The Production of English Renaissance Culture / / ed. by Sharon O'Dair, David Lee Miller, Harold Weber.

• Superior document: Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000
• MitwirkendeR: Barker, Francis,; Boehrer, Bruce Thomas,; Ferguson, Margaret,; Halpern, Richard,; Hulse, Clark,; Kendrick, Christopher,; Lachmann, Richard,; Loewenstein, Joseph F.,; Miller, David Lee,; O’Dair, Sharon,; Teskey, Gordon,; Weber, Harold,
• HerausgeberIn: Miller, David Lee,; O'Dair, Sharon,; Weber, Harold,
• Place / Publishing House: Ithaca, NY : : Cornell University Press, , [2019]; ©1994
• Year of Publication: 2019
• Language: English
• Physical Description: 1 online resource (320 p.) :; 20 halftones, 1 drawing, 2 tables
• Other title: Frontmatter --; Contents --; Preface --; Introduction: Criticism and Cultural Production --; 1. Agans of the Manor: "Upon Appleton House" and Agrarian Capitalism --; 2. State, Church, and the Disestablishment of Magic: Orthodoxy and Dissent in Post-Reformation England and France --; 3. Legal Proofs and Corrected Readings: Press-Agency and the New Bibliography --; 4. Bestial Buggery in A Midsummer Night's Dream --; 5. News from the New World: Miscegenous Romance in Aphra Behn's Oroonoko and The Widow Ranter --; 6. Dead Man's Treasure: The Cult of Thomas More --; 7. Treasures of Culture: Titus Andronicus and Death by Hanging --; 8. "The picture of Nobody": White Cannibalism in The Tempest --; 9. Allegory, Materialism, Violence --; Notes on Contributors --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781501744686; 9783110536171
• DOI: 10.7591/9781501744686
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Sharon O'Dair, David Lee Miller, Harold Weber.

What is the relationship between the cultural artifacts of Renaissance England and the processes of production, exchange, and accumulation through which they were brought into being? Pursuing this question, a group of distinguished scholars from both sides of the Atlantic exemplifies a number of different approaches to the writing of cultural history.