Unfixable Forms : : Disability, Performance, and the Early Modern English Theater / / Katherine Schaap Williams.

Unfixable Forms explores how theatrical form remakes—and is in turn remade by—early modern disability. Figures described as "deformed," "lame," "crippled," "ugly," "sick," and "monstrous" crowd the stage in English drama of the sixteenth an...

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Superior document:Title is part of eBook package: De Gruyter Cornell University Press Complete eBook-Package 2021
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Place / Publishing House:Ithaca, NY : : Cornell University Press, , [2021]
©2021
Year of Publication:2021
Language:English
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Physical Description:1 online resource (330 p.) :; 10 b&w halftones
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100 1 |a Williams, Katherine Schaap,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Unfixable Forms :  |b Disability, Performance, and the Early Modern English Theater /  |c Katherine Schaap Williams. 
264 1 |a Ithaca, NY :   |b Cornell University Press,   |c [2021] 
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Textual Note --   |t Introduction --   |t 1. Deformed --   |t 2. Citizen Transformed --   |t 3. Performing Cripple in Theatrical Exchange --   |t 4. Changing the Ugly Body --   |t 5. Playing Time, or Sick of Feigning --   |t 6. Making the Monster --   |t Coda --   |t Notes --   |t Bibliography --   |t Index 
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520 |a Unfixable Forms explores how theatrical form remakes—and is in turn remade by—early modern disability. Figures described as "deformed," "lame," "crippled," "ugly," "sick," and "monstrous" crowd the stage in English drama of the sixteenth and seventeenth centuries. In each case, such a description distills cultural expectations about how a body should look and what a body should do—yet, crucially, demands the actor's embodied performance. In the early modern theater, concepts of disability collide with the deforming, vulnerable body of the actor. Reading dramatic texts alongside a diverse array of sources, ranging from physic manuals to philosophical essays to monster pamphlets, Katherine Schaap Williams excavates an archive of formal innovation to argue that disability is at the heart of the early modern theater's exploration of what it means to put the body of an actor on the stage. Offering new interpretations of canonical works by William Shakespeare, Ben Jonson, Thomas Dekker, Thomas Middleton, and William Rowley, and close readings of little-known plays such as The Fair Maid of the Exchange and A Larum For London, Williams demonstrates how disability cuts across foundational distinctions between nature and art, form and matter, and being and seeming. Situated at the intersections of early modern drama, disability studies, and performance theory, Unfixable Forms locates disability on the early modern stage as both a product of cultural constraints and a spark for performance's unsettling demands and electrifying eventfulness. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) 
650 0 |a Disabilities in literature. 
650 0 |a Disabilities in the theater  |z England  |x History  |y 16th century. 
650 0 |a Disabilities in the theater  |z England  |x History  |y 17th century. 
650 0 |a English drama  |y 17th century  |x History and criticism. 
650 0 |a English drama  |y Early modern and Elizabethan, 1500-1600  |x History and criticism. 
650 4 |a Disability Studies. 
650 4 |a Literary Studies. 
650 4 |a Performing Arts & Drama. 
650 7 |a LITERARY CRITICISM / Shakespeare.  |2 bisacsh 
653 |a Disability in English Renaissance drama, Shakespeare and disability. 
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