Origins and the Enlightenment : : Aesthetic Epistemology from Descartes to Kant / / Catherine Labio.

What epistemic assumptions framed eighteenth-century thinkers' speculations regarding origins? What, if anything, connected these speculations? The best way to understand the Enlightenment's obsession with origins is to study it in conjunction with the contemporary conceptualization of ori...

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Superior document:Title is part of eBook package: De Gruyter Cornell University Press Backlist 2000-2013
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Place / Publishing House:Ithaca, NY : : Cornell University Press, , [2018]
©2004
Year of Publication:2018
Language:English
Online Access:
Physical Description:1 online resource (208 p.)
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100 1 |a Labio, Catherine,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Origins and the Enlightenment :  |b Aesthetic Epistemology from Descartes to Kant /  |c Catherine Labio. 
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505 0 0 |t Frontmatter --   |t CONTENTS --   |t Acknowledgments --   |t Introduction --   |t CHAPTER 1. Descartes's Fabulous World --   |t CHAPTER 2. Vico's Genetic Principle --   |t CHAPTER 3. Origins Here and Now --   |t CHAPTER 4. The Primitive Imagination --   |t CHAPTER 5. Kant's Abyss: Serialization and Originality --   |t Postscript --   |t Works Cited --   |t Index 
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520 |a What epistemic assumptions framed eighteenth-century thinkers' speculations regarding origins? What, if anything, connected these speculations? The best way to understand the Enlightenment's obsession with origins is to study it in conjunction with the contemporary conceptualization of originality as a criterion of aesthetic value, Catherine Labio maintains. Her expansive survey of the era's thought places special emphasis on epistemology and is genuinely interdisciplinary, drawing on such fields as anthropology, geometry, historiography, literary criticism, and political economy. One of the most striking facets of Enlightenment thought, according to Labio, is the emergence of aesthetics as a master discourse that enabled its users to make sense of worlds ostensibly unrelated to the arts. In particular, once knowledge became defined as knowledge of things made by human beings, originality became valued not only for its novelty but also as a guarantee of epistemological certainty.Labio analyzes the views held by a variety of European thinkers-including Baumgarten, Condillac, Descartes, Kant, Locke, Rousseau, Adam Smith, Vico, and Edward Young-on the origins of ideas, languages, nations, nature, and wealth. Throughout, the author deals with a wide range of primary and secondary materials. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 0 |a Aesthetics, Modern  |y 18th century. 
650 0 |a Knowledge, Theory of  |x History  |y 18th century. 
650 0 |a Origin (Philosophy)  |x History  |y 18th century. 
650 0 |a Originality (Aesthetics)  |x History  |y 18th century. 
650 4 |a History. 
650 7 |a PHILOSOPHY / History & Surveys / Modern.  |2 bisacsh 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Cornell University Press Backlist 2000-2013  |z 9783110536157 
776 0 |c print  |z 9780801442759 
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