Gendered Modernisms : : American Women Poets and Their Readers / / Thomas Travisano, Margaret Dickie.
Thirteen original essays on Gertrude Stein, H. D., Marianne Moore, Edna St. Vincent Millay, Laura (Riding) Jackson, Elizabeth Bishop, Muriel Rukeyser, and Gwendolyn Brooks demonstrate how these women expand the social, textual, and political boundaries of modernism. The collection places these poets...
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| Superior document: | Title is part of eBook package: De Gruyter Penn eBook Package Archive 1898-1999 (pre Pub) |
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| HerausgeberIn: | |
| Place / Publishing House: | Philadelphia : : University of Pennsylvania Press, , [2016] ©1996 |
| Year of Publication: | 2016 |
| Edition: | Reprint 2016 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (328 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Introduction
- 1. Recovering the Repression in Stein’s Erotic Poetry
- 2. History as Conjugation: Stein’s Stanzas in Meditation and the Literary History of the Modernist Long Poem
- 3. H. D., Modernism, and the Transgressive Sexualities of Decadent-Romantic Platonism
- 4. Pornopoeia, the Modernist Canon, and the Cultural Capital of Sexual Literacy: The Case of H. D.
- 5. “So As to Be One Having Some Way of Being One Having Some Way of Working”: Marianne Moore and Literary Tradition
- 6. “The Frigate Pelican” ’s Progress: Marianne Moore’s Multiple Versions and Modernist Practice
- 7. Jouissance and the Sentimental Daughter: Edna St. Vincent Millay
- 8. Antimodern, Modern, and Postmodern Millay: Contexts of Revaluation
- 9. Laura (Riding) Jackson’s “Really New” Poem
- 10. The Elizabeth Bishop Phenomenon
- 11. Muriel Rukeyser and Her Literary Critics
- 12. “The Buried Life and the Body of Waking”: Muriel Rukeyser and the Politics of Literary History
- 13. Whose Canon? Gwendolyn Brooks: Founder at the Center of the “Margins”
- Contributors
- Index
- Backmatter