Recording Russia : : Trying to Listen in the Nineteenth Century / / Gabriella Safran.

Recording Russia examines scenes of listening to "the people" across a variety of texts by Russian writers and European travelers to Russia. Gabriella Safran challenges readings of these works that essentialize Russia as a singular place where communication between the classes is consisten...

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Superior document:Title is part of eBook package: De Gruyter Cornell University Press Complete eBook-Package 2022
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Place / Publishing House:Ithaca, NY : : Cornell University Press, , [2022]
©2022
Year of Publication:2022
Language:English
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Physical Description:1 online resource (300 p.) :; 13 b&w halftones
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245 1 0 |a Recording Russia :  |b Trying to Listen in the Nineteenth Century /  |c Gabriella Safran. 
264 1 |a Ithaca, NY :   |b Cornell University Press,   |c [2022] 
264 4 |c ©2022 
300 |a 1 online resource (300 p.) :  |b 13 b&w halftones 
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505 0 0 |t Frontmatter --   |t Contents --   |t Note on Translation and Transliteration --   |t Introduction --   |t 1. Ringing --   |t 2. Singing --   |t 3. Nesting --   |t 4. Crossing --   |t 5. Paper Making --   |t 6. Dreaming --   |t 7. Insulting --   |t 8. Laughing --   |t Conclusion --   |t Acknowledgments --   |t Notes --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Recording Russia examines scenes of listening to "the people" across a variety of texts by Russian writers and European travelers to Russia. Gabriella Safran challenges readings of these works that essentialize Russia as a singular place where communication between the classes is consistently fraught, arguing instead that, as in the West, the sense of separation or connection between intellectuals and those they interviewed or observed is as much about technology and performance as politics and emotions. Nineteenth-century writers belonged to a distinctive media generation using new communication technologies—not bells, but mechanically produced paper, cataloguing systems, telegraphy, and stenography. Russian writers and European observers of Russia in this era described themselves and their characters as trying hard to listen to and record the laboring and emerging middle classes. They depicted scenes of listening as contests where one listener bests another; at times the contest is between two sides of the same person. They sometimes described Russia as an ideal testing ground for listening because of its extreme cold and silence. As the mid-century generation witnessed the social changes of the 1860s and 1870s, their listening scenes revealed increasing skepticism about the idea that anyone could accurately identify or record the unadulterated "voice of the people." Bringing together intellectual history and literary analysis and drawing on ideas from linguistic anthropology and sound and media studies, Recording Russia looks at how writers, folklorists, and linguists such as Turgenev, Dostoevsky, and Vladimir Dahl, as well as foreign visitors, thought about the possibilities and meanings of listening to and repeating other people's words. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) 
650 0 |a Language and culture  |z Russia  |x History  |y 19th century. 
650 0 |a Listening in literature. 
650 0 |a Listening. 
650 0 |a Oral communication  |x Social aspects  |z Russia  |x History  |y 19th century. 
650 0 |a Russian language  |x Social aspects  |z Russia  |x History  |y 19th century. 
650 0 |a Russian language  |x Spoken Russian  |x Social aspects  |z Russia. 
650 0 |a Russian literature  |y 19th century  |x History and criticism. 
650 0 |a Speech in literature. 
650 4 |a Language Arts & Linguistics. 
650 4 |a Literary Studies. 
650 4 |a Soviet & East European History. 
650 7 |a LITERARY CRITICISM / Russian & Former Soviet Union.  |2 bisacsh 
653 |a history of Russian listening, European travelers and Russian authors, history of media and sound recording, sound in the nineteenth century, slavic languages and literature, Dostoevsky and folklore. 
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