Making No Compromise : : Margaret Anderson, Jane Heap, and the "Little Review" / / Holly A. Baggett.

• Superior document: Title is part of eBook package: De Gruyter Cornell University Press Complete eBook-Package 2023
• VerfasserIn: Baggett, Holly A.,
• Place / Publishing House: Ithaca, NY : : Cornell University Press, , [2023]; ©2023
• Year of Publication: 2023
• Language: English
• Physical Description: 1 online resource (312 p.) :; 21 b&w halftones
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781501771453; 9783110751833; 9783111319292; 9783111318912; 9783111319186; 9783111318264
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Holly A. Baggett.

Making No Compromise is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal The Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, lived openly as lesbians, and advocated causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, and Paris and Europe, two World Wars, and a parade of the most celebrated artists of their time, they managed to transform themselves and their journal into a major force for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age Aesthetics were among the radical trends The Little Review promoted and introduced to American audiences. Anderson and Heap published the early work of the "Men of 1914" -Pound, Joyce, Yeats and Eliot-and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa Freytag-von Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and ceased publication of The Little Review in 1929.Holly Baggett examines the role of radical politics, sexuality, modernism, and spirituality, and suggests that Anderson's and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in modernism.