Unfinished Spirit : : Muriel Rukeyser's Twentieth Century / / Rowena Kennedy-Epstein.

• Superior document: Title is part of eBook package: De Gruyter Cornell University Press Complete eBook-Package 2022
• VerfasserIn: Kennedy-Epstein, Rowena,
• Place / Publishing House: Ithaca, NY : : Cornell University Press, , [2022]; ©2022
• Year of Publication: 2022
• Language: English
• Physical Description: 1 online resource (224 p.) :; 13 b&w halftones

In Unfinished Spirit, Rowena Kennedy-Epstein brings to light the extraordinary archive of Muriel Rukeyser's (1913–1980) unpublished and incomplete literary works, revealing the ways in which misogyny influences the kinds of texts we read and value. Despite her status today as an influential poet, much of Rukeyser's critical and feminist writing remained unfinished, supressed by the sexism of editors, political censure, the withdrawal of funding and publishing contracts, as well the conditions of single motherhood and economic precarity. From Savage Coast, her novel of the Spanish Civil War (which Kennedy-Epstein recovered, edited, and published to great acclaim in 2013) to her photo-text collaboration with Berenice Abbott, essays on women writers, radio scripts, and biographies, Unfinished Spirit traces the creation, reception, and rejection of Rukeyser's most ambitious texts—works that continued the radical, avant-garde project of modernism and challenged an increasingly hegemonic Cold War culture. Bound together by Rukeyser's radical vision of artistic creation and political engagement, these incomplete texts open a space to theorize the politics of the unfinished for understanding women's artistic production, reasserting the importance of the archive as a primary site of feminist criticism.

Table of Contents

Frontmatter -- Contents -- Acknowledgments -- Introduction: Waste/Archives/Feminism -- Part I Novel Proliferations The Spanish Civil War, 1936–1974 -- 1 Costa Brava -- 2 Her Symbol Was Civil War: Recovering Savage Coast -- 3 Mother of Exiles: Spanish Civil War Writing -- Part II Being Process Itself: Feminism, Collaboration, and Influence -- 4 Bad Influences and Willful Subjects: The Life of Poetry, “Many Keys,” and Sunday at Nine -- 5 So Easy to See: The Unfinished Collaboration with Berenice Abbott -- 6 Pillars of Process: Franz Boas, Birth, and Indigenous Thought -- Conclusion: The Rukeyser Era -- Notes -- Selected Sources -- Index