions of Ancient Comedy: Geoffrey Chaucer, Eustache Deschamps, Vitalis of Blois and Plautus’ Amphitryon -- Aristofane mascherato: Un secolo (1415–1504) di fortuna e ‘sfortuna’ -- L’influence de Plaute sur la définition du comique chez Giovanni Pontano -- Strepsiades’ Latin Voice: Two Renaissance Translations of Aristophanes’ Clouds -- The Trickster Onstage: The Cunning Slave from Plautus to Commedia dell’Arte -- Aristophanes in England, 1500–1660 -- Exaggerating Terence’s Andria: Steele’s The Conscious Lovers, Bellamy’s The Perjur’d Devotee and Terentian Criticism -- Roman Comedy and Renaissance Revenge Drama: Titus Andronicus as Exemplary Text -- Molière and the Roman Comic Tradition -- Jacob Masen’s Rusticus imperans (1657) and Ancient Theater -- La recepción de Plauto y Terencio en la literatura española -- Reform: A Farce Modernised from Aristophanes (1792) -- Modern Receptions -- Polos und Polis: Aristophanes’ Vögel und deren Bearbeitung durch Goethe, Karl Kraus und Peter Hacks -- Translations of Aristophanes in Italy in the 19th century -- Close Encounters of the Comic Kind: Aristophanes’ Frogs and Lysistrata in Athenian Mythological Burlesque of the 1880s -- Rodgers and Hart’s The Boys from Syracuse: Shakespeare Made Plautine -- She (Don’t) Gotta Have It: African-American Reception of Lysistrata -- „Es ist, um aus der Rüstung zu fahren!“: Erich Kästners Adaption der Acharner des Aristophanes -- Lysistrata on Broadway -- “Attend, O Muse, Our Holy Dances and Come to Rejoice in Our Songs”: The Reception of Aristophanes in the Modern Musical Theater -- Aristophanes at the BBC, 1940s–1960s -- Cultural Politics and Aesthetic Debate in Two Modern Versions of Aristophanes’ Frogs -- Ionesco’s New and Old Comedy -- Aristophanes in the Cinema; or, The Metamorphoses of Lysistrata -- Who’s Afraid of Aristophanes? The Troubled Life of Ancient Comedy in 20th-Century Italy -- Aristophanes in Israel: Comedy, Theatricality, Politics -- Culture, Education and Politics: Greek and Roman Comedy in Afrikaans -- The Maculate Muse in the 21st Century: Recent Adaptations of Aristophanes’ Peace and Ecclesiazusae -- Eschyle et Euripide entre tragédie et comédie: polyphonie et interprétation dans quelques traductions récentes des Grenouilles d’Aristophane -- Business as Usual: Plautus’ Menaechmi in English Translation -- Index of Names and Subjects |
title_sub |
Essays in Honor of Jeffrey Henderson / |
title_full |
Ancient Comedy and Reception : Essays in Honor of Jeffrey Henderson / ed. by S. Douglas Olson. |
title_fullStr |
Ancient Comedy and Reception : Essays in Honor of Jeffrey Henderson / ed. by S. Douglas Olson. |
title_full_unstemmed |
Ancient Comedy and Reception : Essays in Honor of Jeffrey Henderson / ed. by S. Douglas Olson. |
title_auth |
Ancient Comedy and Reception : Essays in Honor of Jeffrey Henderson / |
title_alt |
Frontmatter -- Foreword -- Contents -- Ancient Comedy and Receptions -- Exchanging Metaphors in Cratinus and Aristophanes -- Comic Parrhêsia and the Paradoxes of Repression -- Slipping One In: The Introduction of Obscene Lexical Items in Aristophanes -- Ancient Comedy and Historiography: Aristophanes Meets Herodotus -- Epiphany of a Serious Dionysus in a Comedy? -- Toponimi e immaginario sessuale nella Lisistrata di Aristofane -- Dionysus’ Choice in Frogs and Aristophanes’ Paraenetic Pedigree -- Two Phaedras: Euripides and Aristophanes? -- Plato’s Aristophanes -- Menander’s Samia and the Phaedra Theme -- Dynamics of Appropriation in Roman Comedy: Menander’s Kolax in Three Roman Receptions -- Libera lingua loquemur ludis Liberalibus: Gnaeus Naevius as a Latin Aristophanes? -- Plautus und die Techniken des