A Musical View of the Universe : : Kalapalo Myth and Ritual Performances / / Ellen B. Basso.

• Superior document: Title is part of eBook package: De Gruyter Penn eBook Package Archive 1898-1999 (pre Pub)
• VerfasserIn: Basso, Ellen B.,
• Place / Publishing House: Philadelphia : : University of Pennsylvania Press, , [1985]; ©1985
• Year of Publication: 1985
• Language: English
• Series: Conduct and Communication
• Physical Description: 1 online resource (356 p.)
• Other title: Frontmatter --; Contents --; Illustrations --; Tables --; Preface --; Acknowledgments --; Guide to Pronouncing Kalapalo Words --; Chapter 1. Introduction: Meaning Constructed Through Performance --; Chapter 2. Narrative Performances and Discourse Structures --; Chapter 3. Myth as an Explanatory Mode --; Chapter 4. Sound as Symbol: Orders of Animacy --; Chapter 5. The Government of Grief --; Chapter 6. Fantasies of Erotic Aggression --; Chapter 7. Saturated with Music, Submerged in Sense --; Appendix 1: Transcribing and Translating --; Appendix 2: Kwambi Songs (as sung by Kambe) --; Appendix 3: Songs Called “Birding” (itolotepe) (as sung by Kudyu, Ugaki, Tsarjaku) --; Notes --; Bibliography --; Index --; Index of Myths
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781512819656; 9783110442526
• DOI: 10.9783/9781512819656
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Ellen B. Basso.

A Musical View of the Universe is a study of the relationships between spoken myth and musical ritual in a native Brazilian community, the Carib-speaking Kalpalo of the Upper Xingu Basin. The book focuses on the meanings created and expressed through performance of artistic processes in which sound symbols provide a unifying interpretive matrix. Through sound symbols, Kalpalo ideas about types of beings, their relationships, and activities of mind are conceived, represented, and rendered apparent. The book includes the first collection of South American Indian narratives translated directly from the original language from taped performances. Ellen B. Basso's translations take into account the interaction among participants in the storytelling situation and the qualities of narrative performance that result.