The Deceivers : : Art Forgery and Identity in the Nineteenth Century / / Aviva Briefel.
The nineteenth century witnessed an unprecedented increase in art forgery, caused both by the advent of national museums and by a rapidly growing bourgeois interest in collecting objects from the past. This rise had profound repercussions on notions of selfhood and national identity within and outsi...
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Place / Publishing House: | Ithaca, NY : : Cornell University Press, , [2018] ©2006 |
Year of Publication: | 2018 |
Language: | English |
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Physical Description: | 1 online resource (248 p.) :; 10 halftones |
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Briefel, Aviva, author. aut http://id.loc.gov/vocabulary/relators/aut The Deceivers : Art Forgery and Identity in the Nineteenth Century / Aviva Briefel. Ithaca, NY : Cornell University Press, [2018] ©2006 1 online resource (248 p.) : 10 halftones text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgments -- Introduction. The Golden Age of Forgery -- 1. Imperfect Doubles: The Forger and the Copyist -- 2. Intimate Detections: Connoisseurs, Forgers, and the Thing between Them -- 3. Restorations: Cultural Authority and the Life of Objects -- 4. Real Sons of Abraham: Jewish Art Dealers and the Traffic in Fakes -- 5. Paste and Pearls: Drawing the Boundaries of Female Identity -- Conclusion: Magic Tricks -- Notes -- Works Cited -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star The nineteenth century witnessed an unprecedented increase in art forgery, caused both by the advent of national museums and by a rapidly growing bourgeois interest in collecting objects from the past. This rise had profound repercussions on notions of selfhood and national identity within and outside the realm of art. Although art critics denounced forgery for its affront to artistic traditions, they were fascinated by its power to shape the human and object worlds and adopted a language of art forgery to articulate a link between the making of fakes and the making of selves. The Deceivers explores the intersections among artistic crime, literary narrative, and the definition of identity.Literary texts joined more specialized artistic discourses in describing the various identities associated with art forgery: the forger, the copyist, the art expert, the dealer, the restorer. Built into new characters were assumptions about gender, sexuality, race, and nationality that themselves would come to be presented in a language of artistic authenticity. Aviva Briefel places special emphasis on the gendered distinction between male forgers and female copyists. "Copying," a benign occupation when undertaken by a woman, became "forgery," laden with criminal intent, when performed by men. Those who could successfully produce, handle, or detect spurious things and selves were distinguished from others who were incapable of distinguishing the authentic from the artistic and human forgeries. Through close reading of literary narratives such as Trilby and The Marble Faun as well as newspaper accounts of forgery scandals, The Deceivers reveals the identities—both authentic and fake—that emerged from the Victorian culture of forgery. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2024) Authenticity (Philosophy) in literature. Fiction 19th century History and criticism. Forgery in literature. Identity (Philosophical concept) in literature. Art History. History. Literary Studies. LITERARY CRITICISM / Modern / 19th Century . bisacsh Title is part of eBook package: De Gruyter Cornell University Press Backlist 2000-2013 9783110536157 https://doi.org/10.7591/9781501726873 https://www.degruyter.com/isbn/9781501726873 Cover https://www.degruyter.com/document/cover/isbn/9781501726873/original |
language |
English |
format |
eBook |
author |
Briefel, Aviva, Briefel, Aviva, |
spellingShingle |
Briefel, Aviva, Briefel, Aviva, The Deceivers : Art Forgery and Identity in the Nineteenth Century / Frontmatter -- Contents -- Acknowledgments -- Introduction. The Golden Age of Forgery -- 1. Imperfect Doubles: The Forger and the Copyist -- 2. Intimate Detections: Connoisseurs, Forgers, and the Thing between Them -- 3. Restorations: Cultural Authority and the Life of Objects -- 4. Real Sons of Abraham: Jewish Art Dealers and the Traffic in Fakes -- 5. Paste and Pearls: Drawing the Boundaries of Female Identity -- Conclusion: Magic Tricks -- Notes -- Works Cited -- Index |
author_facet |
Briefel, Aviva, Briefel, Aviva, |
author_variant |
a b ab a b ab |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Briefel, Aviva, |
title |
The Deceivers : Art Forgery and Identity in the Nineteenth Century / |
title_sub |
Art Forgery and Identity in the Nineteenth Century / |
title_full |
The Deceivers : Art Forgery and Identity in the Nineteenth Century / Aviva Briefel. |
title_fullStr |
The Deceivers : Art Forgery and Identity in the Nineteenth Century / Aviva Briefel. |
title_full_unstemmed |
The Deceivers : Art Forgery and Identity in the Nineteenth Century / Aviva Briefel. |
title_auth |
The Deceivers : Art Forgery and Identity in the Nineteenth Century / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Introduction. The Golden Age of Forgery -- 1. Imperfect Doubles: The Forger and the Copyist -- 2. Intimate Detections: Connoisseurs, Forgers, and the Thing between Them -- 3. Restorations: Cultural Authority and the Life of Objects -- 4. Real Sons of Abraham: Jewish Art Dealers and the Traffic in Fakes -- 5. Paste and Pearls: Drawing the Boundaries of Female Identity -- Conclusion: Magic Tricks -- Notes -- Works Cited -- Index |
title_new |
The Deceivers : |
title_sort |
the deceivers : art forgery and identity in the nineteenth century / |
publisher |
Cornell University Press, |
publishDate |
2018 |
physical |
1 online resource (248 p.) : 10 halftones |
contents |
Frontmatter -- Contents -- Acknowledgments -- Introduction. The Golden Age of Forgery -- 1. Imperfect Doubles: The Forger and the Copyist -- 2. Intimate Detections: Connoisseurs, Forgers, and the Thing between Them -- 3. Restorations: Cultural Authority and the Life of Objects -- 4. Real Sons of Abraham: Jewish Art Dealers and the Traffic in Fakes -- 5. Paste and Pearls: Drawing the Boundaries of Female Identity -- Conclusion: Magic Tricks -- Notes -- Works Cited -- Index |
isbn |
9781501726873 9783110536157 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN3352 |
callnumber-sort |
PN 43352 F67 B75 42006 |
era_facet |
19th century |
url |
https://doi.org/10.7591/9781501726873 https://www.degruyter.com/isbn/9781501726873 https://www.degruyter.com/document/cover/isbn/9781501726873/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
702 - Miscellany of fine & decorative arts |
dewey-full |
702/.874 |
dewey-sort |
3702 3874 |
dewey-raw |
702/.874 |
dewey-search |
702/.874 |
doi_str_mv |
10.7591/9781501726873 |
oclc_num |
1091697103 |
work_keys_str_mv |
AT briefelaviva thedeceiversartforgeryandidentityinthenineteenthcentury AT briefelaviva deceiversartforgeryandidentityinthenineteenthcentury |
status_str |
n |
ids_txt_mv |
(DE-B1597)515262 (OCoLC)1091697103 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Cornell University Press Backlist 2000-2013 |
is_hierarchy_title |
The Deceivers : Art Forgery and Identity in the Nineteenth Century / |
container_title |
Title is part of eBook package: De Gruyter Cornell University Press Backlist 2000-2013 |
_version_ |
1806143929909772288 |
fullrecord |
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