Citizen Comedy in the Age of Shakespeare / / Alexander Leggatt.

This is the first book to survey comprehensively the field of Elizabethan and Jacobean citizen comedy. Most studies of the period focus on major authors; this one follows recurring themes and motifs, through a variety of plays by many authors from the moralizing comedies of the boys' companies....

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Superior document:Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Archive 1933-1999
VerfasserIn:
Place / Publishing House:Toronto : : University of Toronto Press, , [2019]
©1972
Year of Publication:2019
Language:English
Series:Heritage
Online Access:
Physical Description:1 online resource (167 p.)
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100 1 |a Leggatt, Alexander,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Citizen Comedy in the Age of Shakespeare /  |c Alexander Leggatt. 
264 1 |a Toronto :   |b University of Toronto Press,   |c [2019] 
264 4 |c ©1972 
300 |a 1 online resource (167 p.) 
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490 0 |a Heritage 
505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t 1. Introduction --   |t 2. Citizen hero and citizen villain --   |t 3. The prodigal --   |t 4. The comedy of intrigue: money and land --   |t 5. Who wears the breeches? --   |t 6. Chaste maids and w hares --   |t 7. The comedy of intrigue: adultery --   |t 8. Conclusion --   |t Selected bibliography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a This is the first book to survey comprehensively the field of Elizabethan and Jacobean citizen comedy. Most studies of the period focus on major authors; this one follows recurring themes and motifs, through a variety of plays by many authors from the moralizing comedies of the boys' companies. Professor Leggatt provides not only a fresh perspective on familiar plays by such figures as Jonson, Middleton, and Dekker, but also a new look at a number of neglected comedies, some by unfamiliar authors, some by major authors working together. Standard figures – the usurer, the prodigal, and the prostitute – and standard plots – notably intrigues based on money or sex (or both) – are traced to show the changes that occur in apparently stereotyped material at the hands of individual authors. The result is to display the range and internal variety of a genre that too often is seen as all of a piece, and to show the different ways in which social thinking can interact with the demands and comic form.This book will interest students of Renaissance English drama, both for its treatment of a neglected type of play and for its comments on individual citizen comedies. Those who are concerned with drama as a vehicle for social commentary will find many points for discussion. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) 
650 0 |a English drama (Comedy)  |x History and criticism. 
650 0 |a English drama  |y 17th century  |x History and criticism. 
650 0 |a English drama  |y Early modern and Elizabethan, 1500-1600  |x History and criticism. 
650 0 |a Middle class in literature. 
650 7 |a DRAMA / Shakespeare.  |2 bisacsh 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t University of Toronto Press eBook-Package Archive 1933-1999  |z 9783110490947 
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