The Winter Palace and the People : : Staging and Consuming Russia's Monarchy, 1754–1917 / / Susan McCaffray.

• Superior document: Title is part of eBook package: De Gruyter Cornell University Press Complete eBook-Package 2018
• VerfasserIn: McCaffray, Susan,
• Place / Publishing House: Ithaca, NY : : Cornell University Press, , [2020]; ©2018
• Year of Publication: 2020
• Language: English
• Series: NIU Series in Slavic, East European, and Eurasian Studies
• Physical Description: 1 online resource (288 p.) :; 19 illustrations
• Other title: Frontmatter --; Contents --; ILLUSTRATIONS --; ACKNOWLEDGMENTS --; PREFACE --; INTRODUCTION --; PART I. A NEW STAGE FOR THE THEATER OF MONARCHY --; 1. “A DIFFERENT WINTER PALACE” --; 2. A PALACE MADE OF WOOD AND BRICKS --; 3. A NEW CITY CENTER --; 4. STAGING MONARCHY --; PAR II. ENACTING URBAN MONARCHY --; 5. PALACE OF PATRIOTISM --; 6. THE PALACE HOUSEHOLD AND ITS MASTER --; 7. PALACE OF CULTURE --; PART III. THE AUDIENCE TAKES THE STAGE --; 8. HEIRS --; 9. TO THE PALACE --; CONCLUSION --; Notes --; Select Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781501758003; 9783110606553
• DOI: 10.1515/9781501758003
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Susan McCaffray.

St. Petersburg's Winter Palace was once the supreme architectural symbol of Russia's autocratic government. Over the course of the nineteenth and early twentieth centuries, it became the architectural symbol of St. Petersburg itself. The story of the palace illuminates the changing relationship between monarchs and their capital city during the last century and a half of Russian monarchy. In The Winter Palace and the People, Susan McCaffray examines interactions among those who helped to stage the ceremonial drama of monarchy, those who consumed the spectacle, and the monarchs themselves. In the face of a changing social landscape in their rapidly growing nineteenth-century capital, Russian monarchs reoriented their display of imperial and national representation away from courtiers and toward the urban public. When attacked at mid-century, monarchs retreated from the palace. As they receded, the public claimed the square and the artistic treasures in the Imperial Hermitage before claiming the palace itself. By 1917, the Winter Palace had come to be the essential stage for representing not just monarchy, but the civic life of the empire-nation. What was cataclysmic for the monarchy presented to those who staffed the palace and Hermitage not a disaster, but a new mission, as a public space created jointly by monarch and city passed from the one to the other. This insightful study will appeal to scholars of Russia and general readers interested in Russian history.