Authenticities : : Philosophical Reflections on Musical Performance / / Peter Kivy.

"In his latest book on the aesthetics of music, Peter Kivy presents an argument not for authenticity but for authenticities of performance, including authenticities of intention, sound, practice, and the authenticity of personal interpretation in performance. As usual, Kivy's work is beaut...

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Superior document:Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000
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Place / Publishing House:Ithaca, NY : : Cornell University Press, , [2018]
©1995
Year of Publication:2018
Language:English
Online Access:
Physical Description:1 online resource (320 p.) :; 19 musical examples
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245 1 0 |a Authenticities :  |b Philosophical Reflections on Musical Performance /  |c Peter Kivy. 
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264 4 |c ©1995 
300 |a 1 online resource (320 p.) :  |b 19 musical examples 
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505 0 0 |t Frontmatter --   |t Contents --   |t Preface --   |t One: How to Be Authentic --   |t 1. The Concept of Authenticity --   |t 2. Authenticity as Intention --   |t 3. Authenticity as Sound --   |t 4. Authenticity as Practice --   |t 5. The Other Authenticity --   |t Two: Why to Be Authentic --   |t 6. The Authority of Intention --   |t 7. The Authority of Sound --   |t 8. The Authority of Practice --   |t 9. The Other Authority --   |t Bibliography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a "In his latest book on the aesthetics of music, Peter Kivy presents an argument not for authenticity but for authenticities of performance, including authenticities of intention, sound, practice, and the authenticity of personal interpretation in performance. As usual, Kivy's work is beautifully written, well argued, and provocative."—Notes"Kivy has provided a sorely needed framework for all future discussion of the authenticity matter. This is his best book, a major contribution to performance studies and to musical aesthetics; likely it will be studied and cited for generations."—Choice"Written in lively prose, with a keen sense of reality, [this volume] ought to be of interest not only to philosophers and musicologists, but to all serious lovers of music."—Roger Scruton, Times Literary Supplement"The consistent theme running through Kivy's book is the need for interpretation as the personal authenticity and authority of the performer against the ideology both of the composer as genius and of the puritanical devotion to the authority of the text of the early music devotees. This is a most valuable book, one which constantly surprises and delights through its philosophical insights and informed musical understanding."—British Journal of Aesthetics 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 0 |a Music  |x Philosophy and aesthetics. 
650 0 |a Performance practice (Music). 
650 4 |a Art History. 
650 4 |a Musical Arts & Ethnomusicology. 
650 7 |a MUSIC / History & Criticism.  |2 bisacsh 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Cornell University Press Archive Pre-2000  |z 9783110536171 
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