The Fiction of Truth : : Structures of Meaning in Narrative and Dramatic Allegory / / Carolynn Van Dyke.

The Fiction of Truth offers a rigorous reexamination of allegory. Rejecting the traditional notion that allegory says thing and means another, Carolynn Van Dyke proposes a new definition of the genre, derived both from contemporary critical theory and from the practice of medieval and Renaissance al...

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Superior document:Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000
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Place / Publishing House:Ithaca, NY : : Cornell University Press, , [2019]
©1985
Year of Publication:2019
Language:English
Online Access:
Physical Description:1 online resource (315 p.)
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100 1 |a Van Dyke, Carolynn,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 4 |a The Fiction of Truth :  |b Structures of Meaning in Narrative and Dramatic Allegory /  |c Carolynn Van Dyke. 
264 1 |a Ithaca, NY :   |b Cornell University Press,   |c [2019] 
264 4 |c ©1985 
300 |a 1 online resource (315 p.) 
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505 0 0 |t Frontmatter --   |t Contents --   |t Preface --   |t Introduction: Allegory as Other --   |t Part I. THE PARADIGM --   |t Part II. PERSONIFICATIONS AND PERSONAE --   |t Part III. INTEGUMENTS --   |t Epilogue: Allegory’s Aftermath --   |t Works Cited --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a The Fiction of Truth offers a rigorous reexamination of allegory. Rejecting the traditional notion that allegory says thing and means another, Carolynn Van Dyke proposes a new definition of the genre, derived both from contemporary critical theory and from the practice of medieval and Renaissance allegorists.Allegories, Van Dyke asserts, differ from other kinds of narrative in the syntactic rules that seem to generate their plots. Through a reading of Prudentius' Psychomachia, the earliest allegory, Van Dyke formulates a semiotic code that she finds implicit in allegorical works. She shows how allegorists adopted and altered that code in such works as The Romance of the Rose, medieval morality plays, The Pilgrim's Progress, The Divine Comedy, and The Faerie Queene. Her book is both a bold theoretical examination of allegory and a history of its evolution over the twelve centuries during which it played a major—even a dominant—role in Western literature. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 4 |a Fiction & Short Stories. 
650 4 |a Literary Studies. 
650 7 |a LITERARY CRITICISM / General.  |2 bisacsh 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Cornell University Press Archive Pre-2000  |z 9783110536171 
856 4 0 |u https://doi.org/10.7591/9781501743719 
856 4 0 |u https://www.degruyter.com/isbn/9781501743719 
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