Improvisationstheaters -- Lege dura vivont mulieres: Syra’s Complaint about the Sexual Double Standard -- “Letting It All Hang Out”: Lucian, Old Comedy and the Origins of Roman Satire -- Old Comedy at Rome: Rhetorical Model and Satirical Problem -- Inventing Everything: Comic and Performative Sources of Graeco-Roman Fiction -- From Drama to Narrative: The Reception of Comedy in the Ancient Novel -- Greek Culture as Images: Menander’s Comedies and Their Patrons in the Roman West and the Greek East -- The Evidence of the Zeugma Synaristosai Mosaic for Imperial Performance of Menander -- Medieval, Renaissance and Early Modern Receptions -- Medieval Vernacular Versions of Ancient Comedy: Geoffrey Chaucer, Eustache Deschamps, Vitalis of Blois and Plautus’ Amphitryon -- Aristofane mascherato: Un secolo (1415–1504) di fortuna e ‘sfortuna’ -- L’influence de Plaute sur la définition du comique chez Giovanni Pontano -- Strepsiades’ Latin Voice: Two Renaissance Translations of Aristophanes’ Clouds -- The Trickster Onstage: The Cunning Slave from Plautus to Commedia dell’Arte -- Aristophanes in England, 1500–1660 -- Exaggerating Terence’s Andria: Steele’s The Conscious Lovers, Bellamy’s The Perjur’d Devotee and Terentian Criticism -- Roman Comedy and Renaissance Revenge Drama: Titus Andronicus as Exemplary Text -- Molière and the Roman Comic Tradition -- Jacob Masen’s Rusticus imperans (1657) and Ancient Theater -- La recepción de Plauto y Terencio en la literatura española -- Reform: A Farce Modernised from Aristophanes (1792) -- Modern Receptions -- Polos und Polis: Aristophanes’ Vögel und deren Bearbeitung durch Goethe, Karl Kraus und Peter Hacks -- Translations of Aristophanes in Italy in the 19th century -- Close Encounters of the Comic Kind: Aristophanes’ Frogs and Lysistrata in Athenian Mythological Burlesque of the 1880s -- Rodgers and Hart’s The Boys from Syracuse: Shakespeare Made Plautine -- She (Don’t) Gotta Have It: African-American Reception of Lysistrata -- „Es ist, um aus der Rüstung zu fahren!“: Erich Kästners Adaption der Acharner des Aristophanes -- Lysistrata on Broadway -- “Attend, O Muse, Our Holy Dances and Come to Rejoice in Our Songs”: The Reception of Aristophanes in the Modern Musical Theater -- Aristophanes at the BBC, 1940s–1960s -- Cultural Politics and Aesthetic Debate in Two Modern Versions of Aristophanes’ Frogs -- Ionesco’s New and Old Comedy -- Aristophanes in the Cinema; or, The Metamorphoses of Lysistrata -- Who’s Afraid of Aristophanes? The Troubled Life of Ancient Comedy in 20th-Century Italy -- Aristophanes in Israel: Comedy, Theatricality, Politics -- Culture, Education and Politics: Greek and Roman Comedy in Afrikaans -- The Maculate Muse in the 21st Century: Recent Adaptations of Aristophanes’ Peace and Ecclesiazusae -- Eschyle et Euripide entre tragédie et comédie: polyphonie et interprétation dans quelques traductions récentes des Grenouilles d’Aristophane -- Business as Usual: Plautus’ Menaechmi in English Translation -- Index of Names and Subjects |
title_new |
Ancient Comedy and Reception : |
title_sort |
ancient comedy and reception : essays in honor of jeffrey henderson / |
publisher |
De Gruyter, |
publishDate |
2013 |
physical |
1 online resource (1086 p.) |
contents |
