Romantic Theatricality : : Gender, Poetry, and Spectatorship / / Judith Pascoe.

In a significant reinterpretation of early Romanticism, Judith Pascoe shows how English literary culture in the 1790s came to be shaped by the theater and by the public's fascination with theater. Pascoe focuses on a number of intriguing historical occurrences of the late eighteenth and early n...

Full description

Saved in:
Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000
VerfasserIn:
Place / Publishing House:Ithaca, NY : : Cornell University Press, , [2019]
©1997
Year of Publication:2019
Language:English
Online Access:
Physical Description:1 online resource (272 p.) :; 23 halftones
Tags: Add Tag
No Tags, Be the first to tag this record!
id 9781501737428
ctrlnum (DE-B1597)534572
(OCoLC)1178769709
collection bib_alma
record_format marc
spelling Pascoe, Judith, author. aut http://id.loc.gov/vocabulary/relators/aut
Romantic Theatricality : Gender, Poetry, and Spectatorship / Judith Pascoe.
Ithaca, NY : Cornell University Press, [2019]
©1997
1 online resource (272 p.) : 23 halftones
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Abbreviations -- Introduction -- 1. Sarah Siddons and the Performative Female -- 2. The Courtroom Theater of the 1794 Treason Trials -- 3. “That fluttering, tinselled crew”: Women Poets and Della Cruscanism -- 4. Embodying Marie Antoinette: The Theatricalized Female Subject -- 5. The Spectacular Flaneuse: Women Writers and the City -- 6. Theatricality and the Literary Marketplace: Poetry Publication in the Morning Post -- 7. Performing Wordsworth -- Coda. Letitia Landon and the Deathly Pose -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
In a significant reinterpretation of early Romanticism, Judith Pascoe shows how English literary culture in the 1790s came to be shaped by the theater and by the public's fascination with theater. Pascoe focuses on a number of intriguing historical occurrences of the late eighteenth and early nineteenth centuries, emphasizing how writers in all areas of public life relied upon theatrical modes of self-representation. Pascoe adduces as evidence the theatrical posturing of the Della Cruscan poets, the staginess of the Marie Antoinette depicted in women's poetry, and the histrionic maneuverings of participants in the 1794 treason trials. Such public events as the treason trials also linked the newly powerful role of female theatrical spectator to that of political spectator. New forms of self representation and dramatization arose from that synthesis.In their uniting of theatrical and literary realms, Pascoe maintains, women writers were inspired by the most famous actress of the era, Sarah Siddons. Siddons's shrewd deployment of her private life in the construction of her public persona serves as a model for such disparate poets as Charlotte Smith and Mary Robinson.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
Gender Studies.
Literary Studies.
Performing Arts & Drama.
LITERARY CRITICISM / Gothic & Romance. bisacsh
Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000 9783110536171
https://doi.org/10.7591/9781501737428
https://www.degruyter.com/isbn/9781501737428
Cover https://www.degruyter.com/document/cover/isbn/9781501737428/original
language English
format eBook
author Pascoe, Judith,
Pascoe, Judith,
spellingShingle Pascoe, Judith,
Pascoe, Judith,
Romantic Theatricality : Gender, Poetry, and Spectatorship /
Frontmatter --
Contents --
Illustrations --
Acknowledgments --
Abbreviations --
Introduction --
1. Sarah Siddons and the Performative Female --
2. The Courtroom Theater of the 1794 Treason Trials --
3. “That fluttering, tinselled crew”: Women Poets and Della Cruscanism --
4. Embodying Marie Antoinette: The Theatricalized Female Subject --
5. The Spectacular Flaneuse: Women Writers and the City --
6. Theatricality and the Literary Marketplace: Poetry Publication in the Morning Post --
7. Performing Wordsworth --
Coda. Letitia Landon and the Deathly Pose --
Index
author_facet Pascoe, Judith,
Pascoe, Judith,
author_variant j p jp
j p jp
author_role VerfasserIn
VerfasserIn
author_sort Pascoe, Judith,
title Romantic Theatricality : Gender, Poetry, and Spectatorship /
title_sub Gender, Poetry, and Spectatorship /
title_full Romantic Theatricality : Gender, Poetry, and Spectatorship / Judith Pascoe.
title_fullStr Romantic Theatricality : Gender, Poetry, and Spectatorship / Judith Pascoe.
title_full_unstemmed Romantic Theatricality : Gender, Poetry, and Spectatorship / Judith Pascoe.
title_auth Romantic Theatricality : Gender, Poetry, and Spectatorship /
title_alt Frontmatter --
Contents --
Illustrations --
Acknowledgments --
Abbreviations --
Introduction --
1. Sarah Siddons and the Performative Female --
2. The Courtroom Theater of the 1794 Treason Trials --
3. “That fluttering, tinselled crew”: Women Poets and Della Cruscanism --
4. Embodying Marie Antoinette: The Theatricalized Female Subject --
5. The Spectacular Flaneuse: Women Writers and the City --
6. Theatricality and the Literary Marketplace: Poetry Publication in the Morning Post --
7. Performing Wordsworth --
Coda. Letitia Landon and the Deathly Pose --
Index
title_new Romantic Theatricality :
title_sort romantic theatricality : gender, poetry, and spectatorship /
publisher Cornell University Press,
publishDate 2019
physical 1 online resource (272 p.) : 23 halftones
contents Frontmatter --
