Dismemberment in the Medieval and Early Modern English Imaginary : : The Performance of Difference / / Frederika Elizabeth Bain.

• Superior document: Title is part of eBook package: De Gruyter DG Ebook Package English 2021
• VerfasserIn: Bain, Frederika Elizabeth,
• Place / Publishing House: Kalamazoo, MI : : Medieval Institute Publications, , [2020]; ©2021
• Year of Publication: 2020
• Language: English
• Series: Late Tudor and Stuart Drama : Gender, Performance, and Material Culture
• Physical Description: 1 online resource (X, 303 p.)
• Other title: Frontmatter --; Acknowledgements --; Contents --; Introduction: Attending to Bodies --; Chapter 1: The Symbolic Body and the Performance of Dismemberment --; Chapter 2: Gendered Dismemberments --; Chapter 3: Animals of Dismemberment --; Chapter 4: The Anguish of the Dismemberer: Executioners and Others --; Chapter 5: Coda: After Dismemberment --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781501513237; 9783110750720; 9783110750706; 9783110704716; 9783110704518; 9783110704747; 9783110704532
• DOI: 10.1515/9781501513237
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Frederika Elizabeth Bain.

The medieval and early modern English imaginary encompasses a broad range of negative and positive dismemberments, from the castration anxieties of Turk plays to the elite practices of distributive burial. This study argues that representations and instances of bodily fragmentation illustrated and performed acts of exclusion and inclusion, detaching not only limbs from bodies but individuals from identity groups. Within this context it examines questions of legitimate and illegitimate violence, showing that such distinctions largely rested upon particular acts’ assumed symbolic meanings. Specific chapters address ways dismemberments manifested gender, human versus animal nature, religious and ethnic identity, and social rank. The book concludes by examining the afterlives of body parts, including relics and specimens exhibited for entertainment and education, contextualized by discussion of the resurrection body and its promise of bodily reintegration. Grounded in dramatic works, the study also incorporates a variety of genres from midwifery manuals to broadside ballads.