The Contested Parterre : : Public Theater and French Political Culture, 1680–1791 / / Jeffrey S. Ravel.

• Superior document: Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000
• VerfasserIn: Ravel, Jeffrey S.,
• Place / Publishing House: Ithaca, NY : : Cornell University Press, , [2018]; ©1999
• Year of Publication: 2018
• Language: English
• Physical Description: 1 online resource (272 p.) :; 1 chart, 1 map, 1 table, 11 halftones
• Other title: Frontmatter --; Contents --; Illustrations --; Acknowledgments --; Abbreviations --; Introduction: Political Culture, Print, and Performance --; 1. Parterre Practices in Eighteenth-Century Paris --; 2. Origins of the Contested Parterre, 1630-80 --; 3. "The Parterre Becomes an A~tor," 1680-1725 --; 4. Policing the Parisian Parterre, 169/-1/51 --; 5. Policing the Parterre in Paris and the Provinces, 1751-89 --; 6. The Parterre and French National Identity in the Eighteenth Century --; Afterword --; Appendix: List of Spectators in Paris Parterres by Social Category and Theater, 1717-68 --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781501724626; 9783110536171
• DOI: 10.7591/9781501724626
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Jeffrey S. Ravel.

In the playhouses of eighteenth-century France, clerks and students, soldiers and merchants, and the occasional aristocrat stood in the pit, while the majority of the elite sat in loges. These denizens of the parterre, who accounted for up to two-thirds of the audience, were given to disruptive behavior that culminated in full-scale riots in the last years before the Revolution. Offering a commoner's eye view of the drama offstage, this fascinating history of French theater audiences clearly demonstrates how problems in the parterre reflected tensions at the heart of the Old Regime.Jeffrey S. Ravel vividly depicts the scene in the parterre where the male spectators occupied themselves shoving one another, drinking, urinating, and confronting the actors with critiques of the performance. He traces the futile efforts of the Bourbon Court—and later its Enlightened opponents—to control parterre behavior by both persuasion and force. Ravel describes how the parterre came to represent a larger, more politicized notion of the public, one that exposed the inability of the government to accommodate the demands of French citizens. An important contribution to debates on the public sphere, Ravel's book is the first to explore the role of the parterre in the political culture of eighteenth-century France.