Imperialism at Home : : Race and Victorian Women's Fiction / / Susan Meyer.

• VerfasserIn: Meyer, Susan,
• Place / Publishing House: Ithaca, NY : : Cornell University Press, , [2019]; ©1996
• Year of Publication: 2019
• Language: English
• Series: Reading Women Writing
• Physical Description: 1 online resource (232 p.)
• Other title: Frontmatter --; Contents --; Acknowledgments --; Introduction: Race as a Metaphor --; 1. "Black" Rage and White Women: Charlotte Bronte's African Tales --; 2. "Indian Ink": Colonialism and the Figurative Strategy of Jane Eyre --; 3. "Your Father Was Emperor of China, and Your Mother an Indian Queen": Reverse Imperialism in Wuthering Heights --; 4. "The Preservation of Favoured Races in the Struggle for Life": The Cost of History's Progress in The Mill on the Floss --; 5. "Safely to Their Own Borders": Proto-Zionism, Feminism, and Nationalism in Daniel Deronda --; Conclusion --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781501742675
• DOI: 10.1515/9781501742675
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Susan Meyer.

The implicit link between white women and "the dark races" recurs persistently in nineteenth-century English fiction. Imperialism at Home examines the metaphorical use of race by three nineteenth-century women novelists: Charlotte Brontë, Emily Brontë, and George Eliot. Susan Meyer argues that each of these domestic novelists uses race relations as a metaphor through which to explore the relationships between men and women at home in England.In the fiction of, for example, Anthony Trollope and Charles Dickens, as in nineteenth-century culture more generally, the subtle and not-so-subtle comparison of white women and people of color is used to suggest their mutual inferiority. The Bronte sisters and George Eliot responded to this comparison, Meyer contends, transforming it for their own purposes. Through this central metaphor, these women novelists work out a sometimes contentious relationship to established hierarchies of race and gender. Their feminist impulses, in combination with their use of race as a metaphor, Meyer argues, produce at times a surprising, if partial, critique of empire. Through readings of Jane Eyre, Wuthering Heights, The Mill on the Floss, Daniel Deronda, and Charlotte Brontë's African juvenilia, Meyer traces the aesthetically and ideologically complex workings of the racial metaphor. Her analysis is supported by careful attention to textual details and thorough grounding in recent scholarship on the idea of race, and on literature and imperialism.