Behind the Times : : Virginia Woolf in Late-Victorian Contexts / / Mary Jean Corbett.

Virginia Woolf, throughout her career as a novelist and critic, deliberately framed herself as a modern writer invested in literary tradition but not bound to its conventions; engaged with politics but not a propagandist; a woman of letters but not a "lady novelist." As a result, Woolf ign...

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Superior document:Title is part of eBook package: De Gruyter Cornell University Press Complete eBook-Package 2020
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Place / Publishing House:Ithaca, NY : : Cornell University Press, , [2020]
©2022
Year of Publication:2020
Language:English
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Physical Description:1 online resource (312 p.)
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100 1 |a Corbett, Mary Jean,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Behind the Times :  |b Virginia Woolf in Late-Victorian Contexts /  |c Mary Jean Corbett. 
264 1 |a Ithaca, NY :   |b Cornell University Press,   |c [2020] 
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505 0 0 |t Frontmatter --   |t Contents --   |t Preface --   |t Introduction --   |t 1. Gender, Greatness, and the “Third Generation” --   |t Interlude I: Grand Reads Woolf --   |t 2. New Women and Old: Sarah Grand, Social Purity, and The Voyage Out --   |t Interlude II: Disinterestedness --   |t 3. “Ashamed of the Inkpot”: Woolf and the Literary Marketplace --   |t Interlude III: Duckworth and Company --   |t 4. “To Serve and Bless”: Julia Stephen, Isabel Somerset, and Late-Victorian Women’s Politics --   |t Interlude IV: Somerset, Symonds, Stephen, and Sexuality --   |t 5. “A Different Ideal”: Representing the Public Woman --   |t Afterword --   |t Notes --   |t Works Cited --   |t Index 
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520 |a Virginia Woolf, throughout her career as a novelist and critic, deliberately framed herself as a modern writer invested in literary tradition but not bound to its conventions; engaged with politics but not a propagandist; a woman of letters but not a "lady novelist." As a result, Woolf ignored or disparaged most of the women writers of her parents' generation, leading feminist critics to position her primarily as a forward-thinking modernist who rejected a stultifying Victorian past. In Behind the Times, Mary Jean Corbett finds that Woolf did not dismiss this history as much as she boldly rewrote it.Exploring the connections between Woolf's immediate and extended family and the broader contexts of late-Victorian literary and political culture, Corbett emphasizes the ongoing significance of the previous generation's concerns and controversies to Woolf's considerable achievements. Behind the Times rereads and revises Woolf's creative works, politics, and criticism in relation to women writers including the New Woman novelist Sarah Grand, the novelist and playwright, Lucy Clifford; the novelist and anti-suffragist, Mary Augusta Ward. It explores Woolf's attitudes to late-Victorian women's philanthropy, the social purity movement, and women's suffrage. Closely tracking the ways in which Woolf both followed and departed from these predecessors, Corbett complicates Woolf's identity as a modernist, her navigation of the literary marketplace, her ambivalence about literary professionalism and the mixing of art and politics, and the emergence of feminism as a persistent concern of her work. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) 
650 0 |a Feminism and literature  |x History  |y 19th century. 
650 0 |a Women authors  |x Political and social views  |y 19th century. 
650 0 |a Women authors, English  |y 19th century. 
650 4 |a England. 
650 4 |a Literary Studies. 
650 4 |a Womens Studies. 
650 7 |a LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.  |2 bisacsh 
653 |a The Voyage Out, Night and Day, The Years, Virginia Woolf and feminism, late-Victorian women’s movements. 
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