Speaking through the Mask : : Hannah Arendt and the Politics of Social Identity / / Norma Claire Moruzzi.

• Superior document: Title is part of eBook package: De Gruyter Cornell University Press Backlist 2000-2013
• VerfasserIn: Moruzzi, Norma Claire,
• Place / Publishing House: Ithaca, NY : : Cornell University Press, , [2018]; ©2001
• Year of Publication: 2018
• Language: English
• Series: Psychoanalysis and Social Theory
• Physical Description: 1 online resource (224 p.)
• Other title: Frontmatter --; Contents --; A Story --; Arendt Works Cited and Abbreviations Used --; One. The Human Condition as Embodied --; Two. The Social Question --; Three. The Mask and Masquerade --; Four. Speaking as Rahel: A Feminine Masquerade --; Five. Finding a Voice :The Author and the Other in The Origins of Totalitarianism --; Six. The Charlatan: Benjamin Disraeli --; Seven. Race and Economics --; Eight. The Banality of Evil --; Nine. Politics as Masquerade --; Notes --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781501732003; 9783110536157
• DOI: 10.7591/9781501732003
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Norma Claire Moruzzi.

Hannah Arendt was famously resistant to both psychoanalysis and feminism. Nonetheless, psychoanalytic feminist theory can offer a new interpretive strategy for deconstructing her equally famous opposition between the social and the political.Supplementing critical readings of Arendt's most significant texts (including The Human Condition, On Revolution, Rahel Varnhagen, The Origins of Totalitarianism, Eichmann in Jerusalem, and The Life of the Mind) with the insights of contemporary psychoanalytic, feminist, and social theorists, Norma Claire Moruzzi reconstitutes the relationship in Arendt's texts between constructed social identity and political agency. Moruzzi uses Julia Kristeva's writings on abjection to clarify the textual dynamic in Arendt's work that constructs the social as a natural threat; Joan Riviere's and Mary Ann Doane's work on feminine masquerade amplify the theoretical possibilities implicit in Arendt's own discussion of the public, political mask. In a bold interdisciplinary synthesis, Moruzzi develops the social applications of a concept (the mask) Arendt had described as limited to the strictly political realm: a new conception of (political) agency as (social) masquerade, traced through the marginal but emblematic textual figures who themselves enact the politics of social identity.