The Enthusiast : : Anatomy of the Fanatic in Seventeenth-Century British Culture / / William Cook Miller.

• Superior document: Title is part of eBook package: De Gruyter Cornell University Press Complete eBook-Package 2023
• VerfasserIn: Miller, William Cook,
• Place / Publishing House: Ithaca, NY : : Cornell University Press, , [2023]; ©2023
• Year of Publication: 2023
• Language: English
• Physical Description: 1 online resource (264 p.) :; 3 b&w halftones, 1 graph
• Other title: Frontmatter --; Contents --; Acknowledgments --; Introduction: Prophets , True and False --; 1. The Mere Enthusiast --; 2. Henry More’s Compound Enthusiast --; 3. The Double Life of the Compound Enthusiast --; 4. John Locke’s Enthusiasts --; 5. The Celebration and Condemnation of the Universal Enthusiast --; 6. Jonathan Swift’s Enthusiastic Personae --; Conclusion: Prophecy and the Big Allegory --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781501770821; 9783110751833; 9783111319292; 9783111318912; 9783111319186; 9783111318264
• DOI: 10.1515/9781501770821?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: William Cook Miller.

The Enthusiast tells the story of a character type that was developed in early modern Britain to discredit radical prophets during an era that witnessed the dismantling of the Church of England's traditional means for punishing heresy. As William Cook Miller shows, the caricature of fanaticism, here called the Enthusiast began as propaganda against religious dissenters, especially working-class upstarts, but was adopted by a range of writers as a literary vehicle for exploring profound problems of spirit, soul, and body, and a persona for the ironic expression of their own prophetic illuminations. Taking shape through the public and private writings of some of the most insightful authors of seventeenth-century Britain—Henry More, John Locke, the Third Earl of Shaftesbury, Mary Astell, and Jonathan Swift, among others—the Enthusiast appeared in various guises and literary modes. By attending to this literary being and its animators, The Enthusiast establishes the figure of the fanatic as a bridge between the Reformation and the Enlightenment, showing how an incipient secular modernity was informed not by the rejection of religion but the transformation of the prophet into something sparkling, witty, ironic, and new.