Cultivating the Past, Living the Modern : : The Politics of Time in the Sultanate of Oman / / Amal Sachedina.

• Superior document: Title is part of eBook package: De Gruyter Cornell University Press Complete eBook-Package 2021
• VerfasserIn: Sachedina, Amal,
• Place / Publishing House: Ithaca, NY : : Cornell University Press, , [2021]; ©2021
• Year of Publication: 2021
• Language: English
• Physical Description: 1 online resource (288 p.) :; 13 b&w halftones, 1 map
• Other title: Frontmatter --; Contents --; Acknowledgments --; Note on Transliteration --; Introduction: Heritage Discourse and Its Alterities --; 1. Reform and Revolt through the Pen and the Sword --; 2. Nizwa Fort and the Dalla during the Imamate --; 3. Museum Effects --; 4. Ethics of History Making --; 5. Nizwa, City of Memories --; 6. Nizwa’s Lasting Legacy of Slavery --; 7. The al-Lawati as a Historical Category --; Conclusion: Cultivating the Past --; Glossary --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781501758621; 9783110739084; 9783110754001; 9783110753776; 9783110754087; 9783110753851
• DOI: 10.1515/9781501758621?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Amal Sachedina.

Cultivating the Past, Living the Modern explores how and why heritage has emerged as a prevalent force in building the modern nation state of Oman. Amal Sachedina analyses the relations with the past that undergird the shift in Oman from an Ibadi shari'a Imamate (1913–1958) to a modern nation state from 1970 onwards. Since its inception as a nation state, material forms in the Sultanate of Oman—such as old mosques and shari'a manuscripts, restored forts, national symbols such as the coffee pot or the dagger (khanjar), and archaeological sites—have saturated the landscape, becoming increasingly ubiquitous as part of a standardized public and visual memorialization of the past. Oman's expanding heritage industry, exemplified by the boom in museums, exhibitions, street montages, and cultural festivals, shapes a distinctly national geography and territorialized narrative. But Cultivating the Past, Living the Modern demonstrates there are consequences to this celebration of heritage. As the national narrative conditions the way people ethically work on themselves through evoking forms of heritage, it also generates anxieties and emotional sensibilities that seek to address the erasures and occlusions of the past.