Spectacles of Strangeness : : Imperialism, Alienation, and Marlowe / / Emily C. Bartels.

Selected by Choice magazine as an Outstanding Academic TitleBartels focuses on Marlowe's preoccupation with "strangers" and "strange" lands, and his use-and subversion-of Elizabethan stereotypes. Setting Marlovian drama in the context of England's nascent imperialism, B...

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Superior document:Title is part of eBook package: De Gruyter Penn eBook Package Archive 1898-1999 (pre Pub)
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Place / Publishing House:Philadelphia : : University of Pennsylvania Press, , [2015]
©1993
Year of Publication:2015
Language:English
Online Access:
Physical Description:1 online resource (234 p.)
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Other title:Frontmatter --
Contents --
Acknowledgments --
A Note on the Texts --
Introduction --
1. Strange and Estranging Spectacles: Strategies of State and Stage --
2. Reproducing Mrica: Dido) Queen of Carthage and Colonialist Discourse --
3. East of England: Imperialist Self-Construction in Tamburlaine) Parts 1 and 2 --
4. Capitalizing on the Jew: The Third Term in The Jew of Malta --
5. Demonizing Magic: Patterns of Power in Doctor Faustus --
6. The Show of Sodomy: Minions and Dominions in Edward II --
Conclusion --
Notes --
Works Cited --
Index --
Backmatter
Summary:Selected by Choice magazine as an Outstanding Academic TitleBartels focuses on Marlowe's preoccupation with "strangers" and "strange" lands, and his use-and subversion-of Elizabethan stereotypes. Setting Marlovian drama in the context of England's nascent imperialism, Bartels probes the significance of the alien as the vital presence on the Renaissance stage and within Renaissance society.
Format:Mode of access: Internet via World Wide Web.
ISBN:9781512801002
9783110442526
DOI:10.9783/9781512801002
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Emily C. Bartels.