Authors and Apparatus : : A Media History of Copyright / / Monika Dommann.

• Superior document: Title is part of eBook package: De Gruyter Cornell University Press Complete eBook-Package 2019
• VerfasserIn: Dommann, Monika,
• TeilnehmendeR: Pybus, Sarah.
• Place / Publishing House: Ithaca, NY : : Cornell University Press, , [2019]; ©2019
• Year of Publication: 2019
• Language: English
• Physical Description: 1 online resource (282 p.) :; 33 b&w halftones
• Other title: Frontmatter --; Contents --; Illustrations --; Acknowledgments --; Abbreviations --; Introduction. A Media History of Legal Norms --; Part I. Writing and Recording --; Chapter 1. Sheet Music --; Chapter 2. Images of Books --; Chapter 3. Voice Recorders --; Chapter 4. Canned Music --; Part II. Collecting Agencies and Research Materials --; Chapter 5. Collecting Collectives --; Chapter 6. Celluloid Circulations --; Chapter 7. Performing Artists --; Part III. Private Copies and Universal Standards --; Chapter 8. Fees for Devices --; Chapter 9. Flow of Information --; Chapter 10. Authors of Tradition --; Conclusion. Legal Histories of Media Transformation --; Further Reading. Bibliographic Essay --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781501734984; 9783110651980; 9783110610765; 9783110664232; 9783110610130; 9783110606249
• DOI: 10.7591/9781501734984
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Monika Dommann.

Copyright is under siege. From file sharing to vast library scanning projects, new technologies, actors, and attitudes toward intellectual property threaten the value of creative work. However, while digital media and the Internet have made making and sharing perfect copies of original works almost effortless, debates about protecting authors' rights are nothing new. In this sweeping account of the evolution of copyright law since the mid-nineteenth century, Monika Dommann explores how radical media changes-from sheet music and phonographs to photocopiers and networked information systems-have challenged and transformed legal and cultural concept of authors' rights.Dommann provides a critical transatlantic perspective on developments in copyright law and mechanical reproduction of words and music, charting how artists, media companies, and lawmakers in the United States and western Europe approached the complex tangle of technological innovation, intellectual property, and consumer interests. From the seemingly innocuous music box, invented around 1800, to BASF's magnetic tapes and Xerox machines, she demonstrates how copyright has been continuously destabilized by emerging technologies, requiring new legal norms to regulate commercial and private copying practices. Without minimizing digital media's radical disruption to notions of intellectual property, Dommann uncovers the deep historical roots of the conflict between copyright and media-a story that can inform present-day debates over the legal protection of authorship.