Possible Pasts : : Becoming Colonial in Early America / / ed. by Robert Blair St. George.

Possible Pasts represents a landmark in early American studies, bringing to that field the theoretical richness and innovative potential of the scholarship on colonial discourse and postcolonial theory. Drawing on the methods and interpretive insights of history, anthropology, history of art, folklo...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Cornell University Press Backlist 2000-2013
MitwirkendeR:
HerausgeberIn:
Place / Publishing House:Ithaca, NY : : Cornell University Press, , [2018]
©2000
Year of Publication:2018
Language:English
Online Access:
Physical Description:1 online resource (432 p.) :; 6 tables, 33 halftones, 1 map
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Table of Contents:
  • Frontmatter
  • Contents
  • Acknowledgments
  • Introduction
  • Part One: Interrogating America
  • Postcolonial Theory And Early America: An Approach From The Caribbean
  • What's Colonial About Colonial America?
  • Part Two: Translation And Transculturation
  • Dissent And Difference
  • The Native Translator As Critic: A Nahua Playwright's Interpretive Practice
  • Dissent And The Frontier Of Translation: Roger Williams's A Key Into The Language Of America
  • Colonial Visions
  • The Inca's Witches: Gender And The Cultural Work Of Colonization In Seventeenth-Century Peru
  • Mestizo Dreams: Transculturation And Heterogeneity In Inca Garcilaso De La Vega
  • Puritanism's Progress
  • From "Religion And Society" To Practices: The New Religious History
  • What Did Christianity Do For Joseph Johnson? A Mohegan Preacher And His Community
  • Nation And Race
  • War, The State, And Religious Norms In "Coromantee" Thought: The Ideology Of An African American Nation
  • Consolidating National Masculinity: Scientific Discourse And Race In The Post-Revolutionary United States
  • Part Three: Shaping Subjectivities
  • Secret Selves, Credible Personas: The Problematics Of Trust And Public Display In The Writing Of Eighteenth- Century Philadelphia Merchants
  • Black Gothic: The Shadowy Origins Of The American Bourgeoisie
  • Bodies Of Illusion: Portraits, People, And The Construction Of Memory
  • A Criminal Is Being Beaten: The Politics Of Punishment And The History Of The Body
  • Part Four: Oral Performance, Personal Power
  • Massacred Language: Courtroom Performance In Eighteenth-Century Boston
  • "Neither Male Nor Female": Jemima Wilkinson And The Politics Of Gender In Post-Revolutionary America
  • The Genders Of Nationalism: Patriotic Violence, Patriotic Sentiment In The Performances Of Deborah Sampson Gannett
  • Contributors
  • Index