Contents --
Illustrations --
Acknowledgments --
Abbreviations --
Introduction --
1. Sarah Siddons and the Performative Female --
2. The Courtroom Theater of the 1794 Treason Trials --
3. “That fluttering, tinselled crew”: Women Poets and Della Cruscanism --
4. Embodying Marie Antoinette: The Theatricalized Female Subject --
5. The Spectacular Flaneuse: Women Writers and the City --
6. Theatricality and the Literary Marketplace: Poetry Publication in the Morning Post --
7. Performing Wordsworth --
Coda. Letitia Landon and the Deathly Pose --
Index
isbn 9781501737428
9783110536171
url https://doi.org/10.7591/9781501737428
https://www.degruyter.com/isbn/9781501737428
https://www.degruyter.com/document/cover/isbn/9781501737428/original
illustrated Not Illustrated
doi_str_mv 10.7591/9781501737428
oclc_num 1178769709
work_keys_str_mv AT pascoejudith romantictheatricalitygenderpoetryandspectatorship
status_str n
ids_txt_mv (DE-B1597)534572
(OCoLC)1178769709
carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000
is_hierarchy_title Romantic Theatricality : Gender, Poetry, and Spectatorship /
container_title Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000
_version_ 1770177105475141632
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04080nam a22006495i 4500</leader><controlfield tag="001">9781501737428</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220302035458.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220302t20191997nyu fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501737428</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7591/9781501737428</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)534572</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1178769709</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">nyu</subfield><subfield code="c">US-NY</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT004180</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Pascoe, Judith, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Romantic Theatricality :</subfield><subfield code="b">Gender, Poetry, and Spectatorship /</subfield><subfield code="c">Judith Pascoe.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Ithaca, NY : </subfield><subfield code="b">Cornell University Press, </subfield><subfield code="c">[2019]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©1997</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (272 p.) :</subfield><subfield code="b">23 halftones</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Illustrations -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Abbreviations -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">1. Sarah Siddons and the Performative Female -- </subfield><subfield code="t">2. The Courtroom Theater of the 1794 Treason Trials -- </subfield><subfield code="t">3. “That fluttering, tinselled crew”: Women Poets and Della Cruscanism -- </subfield><subfield code="t">4. Embodying Marie Antoinette: The Theatricalized Female Subject -- </subfield><subfield code="t">5. The Spectacular Flaneuse: Women Writers and the City -- </subfield><subfield code="t">6. Theatricality and the Literary Marketplace: Poetry Publication in the Morning Post -- </subfield><subfield code="t">7. Performing Wordsworth -- </subfield><subfield code="t">Coda. Letitia Landon and the Deathly Pose -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In a significant reinterpretation of early Romanticism, Judith Pascoe shows how English literary culture in the 1790s came to be shaped by the theater and by the public's fascination with theater. Pascoe focuses on a number of intriguing historical occurrences of the late eighteenth and early nineteenth centuries, emphasizing how writers in all areas of public life relied upon theatrical modes of self-representation. Pascoe adduces as evidence the theatrical posturing of the Della Cruscan poets, the staginess of the Marie Antoinette depicted in women's poetry, and the histrionic maneuverings of participants in the 1794 treason trials. Such public events as the treason trials also linked the newly powerful role of female theatrical spectator to that of political spectator. New forms of self representation and dramatization arose from that synthesis.In their uniting of theatrical and literary realms, Pascoe maintains, women writers were inspired by the most famous actress of the era, Sarah Siddons. Siddons's shrewd deployment of her private life in the construction of her public persona serves as a model for such disparate poets as Charlotte Smith and Mary Robinson.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gender Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literary Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Performing Arts &amp; Drama.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / Gothic &amp; Romance.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Cornell University Press Archive Pre-2000</subfield><subfield code="z">9783110536171</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7591/9781501737428</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781501737428</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9781501737428/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-053617-1 Cornell University Press Archive Pre-2000</subfield><subfield code="b">2000</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection>