Ancestral Images : : The Iconography of Human Origins / / Stephanie Moser.

Pictorial reconstructions of ancient human ancestors have twin purposes: to make sense of shared ancestry and to bring prehistory to life. Stephanie Moser analyzes the close relationship between representations of the past and theories about human evolution, showing how this relationship existed eve...

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Superior document:Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000
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Place / Publishing House:Ithaca, NY : : Cornell University Press, , [2018]
©1998
Year of Publication:2018
Language:English
Online Access:
Physical Description:1 online resource (224 p.) :; 70 halftones, 15 color illustrations in an 8-page insert
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100 1 |a Moser, Stephanie,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Ancestral Images :  |b The Iconography of Human Origins /  |c Stephanie Moser. 
264 1 |a Ithaca, NY :   |b Cornell University Press,   |c [2018] 
264 4 |c ©1998 
300 |a 1 online resource (224 p.) :  |b 70 halftones, 15 color illustrations in an 8-page insert 
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505 0 0 |t Frontmatter --   |t Contents --   |t List of Illustrations --   |t Preface --   |t Foreword --   |t Introduction --   |t Chapter 1: The Artist's Eye and the Mind of Science --   |t Chapter 2: Mythological Visions of Human Creation --   |t Chapter 3: Religious and Secular Visions of Human Creation --   |t Chapter 4: Historical Visions of National Origins --   |t Chapter 5: The Scientific Vision of Prehistory --   |t Chapter 6: Popular Presentations --   |t Conclusion --   |t Notes --   |t Picture Credits --   |t References --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Pictorial reconstructions of ancient human ancestors have twin purposes: to make sense of shared ancestry and to bring prehistory to life. Stephanie Moser analyzes the close relationship between representations of the past and theories about human evolution, showing how this relationship existed even before a scientific understanding of human origins developed. How did mythological, religious, and historically inspired visions of the past, in existence for centuries, shape this understanding? Moser treats images as primary documents, and her book is lavishly illustrated with engravings, paintings, photographs, and reconstructions.In surveying the iconography of prehistory, Moser explores visions of human creation from their origins in classical, early Christian, and medieval periods through traditions of representation initiated in the Renaissance. She looks closely at the first scientific reconstructions of the nineteenth century, which dramatized and made comprehensible the Darwinian theory of human descent from apes. She considers, as well, the impact of reconstructions on popular literature in Europe and North America, showing that early visualizations of prehistory retained a firm hold on the imagination—a hold that archaeologists and anthropologists have found difficult to shake. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 0 |a Human evolution  |x Pictorial works  |x History. 
650 0 |a Prehistoric peoples  |x Pictorial works  |x History. 
650 4 |a Anthropology. 
650 4 |a Art History. 
650 7 |a SCIENCE / Life Sciences / Evolution.  |2 bisacsh 
700 1 |a Gamble, Clive,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Gamble, Clive. 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Cornell University Press Archive Pre-2000  |z 9783110536171 
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