The Erotics of Grief : : Emotions and the Construction of Privilege in the Medieval Mediterranean / / Megan Moore.

• Superior document: Title is part of eBook package: De Gruyter Cornell University Press Complete eBook-Package 2021
• VerfasserIn: Moore, Megan,
• Place / Publishing House: Ithaca, NY : : Cornell University Press, , [2021]; ©2021
• Year of Publication: 2021
• Language: English
• Physical Description: 1 online resource (204 p.) :; 5 b&w halftones, 2 charts
• Other title: Frontmatter --; Contents --; Acknowledgments --; Introduction: Desire and Death in Elite Medieval Emotional Communities --; Chapter 1. Philomena and the Erotics of Privilege in the Middle Ages --; Chapter 2. Widows and the Romance of Grief --; Chapter 3. Masculinity, Mourning, and Epic Sacrifice --; Chapter 4. Toward a Mediterranean Erotics of Grief --; Conclusion: The Erotics of Grief and the Stakes of Community --; Appendix 1: Selected Illuminations of Knights Being Grieved --; Appendix 2. Selected Illuminations of Lovers in Death --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781501758416; 9783110739084; 9783110754001; 9783110753776; 9783110754124; 9783110753899
• DOI: 10.1515/9781501758416?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Megan Moore.

The Erotics of Grief considers how emotions propagate power by exploring whose lives are grieved and what kinds of grief are valuable within and eroticized by medieval narratives. Megan Moore argues that grief is not only routinely eroticized in medieval literature but that it is a foundational emotion of medieval elite culture. Focusing on the concept of grief as desire, Moore builds on the history of the emotions and Georges Bataille's theory of the erotic as the conflict between desire and death, one that perversely builds a sense of community organized around a desire for death. The link between desire and death serves as an affirmation of living communities. Moore incorporates literary, visual, and codicological evidence in sources from across the Mediterranean—from Old French chansons de geste, such as the Song of Roland and La Mort li roi Artu and romances such as Erec et Enide, Philomena, and Floire et Blancheflor; to Byzantine and Ancient Greek novels; to Middle English travel narratives such as Mandeville's Travels. In her reading of the performance of grief as a performance of community and remembrance, Moore assesses why some lives are imagined as mattering more than others and explores how a language of grief becomes a common language of status among the medieval Mediterranean elite.