Black Subjects : : Identity Formation in the Contemporary Narrative of Slavery / / Arlene Keizer.

• Superior document: Title is part of eBook package: De Gruyter Cornell University Press Backlist 2000-2013
• VerfasserIn: Keizer, Arlene,
• Place / Publishing House: Ithaca, NY : : Cornell University Press, , [2018]; ©2004
• Year of Publication: 2018
• Language: English
• Physical Description: 1 online resource (224 p.) :; 1 halftone
• Other title: Frontmatter --; CONTENTS --; ACKNOWLEDGMENTS --; Introduction. "The Middle Passage Never Guessed Its End": New World Slavery in Contemporary Literature --; 1. Beloved: Ideologies in Conflict, Improvised Subjects --; 2. Being, Race, and Gender: Black Masculinity and Western Philosophy in Charles johnson's Works on Slavery --; 3. The Chosen Place, The Timeless People: Late Capitalism in the Black Atlantic --; 4. Performance, Identity, and "Mulatto Aesthetics" in Derek Walcott's Dream on Monkey Mountain --; 5. The Geography of the Apocalypse: Incest, Mythology, and the Fall of Washington City in Carolivia Herron's Thereafter johnnie --; Conclusion. "One Lives by Memory, Not by Truth" --; NOTES --; WORKS CITED --; INDEX
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781501727375; 9783110536157
• DOI: 10.7591/9781501727375
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Arlene Keizer.

Writers as diverse as Carolivia Herron, Charles Johnson, Paule Marshall, Toni Morrison, and Derek Walcott have addressed the history of slavery in their literary works. In this groundbreaking new book, Arlene R. Keizer contends that these writers theorize the nature and formation of the black subject and engage established theories of subjectivity in their fiction and drama by using slave characters and the condition of slavery as focal points.In this book, Keizer examines theories derived from fictional works in light of more established theories of subject formation, such as psychoanalysis, Althusserian interpellation, performance theory, and theories about the formation of postmodern subjects under late capitalism. Black Subjects shows how African American and Caribbean writers' theories of identity formation, which arise from the varieties of black experience re-imagined in fiction, force a reconsideration of the conceptual bases of established theories of subjectivity. The striking connections Keizer draws between these two bodies of theory contribute significantly to African American and Caribbean Studies, literary theory, and critical race and ethnic studies.