The Embodiment of Characters : : The Representation of Physical Experience on Stage and in Print, 1728-1749 / / Jones DeRitter.

In The Embodiment of Characters, Jones DeRitter examines the connection between the eighteenth-century London stage and the early English novel. DeRitter begins with the sweeping changes decreed by the Stage Licensing Act of 1737, which closed three of London's five legitimate theaters and dict...

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Superior document:Title is part of eBook package: De Gruyter Penn eBook Package Archive 1898-1999 (pre Pub)
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Place / Publishing House:Philadelphia : : University of Pennsylvania Press, , [2016]
©1994
Year of Publication:2016
Edition:Reprint 2016
Language:English
Series:New Cultural Studies
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Physical Description:1 online resource (176 p.)
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id 9781512801774
ctrlnum (DE-B1597)475679
(OCoLC)979954655
collection bib_alma
record_format marc
spelling DeRitter, Jones, author. aut http://id.loc.gov/vocabulary/relators/aut
The Embodiment of Characters : The Representation of Physical Experience on Stage and in Print, 1728-1749 / Jones DeRitter.
Reprint 2016
Philadelphia : University of Pennsylvania Press, [2016]
©1994
1 online resource (176 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
New Cultural Studies
Frontmatter -- Content -- Acknowledgments -- Abbreviations -- Introduction -- 1. Life Among the “Otamys”: Gender and Demography in The Beggar’s Opera -- 2. “The storm that lust began must end in blood”: The Physical Economy of The London Merchant -- 3. “Not the Person she conceived me”: The Public Identities of Charlotte Charke -- 4. “So much written about what deserves not the least consideration”: Performance and Physical Experience in Clarissa -- 5. Who She Was and What She Was: Female Characters and Physical Experience in Tom Jones -- Postscript -- Notes -- Works Cited -- Index -- Backmatter
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
In The Embodiment of Characters, Jones DeRitter examines the connection between the eighteenth-century London stage and the early English novel. DeRitter begins with the sweeping changes decreed by the Stage Licensing Act of 1737, which closed three of London's five legitimate theaters and dictated that every new play would have to be censored and licensed by the Lord Chamberlain's office. Before 1737, reading plays had been a favorite pastime of literate English men and women, after 1737, many of these readers shifted their attention to novels.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
Characters and characteristics in literature.
English literature 18th century History and criticism.
Human body in literature.
Sex role in literature.
LITERARY CRITICISM / Renaissance. bisacsh
Title is part of eBook package: De Gruyter Penn eBook Package Archive 1898-1999 (pre Pub) 9783110442526
print 9780812232653
https://doi.org/10.9783/9781512801774
https://www.degruyter.com/isbn/9781512801774
Cover https://www.degruyter.com/cover/covers/9781512801774.jpg
language English
format eBook
author DeRitter, Jones,
DeRitter, Jones,
spellingShingle DeRitter, Jones,
DeRitter, Jones,
The Embodiment of Characters : The Representation of Physical Experience on Stage and in Print, 1728-1749 /
New Cultural Studies
Frontmatter --
Content --
Acknowledgments --
Abbreviations --
Introduction --
1. Life Among the “Otamys”: Gender and Demography in The Beggar’s Opera --
2. “The storm that lust began must end in blood”: The Physical Economy of The London Merchant --
3. “Not the Person she conceived me”: The Public Identities of Charlotte Charke --
4. “So much written about what deserves not the least consideration”: Performance and Physical Experience in Clarissa --
5. Who She Was and What She Was: Female Characters and Physical Experience in Tom Jones --
Postscript --
Notes --
Works Cited --
Index --
Backmatter
author_facet DeRitter, Jones,
DeRitter, Jones,
author_variant j d jd
j d jd
author_role VerfasserIn
VerfasserIn
author_sort DeRitter, Jones,
title The Embodiment of Characters : The Representation of Physical Experience on Stage and in Print, 1728-1749 /
title_sub The Representation of Physical Experience on Stage and in Print, 1728-1749 /
title_full The Embodiment of Characters : The Representation of Physical Experience on Stage and in Print, 1728-1749 / Jones DeRitter.
title_fullStr The Embodiment of Characters : The Representation of Physical Experience on Stage and in Print, 1728-1749 / Jones DeRitter.
title_full_unstemmed The Embodiment of Characters : The Representation of Physical Experience on Stage and in Print, 1728-1749 / Jones DeRitter.
title_auth The Embodiment of Characters : The Representation of Physical Experience on Stage and in Print, 1728-1749 /
title_alt Frontmatter --
Content --
Acknowledgments --
Abbreviations --
Introduction --
1. Life Among the “Otamys”: Gender and Demography in The Beggar’s Opera --
2. “The storm that lust began must end in blood”: The Physical Economy of The London Merchant --
3. “Not the Person she conceived me”: The Public Identities of Charlotte Charke --
4. “So much written about what deserves not the least consideration”: Performance and Physical Experience in Clarissa --
5. Who She Was and What She Was: Female Characters and Physical Experience in Tom Jones --
Postscript --
Notes --
Works Cited --
Index --
Backmatter
title_new The Embodiment of Characters :
title_sort the embodiment of characters : the representation of physical experience on stage and in print, 1728-1749 /
series New Cultural Studies
series2 New Cultural Studies
publisher University of Pennsylvania Press,
publishDate 2016
physical 1 online resource (176 p.)
edition Reprint 2016
contents Frontmatter --
Content --
Acknowledgments --
Abbreviations --
Introduction --
1. Life Among the “Otamys”: Gender and Demography in The Beggar’s Opera --
2. “The storm that lust began must end in blood”: The Physical Economy of The London Merchant --
3. “Not the Person she conceived me”: The Public Identities of Charlotte Charke --
4. “So much written about what deserves not the least consideration”: Performance and Physical Experience in Clarissa --
5. Who She Was and What She Was: Female Characters and Physical Experience in Tom Jones --
Postscript --
Notes --
Works Cited --
Index --
Backmatter
isbn 9781512801774
9783110442526
9780812232653
callnumber-first P - Language and Literature
callnumber-subject PR - English Literature
callnumber-label PR448
callnumber-sort PR 3448 B63
era_facet 18th century
url https://doi.org/10.9783/9781512801774
https://www.degruyter.com/isbn/9781512801774
https://www.degruyter.com/cover/covers/9781512801774.jpg
illustrated Not Illustrated
dewey-hundreds 800 - Literature
dewey-tens 820 - English & Old English literatures
dewey-ones 820 - English & Old English literatures
dewey-full 820.9/27/09033
dewey-sort 3820.9 227 49033
dewey-raw 820.9/27/09033
dewey-search 820.9/27/09033
doi_str_mv 10.9783/9781512801774
oclc_num 979954655
work_keys_str_mv AT deritterjones theembodimentofcharacterstherepresentationofphysicalexperienceonstageandinprint17281749
AT deritterjones embodimentofcharacterstherepresentationofphysicalexperienceonstageandinprint17281749
status_str n
ids_txt_mv (DE-B1597)475679
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carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter Penn eBook Package Archive 1898-1999 (pre Pub)
is_hierarchy_title The Embodiment of Characters : The Representation of Physical Experience on Stage and in Print, 1728-1749 /
container_title Title is part of eBook package: De Gruyter Penn eBook Package Archive 1898-1999 (pre Pub)
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