Frontmatter -- Foreword -- Contents -- Ancient Comedy and Receptions -- Exchanging Metaphors in Cratinus and Aristophanes -- Comic Parrhêsia and the Paradoxes of Repression -- Slipping One In: The Introduction of Obscene Lexical Items in Aristophanes -- Ancient Comedy and Historiography: Aristophanes Meets Herodotus -- Epiphany of a Serious Dionysus in a Comedy? -- Toponimi e immaginario sessuale nella Lisistrata di Aristofane -- Dionysus’ Choice in Frogs and Aristophanes’ Paraenetic Pedigree -- Two Phaedras: Euripides and Aristophanes? -- Plato’s Aristophanes -- Menander’s Samia and the Phaedra Theme -- Dynamics of Appropriation in Roman Comedy: Menander’s Kolax in Three Roman Receptions -- Libera lingua loquemur ludis Liberalibus: Gnaeus Naevius as a Latin Aristophanes? -- Plautus und die Techniken des Improvisationstheaters -- Lege dura vivont mulieres: Syra’s Complaint about the Sexual Double Standard -- “Letting It All Hang Out”: Lucian, Old Comedy and the Origins of Roman Satire -- Old Comedy at Rome: Rhetorical Model and Satirical Problem -- Inventing Everything: Comic and Performative Sources of Graeco-Roman Fiction -- From Drama to Narrative: The Reception of Comedy in the Ancient Novel -- Greek Culture as Images: Menander’s Comedies and Their Patrons in the Roman West and the Greek East -- The Evidence of the Zeugma Synaristosai Mosaic for Imperial Performance of Menander -- Medieval, Renaissance and Early Modern Receptions -- Medieval Vernacular Versions of Ancient Comedy: Geoffrey Chaucer, Eustache Deschamps, Vitalis of Blois and Plautus’ Amphitryon -- Aristofane mascherato: Un secolo (1415–1504) di fortuna e ‘sfortuna’ -- L’influence de Plaute sur la définition du comique chez Giovanni Pontano -- Strepsiades’ Latin Voice: Two Renaissance Translations of Aristophanes’ Clouds -- The Trickster Onstage: The Cunning Slave from Plautus to Commedia dell’Arte -- Aristophanes in England, 1500–1660 -- Exaggerating Terence’s Andria: Steele’s The Conscious Lovers, Bellamy’s The Perjur’d Devotee and Terentian Criticism -- Roman Comedy and Renaissance Revenge Drama: Titus Andronicus as Exemplary Text -- Molière and the Roman Comic Tradition -- Jacob Masen’s Rusticus imperans (1657) and Ancient Theater -- La recepción de Plauto y Terencio en la literatura española -- Reform: A Farce Modernised from Aristophanes (1792) -- Modern Receptions -- Polos und Polis: Aristophanes’ Vögel und deren Bearbeitung durch Goethe, Karl Kraus und Peter Hacks -- Translations of Aristophanes in Italy in the 19th century -- Close Encounters of the Comic Kind: Aristophanes’ Frogs and Lysistrata in Athenian Mythological Burlesque of the 1880s -- Rodgers and Hart’s The Boys from Syracuse: Shakespeare Made Plautine -- She (Don’t) Gotta Have It: African-American Reception of Lysistrata -- „Es ist, um aus der Rüstung zu fahren!“: Erich Kästners Adaption der Acharner des Aristophanes -- Lysistrata on Broadway -- “Attend, O Muse, Our Holy Dances and Come to Rejoice in Our Songs”: The Reception of Aristophanes in the Modern Musical Theater -- Aristophanes at the BBC, 1940s–1960s -- Cultural Politics and Aesthetic Debate in Two Modern Versions of Aristophanes’ Frogs -- Ionesco’s New and Old Comedy -- Aristophanes in the Cinema; or, The Metamorphoses of Lysistrata -- Who’s Afraid of Aristophanes? The Troubled Life of Ancient Comedy in 20th-Century Italy -- Aristophanes in Israel: Comedy, Theatricality, Politics -- Culture, Education and Politics: Greek and Roman Comedy in Afrikaans -- The Maculate Muse in the 21st Century: Recent Adaptations of Aristophanes’ Peace and Ecclesiazusae -- Eschyle et Euripide entre tragédie et comédie: polyphonie et interprétation dans quelques traductions récentes des Grenouilles d’Aristophane -- Business as Usual: Plautus’ Menaechmi in English Translation -- Index of Names and Subjects |
isbn |
9781614511250 9783110238570 9783110636178 9783110317350 9783110317107 9783110317091 9781614511663 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PA - Latin and Greek |
callnumber-label |
PA3028 |
callnumber-sort |
