The Gendering of Melancholia : : Feminism, Psychoanalysis, and the Symbolics of Loss in Renaissance Literature / / Juliana Schiesari.

• Superior document: Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000
• VerfasserIn: Schiesari, Juliana,
• Place / Publishing House: Ithaca, NY : : Cornell University Press, , [2018]; ©1992
• Year of Publication: 2018
• Language: English
• Physical Description: 1 online resource (264 p.)
• Other title: Frontmatter --; Contents --; Preface --; Introduction --; Chapter 1. The Gendering of Freud’s “Mourning and Melancholia” --; Chapter 2. Black Humor? Gender and Genius in the Melancholic Tradition --; Chapter 3. Appropriating the Work of Women’s Mourning: From Petrarch to Gaspara Stampa, and from Isabella di Morra to Tasso --; Chapter 4. Soverchia maninconia: Tasso’s Hydra --; Chapter 5. Mourning the Phallus? (Hamlet, Burton, Lacan and “Others”) --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781501718373; 9783110536171
• DOI: 10.7591/9781501718373
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Juliana Schiesari.

The pantheon of renowned melancholics—from Shakespeare's Hamlet to Walter Benjamin—includes no women, an absence that in Juliana Schiesari's view points less to a dearth of unhappy women in patriarchal culture than to the lack of significance accorded to women's grief. Through penetrating readings of texts from Aristotle to Kristeva, she illuminates the complex history of the symbolics of loss in Renaissance literature.The pantheon of renowned melancholics—from Shakespeare's Hamlet to Walter Benjamin—includes no women, an absence that in Juliana Schiesari's view points less to a dearth of unhappy women in patriarchal culture than to the lack of significance accorded to women's grief. Through penetrating readings of texts from Aristotle to Kristeva, she illuminates the complex history of the symbolics of loss in Renaissance literature.Schiesari first considers the development of the concept of melancholia in the writings of Freud and then surveys recent responses by such theorists as Luce Irigaray, KaJa Silverman, and Julia Kristeva. Schiesari provides fresh interpretations of works by Aristotle, Hildegard of Bingen, and Ficino and she considers women's poetry of the Italian Renaissance, key works by Tasso and Shakespeare, and the writings of Walter Benjamin and Jacques Lacan. According to Schiesari, male melancholia was celebrated during the Renaissance as a sign of inspired genius, at the same time as public rituals of mourning led by women were suppressed.The Gendering of Melancholia will be stimulating reading for scholars and students in the fields of feminist criticism, psychoanalytic and literary theory, and Renaissance studies, and for anyone interested in Western cultural history.