Orphans / / Ben Tanzer.

• Superior document: Title is part of eBook package: De Gruyter Cornell University Press Backlist 2000-2013
• VerfasserIn: Tanzer, Ben,
• Place / Publishing House: Ithaca, NY : : Cornell University Press, , [2021]; ©2013
• Year of Publication: 2021
• Language: English
• Series: Switchgrass Books
• Physical Description: 1 online resource (170 p.)
• Other title: Frontmatter --; Chapter 1 --; Chapter 2 --; Chapter 3 --; Chapter 4 --; Chapter 5 --; Chapter 6 --; Chapter 7 --; Chapter 8 --; Chapter 9 --; Chapter 10 --; Chapter 11 --; Chapter 12 --; Chapter 13 --; Chapter 14 --; Chapter 15 --; Chapter 16 --; Chapter 17 --; Chapter 18 --; Chapter 19 --; Chapter 20 --; Chapter 21 --; Chapter 22 --; Chapter 23 --; Chapter 24 --; Chapter 25 --; Chapter 26 --; Chapter 27 --; Chapter 28 --; Chapter 29 --; Chapter 30 --; Chapter 31 --; Chapter 32 --; Chapter 33 --; Chapter 34 --; Chapter 35 --; Chapter 36 --; Chapter 37 --; Chapter 38 --; Chapter 39 --; Chapter 40 --; Chapter 41 --; Chapter 42 --; Chapter 43 --; Chapter 44 --; Chapter 45 --; Chapter 46 --; Acknowledgments
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781501757372; 9783110536157
• DOI: 10.1515/9781501757372
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Ben Tanzer.

With Orphans, Ben Tanzer continues his ongoing literary survey of the twenty-first-century male psyche, yet does so with a newfound twist, contemporary themes set in a world that is anything but. In this dystopian tale of a future Chicago, workers are sent off to sell property on Mars to those who can afford to leave, leaving what's left to those who have little choice but to make do with what's left behind: burnt out neighborhoods, black helicopters policing the streets, flash mobs, the unemployed in their scruffy suits, robots taking the few jobs that remain, and clones who replace those workers who do find work so that a modicum of family stability can be maintained. It is a story about the impact of work on family. How work warps our best intentions. And how everything we think we know about ourselves looks different during a recession.This idea is writ large in the world of Orphans, where recession is all we know, work is only available to the lucky few, and this lucky few not only need to fear being replaced on the job, but in their homes and beds. It is also a story about drugs, surfing, punk music, lost youth, parenting, sex, pop culture as vernacular, and a conscious intersection of Death of a Salesman or Glengarry Glen Ross with the Martian Chronicles.Looking to the genre of science fiction has allowed Tanzer to produce something new and fresh, expanding both his literary horizons, and the potential market for his work. Tanzer also looks to the story of Bartleby the Scrivener with Orphans, and the question of what are we allowed as workers, and expected to be, or do, when work is fraught with desperation. Ultimately, Orphans is intended to be a contemporary story about manhood and what it means in today's world, told from the perspective of work and family, and how any of us manage the parameters that family and work produce; but it's a story told in a futuristic world, where our greatest fears are in fact already realized, because there isn't enough of anything, and we are all too easily replaced.