PA 43028 A53 42014 |
url |
https://doi.org/10.1515/9781614511250 https://www.degruyter.com/isbn/9781614511250 https://www.degruyter.com/document/cover/isbn/9781614511250/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
792 - Stage presentations |
dewey-full |
792.09 |
dewey-sort |
3792.09 |
dewey-raw |
792.09 |
dewey-search |
792.09 |
doi_str_mv |
10.1515/9781614511250 |
oclc_num |
900720517 |
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Ancient Comedy and Reception : Essays in Honor of Jeffrey Henderson / |
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-- </subfield><subfield code="t">Toponimi e immaginario sessuale nella Lisistrata di Aristofane -- </subfield><subfield code="t">Dionysus’ Choice in Frogs and Aristophanes’ Paraenetic Pedigree -- </subfield><subfield code="t">Two Phaedras: Euripides and Aristophanes? -- </subfield><subfield code="t">Plato’s Aristophanes -- </subfield><subfield code="t">Menander’s Samia and the Phaedra Theme -- </subfield><subfield code="t">Dynamics of Appropriation in Roman Comedy: Menander’s Kolax in Three Roman Receptions -- </subfield><subfield code="t">Libera lingua loquemur ludis Liberalibus: Gnaeus Naevius as a Latin Aristophanes? -- </subfield><subfield code="t">Plautus und die Techniken des Improvisationstheaters -- </subfield><subfield code="t">Lege dura vivont mulieres: Syra’s Complaint about the Sexual Double Standard -- </subfield><subfield code="t">“Letting It All Hang Out”: Lucian, Old Comedy and the Origins of Roman Satire -- </subfield><subfield code="t">Old Comedy at Rome: Rhetorical Model and Satirical Problem -- </subfield><subfield code="t">Inventing Everything: Comic and Performative Sources of Graeco-Roman Fiction -- </subfield><subfield code="t">From Drama to Narrative: The Reception of Comedy in the Ancient Novel -- </subfield><subfield code="t">Greek Culture as Images: Menander’s Comedies and Their Patrons in the Roman West and the Greek East -- </subfield><subfield code="t">The Evidence of the Zeugma Synaristosai Mosaic for Imperial Performance of Menander -- </subfield><subfield code="t">Medieval, Renaissance and Early Modern Receptions -- </subfield><subfield code="t">Medieval Vernacular Versions of Ancient Comedy: Geoffrey Chaucer, Eustache Deschamps, Vitalis of Blois and Plautus’ Amphitryon -- </subfield><subfield code="t">Aristofane mascherato: Un secolo (1415–1504) di fortuna e ‘sfortuna’ -- </subfield><subfield code="t">L’influence de Plaute sur la définition du comique chez Giovanni Pontano -- </subfield><subfield code="t">Strepsiades’ Latin Voice: Two Renaissance Translations of Aristophanes’ Clouds -- </subfield><subfield code="t">The Trickster Onstage: The Cunning Slave from Plautus to Commedia dell’Arte -- </subfield><subfield code="t">Aristophanes in England, 1500–1660 -- </subfield><subfield code="t">Exaggerating Terence’s Andria: Steele’s The Conscious Lovers, Bellamy’s The Perjur’d Devotee and Terentian Criticism -- </subfield><subfield code="t">Roman Comedy and Renaissance Revenge Drama: Titus Andronicus as Exemplary Text -- </subfield><subfield code="t">Molière and the Roman Comic Tradition -- </subfield><subfield code="t">Jacob Masen’s Rusticus imperans (1657) and Ancient Theater -- </subfield><subfield code="t">La recepción de Plauto y Terencio en la literatura española -- </subfield><subfield code="t">Reform: A Farce Modernised from Aristophanes (1792) -- </subfield><subfield code="t">Modern Receptions -- </subfield><subfield code="t">Polos und Polis: Aristophanes’ Vögel und deren Bearbeitung durch Goethe, Karl Kraus und Peter Hacks -- </subfield><subfield code="t">Translations of Aristophanes in Italy in the 19th century -- </subfield><subfield code="t">Close Encounters of the Comic Kind: Aristophanes’ Frogs and Lysistrata in Athenian Mythological Burlesque of the 1880s -- </subfield><subfield code="t">Rodgers and Hart’s The Boys from Syracuse: Shakespeare Made Plautine -- </subfield><subfield code="t">She (Don’t) Gotta Have It: African-American Reception of Lysistrata -- </subfield><subfield code="t">„Es ist, um aus der Rüstung zu fahren!