Music in the Moment / / Jerrold Levinson.
What is required for a listener to understand a piece of music? Does aural understanding depend upon reflective awareness of musical architecture or large-scale musical structure? Jerrold Levinson thinks not. In contrast to what is commonly assumed, Levinson argues that basic understanding of music...
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| Superior document: | Title is part of eBook package: De Gruyter Cornell University Press Backlist 2000-2013 |
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| Place / Publishing House: | Ithaca, NY : : Cornell University Press, , [2018] ©2007 |
| Year of Publication: | 2018 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (196 p.) :; 13 musical examples |
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Table of Contents:
- Frontmatter
- Contents
- Musical Illustrations
- Preface
- 1. Edmund Gurney And The Experience Of Music
- 2. Statement And Elaboration Of Concatenationism
- 3. Initial Defense Of Concatenationism
- 4. Concatenationism And Causality
- 5. Large-Scale Relationships In Music
- 6. Sonata And Other Forms
- 7. Further Challenges I
- 8. Further Challenges II
- 9. Concatenationism, Musical Value, And Musical Form
- Works Cited
- Index