Convents and Novices in Early Modern English Dramatic Works : : In Medias Res / / Vanessa L. Rapatz.

• Superior document: Title is part of eBook package: De Gruyter DG Ebook Package English 2020
• VerfasserIn: Rapatz, Vanessa L.,
• Place / Publishing House: Kalamazoo, MI : : Medieval Institute Publications, , [2020]; ©2020
• Year of Publication: 2020
• Language: English
• Series: Late Tudor and Stuart Drama : Gender, Performance, and Material Culture
• Physical Description: 1 online resource (X, 180 p.)
• Other title: Frontmatter --; Acknowledgments --; Contents --; List of Illustrations --; Introduction: How Do You Solve a Problem Like a Novice? --; Chapter 1: “Turn’d to a Nunnery”: Abigail’s Agency in The Jew of Malta --; Chapter 2: Two Houses Both Alike: Walls and Women in Shakespeare’s Measure for Measure --; Chapter 3: Romancing the Grate in Convent Dialogues --; Chapter 4: Beyond the Grate: Repurposing Enclosure and Reforming Pleasure in Margaret Cavendish’s The Religious and The Convent of Pleasure --; Chapter 5: “What Think You of a Nunnery Wall?”: Lifelines in Aphra Behn’s The Rover --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781501513343; 9783110696288; 9783110696271; 9783110659061; 9783110704716; 9783110704518; 9783110704747; 9783110704532
• DOI: 10.1515/9781501513343
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Vanessa L. Rapatz.

Convents and Novices in Early Modern English Dramatic Works attends to the religious, social, and material changes in England during the century following the Reformation, specifically examining how the English came to terms with the meanings of convents and novices even after they disappeared from the physical and social landscape. In five chapters, it traces convents and novices across a range of dramatic texts that refuse easy generic classification: problem plays such as Shakespeare's Measure for Measure; Marlowe's comic tragedy The Jew of Malta; Margaret Cavendish's closet dramas The Convent of Pleasure and The Religious; Aphra Behn's Restoration comedy The Rover; and seventeenth-century dialogues that include both a Catholic treatise promoting women's entrance into European convents and a proto-pornographic exposé of such convents. Convents, novices, and problem plays emerge as parallel sites of ambiguity that reflect the social, political, and religious uncertainties England faced after the Reformation.