“: Erich Kästners Adaption der Acharner des Aristophanes -- </subfield><subfield code="t">Lysistrata on Broadway -- </subfield><subfield code="t">“Attend, O Muse, Our Holy Dances and Come to Rejoice in Our Songs”: The Reception of Aristophanes in the Modern Musical Theater -- </subfield><subfield code="t">Aristophanes at the BBC, 1940s–1960s -- </subfield><subfield code="t">Cultural Politics and Aesthetic Debate in Two Modern Versions of Aristophanes’ Frogs -- </subfield><subfield code="t">Ionesco’s New and Old Comedy -- </subfield><subfield code="t">Aristophanes in the Cinema; or, The Metamorphoses of Lysistrata -- </subfield><subfield code="t">Who’s Afraid of Aristophanes? The Troubled Life of Ancient Comedy in 20th-Century Italy -- </subfield><subfield code="t">Aristophanes in Israel: Comedy, Theatricality, Politics -- </subfield><subfield code="t">Culture, Education and Politics: Greek and Roman Comedy in Afrikaans -- </subfield><subfield code="t">The Maculate Muse in the 21st Century: Recent Adaptations of Aristophanes’ Peace and Ecclesiazusae -- </subfield><subfield code="t">Eschyle et Euripide entre tragédie et comédie: polyphonie et interprétation dans quelques traductions récentes des Grenouilles d’Aristophane -- </subfield><subfield code="t">Business as Usual: Plautus’ Menaechmi in English Translation -- </subfield><subfield code="t">Index of Names and Subjects</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This wide-ranging collection, consisting of 50 essays by leading international scholars in a variety of fields, provides an overview of the reception history of a major literary genre from Greco-Roman antiquity to the present day. Section I considers how the 5th- and 4th-century Athenian comic poets defined themselves and their plays, especially in relation to other major literary forms. It then moves on to the Roman world and to the reception of Greek comedy there in art and literature. Section II deals with the European reception of Greek and Roman comedy in the Medieval, Renaissance, and Early Modern periods, and with the European stage tradition of comic theater more generally. Section III treats the handling of Greco-Roman comedy in the modern world, with attention not just to literary translations and stage-productions, but to more modern media such as radio and film. The collection will be of interest to students of ancient comedy as well as to all those concerned with how literary and theatrical traditions are passed on from one time and place to another, and adapted to meet local conditions and concerns.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Greek drama (Comedy)</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Latin drama (Comedy)</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Griechische Komödie.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Rezeption.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Römische Komödie.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Satire.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">HISTORY / Ancient / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Greek comedy.</subfield></datafield><datafield tag="653" ind1=" " ind2=" 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