Romanticism and Contemporary Criticism / / ed. by Morris Eaves, Michael R. Fischer.

• Superior document: Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000
• MitwirkendeR: Abrams, M. H.,; Cavell, Stanley,; Frye, Northrop,; Miller, J. Hillis,; Mitchell, W. J. T.,
• HerausgeberIn: Eaves, Morris,; Fischer, Michael R.,
• Place / Publishing House: Ithaca, NY : : Cornell University Press, , [2019]; ©1986
• Year of Publication: 2019
• Language: English
• Physical Description: 1 online resource (256 p.) :; 11 halftones
• Other title: Frontmatter --; Contents --; Preface --; The Survival of Eros in Poetry --; Visible Language: Blake's Wond'rous Art of Writing --; On Edge: The Crossways of Contemporary Criticism --; Construing and Deconstructing --; In Quest of the Ordinary, Texts of Recovery --; Notes on Contributors --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781501734168; 9783110536171
• DOI: 10.7591/9781501734168
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Morris Eaves, Michael R. Fischer.

The core of this book is made up of five essays, by distinguished scholars of international reputation, that treat the relation between current literary theory and Romanticism. The book originated in a series of lectures presented at the University of New Mexico in 1983. All but one of the essays are published here for the first time.The contributors are Northrop Frye, W. J. T. Mitchell, J. Hillis Miller, M. H. Abrams, and Stanley Cavell. Frye's essay is a major statement on the backgrounds of Romanticism. W. J. T. Mitchell's contribution takes up, through the composite arts of William Blake, the relation of poetry and painting, writing and printing, criticism and politics. The controversy over deconstruction is the occasion for a matched pair of essays by J. Hillis Miller and M. H. Abrams, advocate and antagonist respectively. In his essay, Abrams makes a definitive statement on his view of deconstruction and its intellectual heritage. The fifth piece, by Stanley Cavell, is the first extended discussion of English and American Romanticism by this major contemporary philosopher. Following each essay is an edited transcript of a question-and-answer session in which the contributor-critic ranges widely and freely over today's critical scene. The sessions make fascinating reading.This book should be of compelJing interest to students of Romanticism as well as to students and scholars interested in the uses and implications of poststructuralist theory.