The "Things of Greater Importance" : : Bernard of Clairvaux's "Apologia" and the Medieval Attitude Toward Art / / Conrad Rudolph.

• Superior document: Title is part of eBook package: De Gruyter Penn eBook Package Archive 1898-1999 (pre Pub)
• VerfasserIn: Rudolph, Conrad,
• Place / Publishing House: Philadelphia : : University of Pennsylvania Press, , [2016]; ©1990
• Year of Publication: 2016
• Edition: Reprint 2016
• Language: English
• Physical Description: 1 online resource (404 p.) :; 36 illus.
• Other title: Frontmatter --; Contents --; Preface --; 1. Introduction --; 2. The "Things of Greater Importance" --; 3. The Apologia and the Art of the Orders of Cluny and Citeaux --; 4. To Whom the Apologia Was Addressed --; 5. Conclusion --; Appendix 1. The Origin of the Apologia --; Appendix 2. The Text and Translation of the Apologia With Art Historical Commentary --; Bibliography --; Illustrations --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781512806410; 9783110442526
• DOI: 10.9783/9781512806410
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Conrad Rudolph.

The "Things of Greater Importance" provides a close look into the social and cultural context of medieval art, primarily as expressed in Bernard of Clairvaux's Apologia, the central document in the greatest artistic controversy to occur in the West prior to the Reformation and the most important source we have for understanding medieval attitudes toward art. Bernard wrote the Apologia during the medieval efflorescence of monumental sculpture and stained glass, of advanced architecture, of pilgrimage art, of high Romanesque, and of the origins of Gothic art. Rudolph places the Apologia, traditionally seen as a condemnation either of all religious art or of all monastic art, in a broader context, using it to explore the role of art in medieval society. He shows that Bernard was interested in the impact of art on contemporary monasticism in a more complex way than previously believed. The book offers the most thorough study available of the theoretical basis of medieval art as it functioned in society; and its implications for the art of both the Romanesque and Gothic periods, which were spanned by Bernard's life, are significant.