Fat King, Lean Beggar : : Representations of Poverty in the Age of Shakespeare / / William C. Carroll.

• Superior document: Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000
• VerfasserIn: Carroll, William C.,
• Place / Publishing House: Ithaca, NY : : Cornell University Press, , [2018]; ©1996
• Year of Publication: 2018
• Language: English
• Physical Description: 1 online resource (256 p.)
• Other title: Frontmatter --; CONTENTS --; ILLUSTRATIONS --; ACKNOWLEDGMENTS --; ABBREVIATIONS AND DOCUMENTATION --; Introduction --; PART I. Vagrancy and Marginality in the Tudor-Stuart Period --; 1. Discourses of Poverty --; 2. Thomas Harman and The Caveat for Commen Cursetors --; 3. Bedlam and Bridewell --; PART II. SHAKESPEAREAN INSCRIPTIONS --; 4· "The Perill of Infection": Vagrancy, Sedition, and 2 Henry VI --; 5· "Would Not the Beggar Then Forget Himself?": Christopher Sly and Autolycus --; 6. "The Base Shall Top th'Legitimate": King Lear and the Bedlam Beggar --; 7· "Is Poverty a Vice?": The Disguise of Beggary --; Works Cited --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781501722486; 9783110536171
• DOI: 10.7591/9781501722486
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: William C. Carroll.

Investigating representations of poverty in Tudor-Stuart England, Fat King, Lean Beggar reveals the gaps and outright contradictions in what poets, pamphleteers, government functionaries, and dramatists of the period said about beggars and vagabonds. William C. Carroll analyzes these conflicting "truths" and reveals the various aesthetic, political, and socio-economic purposes Renaissance constructions of beggary were made to serve.Carroll begins with a broad survey of both the official images and explanations of poverty and also their unsettling unofficial counterparts. This discourse defines and contains the beggar by continually linking him with his hierarchical inversion, the king. Carroll then turns his attention to the exemplary case of Nicholas Genings, perhaps the single most famous beggar of the period, whose machinations as fraudulent parasite and histrionic genius were chronicled by Thomas Harman. Carroll next assesses institutional responses to poverty by considering two hospitals for the destitute, Bridewell and Bedlam, and their role as real and symbolic places in Elizabethan drama.Fat King, Lean Beggar then focuses on dramatic inscriptions of poverty, primarily in Shakespeare's plays. Carroll's analysis of The Taming of the Shrew and The Winter's Tale links the tradition of the merry beggar to the socioeconomic forces of the day; and his reading of King Lear makes a case for the uniqueness of Edgar, the Bedlam beggar, in the history of drama. Carroll also considers later plays such as Fletcher and Massinger's Beggars' Bush and Richard Brome's Jovial Crew to show how idealizations of the beggar ironically equate him with a monarch in his supposed freedom.